Here at Balladeer’s Blog I love sharing my enthusiasms. My blog posts where I provide contemporary slants to Ancient Greek Comedies to make them more accessible have been big hits over the years, so I’ve been trying it with operas, too. Previously I wrote about how Philip Wylie’s science fiction novel Gladiator could be done as an opera. Then I looked at how an opera version of the 1966 Spaghetti Western Django could be done and then an opera based on the novel Venus in Furs.
This blog post starts a look at how the original Dune novel could be done as an entire cycle of operas. If you’re not familiar with the story it is set over 20,000 years in the future, when humanity has colonized many Earth-like planets.
DUNE
LANGUAGE: Spanish. I’ve resigned myself to the fact that most of my fellow English-speakers find English-language operas to be silly. The prosaic nature of the forced rhymes in a language we are well-versed in does seem to rob opera of its mystique and its grandeur.
SINGERS: Two Baritones, two Bass-Baritones, two Sopranos, one Mezzo-Soprano, four Tenors, a contralto and a Bass.
ACTS: FOUR ACTS
STORY: My fellow Dune geeks may get annoyed with this change, but remember, adaptations for staged performances have to be made very tight. I would start out at the Arrakeen Great Hall as the family and court members of House Atreides have just arrived on Arrakis/ Dune, the desert planet. All the scenes that the book covered while the Atreides family were preparing to depart their home on Caladan would instead play out shortly after their arrival on their new planetary fiefdom. Continue reading
BIDEN HAS KIDS IN CAGES (like during Obama’s and Trump’s administrations). Oh, that’s right, anti-Trump fascists never really cared about kids being in cages, they just wanted to use those kids as a political stick to attack Trump with. Now those hypocrites are back to not even pretending to care about such things. Anti-Trumpers apparently won’t complain about Joe Biden’s kids in cages. 
For Flashman Down Under, Flashman in the Opium War & Flashman and the Kings click 
The duo enjoy diving into the darker and more forbidden side of life where sex, booze and other diversions are concerned. Flashman happens to be with Burton in Egypt in early 1853 when the famous explorer begins his journey to Medina and Mecca disguised as a Muslim. 
I consider President Trump the best president for the working class and the poor during my lifetime. Here’s a take from a true working class heroine. Mary Harris Jones, the legendary labor organizer from the 1890s onward, also known as “the Miner’s Angel” and “Mother Jones,” spoke to Balladeer’s Blog yet again, despite being dead since 1930. 
BB: I admit the stench from Washington, DC is amazing. “Draining the Swamp” as it were, demonstrated the depth of corruption and outright criminal activity the Democrats and Republicans are responsible for. It took a de facto Third Party President like Trump to peel back the curtain. 
MJ: First off, President Trump is like Franklin Delano Roosevelt. FDR was looking out for the working class and the poor, so rich fat cat scum tried to destroy him like they’re doing with Donald Trump. They even tried the noted Businessman’s Coup plot against FDR. 
THIRD, President Trump is like that Robert Redford fella when he played Brubaker! Like Trump, Brubaker was trying to clean out a virtual sewer of corrupt officialdom. Even if the scumbags fighting Trump oust him, it will be like the ending of Brubaker, when the prisoners – or American citizens in Trump’s case – gathered around to pay him respect. 
NICK CARTER IN PRAGUE (1978) – This film seems to like to hide from the millions of Nick Carter fans in the world by also going under titles like Adele Has Not Had Her Dinner or Dinner With Adele. I originally planned to review this movie last year but the passing of actor Robert Conrad prompted me to review his telefilm The Adventures of Nick Carter instead. 
The approach is wry and knowing but without stooping to the overdone camp of 1975’s Doc Savage: The Man of Bronze, starring Ron Ely. Nick Carter in Prague is often labeled a comedy but don’t go into it expecting laughs, just lots of smiles like during Dick Tracy or Tim Burton’s Batman. It’s more “comedy” as in whimsical fantasy touches, not hard belly laughs. 
Remember when the following Democrat slogans were intended by me as humor? Well, the Democrats are proving they’re worse than any of us imagined. WE NEED THIRD PARTIES!
For Balladeer’s Blog’s review of the very first episode of this 1971-1973 series about London by Gaslight detectives from both the Victorian and Edwardian Ages you can simply click 
Episode: THE SECRET OF THE FOXHUNTER (February 3rd, 1973) 
Something I found interesting about the Duckworth Drew spy stories was the way that, despite their national chauvinism in which it is just assumed that Great Britain is “the good guy,” the rival powers of Germany, Russia and France are not depicted as devils incarnate. Certainly they’re never presented in truly sympathetic ways but since these stories were written before the World Wars and the Cold War, they’re comparatively restrained in dealing with Drew’s opposition. 
ISLAND OF THE LOST (1967) – Directed by John Florea and written by Richard Carlson and Ivan Tors, this family adventure movie starred Richard Greene, known for playing Robin Hood in the 1950s television series and for playing Sir Denis Nayland Smith in a few of the Fu Manchu movies from the 1960s. 
Richard Greene AND Richard Carlson? You know that with a couple of Dicks like them around we are in for some campiness and lame special effects that might have been acceptable in the 1950s … in black & white, not color. 
MY COUSIN’S AIRSHIP, A TALE OF 1950 (1902) – Written by W.F. Alexander. Though written in 1902 this story is set in a fictional 1950 which has seen incredible scientific advances. 
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