Category Archives: Halloween Season

B-MOVIE HOSTESS ELVIRA’S MOVIE MACABRE: SEASON ONE

As Halloween Month rolls along, I will take a movie-by-movie look at the opening season of Elvira’s show Movie Macabre (1981-1986). Her massive success kicked off an even greater proliferation of Movie Hosts and Hostesses in the 1980s. I covered Elvira herself back in 2012, so this time I’m taking a look at her debut season. 

GRAVE OF THE VAMPIRE (1972) – Psychotronic icons Michael Pataki and William Smith starred in this twisted flick about a vampire (Pataki) who rapes a woman (Lyn Peters) who subsequently gives birth to an abnormal infant. The baby will drink only blood and grows up to be James Eastman (Smith). James goes on a quest to kill his father for the pain he brought into his mother’s life. Ultimately he does, but becomes a full vampire himself. (Just go with it.) Aired Sep 26th, 1981.

SILENT NIGHT, BLOODY NIGHT (1972) – One of the pre-Halloween examples of a slasher film. A young man inherits the family mansion which years earlier was turned into an insane asylum. He starts the process of selling the place, but on Christmas Eve a former inmate of the asylum goes on a killing spree. THE John Carradine, Mary Woronov and Patrick O’Neal star along with many Andy Warhol fringies like Candy Darling. Also with Philip Bruns of Mary Hartman, Mary Hartman.   Aired Oct 3rd. Continue reading →

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THE ROOM IN THE TOWER (1912) – A HALLOWEEN STORY

THE ROOM IN THE TOWER (1912) – This story was written by E.F. Benson. The British narrator has a recurring nightmare in which he visits his friend John Clinton at his family manor. The other family members, including his mother Mrs. Stone, are cold and grim toward him.

Mrs. Stone assigns the unnamed narrator to a room in the tower and has John lead the way. When the dreamer enters the room, he sees something horrific but always awakens before whatever it is fully registers in his mind.

This goes on for years, with Clinton family members aging in the dream. At one point Mrs. Stone dies, yet in the illogic of the narrator’s dream she is still in the manor when he visits, and she still has John lead him to the room in the tower. The ending of the dream is the same. Continue reading →

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STRANGE HARVEST (2025) HORROR MOVIE REVIEW

STRANGE HARVEST (2025) – Halloween Month continues with this review of a movie which got previewed in 2024 before its official release in August 2025. Because Balladeer’s Blog covers everything from mild Silent-Era horror films to extreme horror from recent decades I will post my courtesy warning for Strange Harvest:

IF YOU DO NOT LIKE EXTREME CONCEPTS AND VIOLENCE, PLEASE DON’T CLICK ON “CONTINUE READING” BELOW. Thanks.

Strange Harvest nicely reproduces the vibes of the countless True Crime channels and combines it with the feel of more horror-oriented channels like Scary Interesting. The film is presented as a True Crime episode about a viciously violent serial killer who has been at large for over twenty years.

However, his murders seemed unrelated until detective work recently found the obscure link connecting them. I will go into details about the grotesque murders below. Oddly, despite the grisly nature of the slayings, Strange Harvest otherwise starts out with a slow burn approach reminiscent of Rosemary’s Baby, The Exorcist and other films.   

The movie patiently adds the supernatural aspects slowly, and even then indicates the paranormal trappings may just reflect the killer’s insane beliefs until the obvious can no longer be ignored. Continue reading →

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THE DALTON CHANGELING

Balladeer’s Blog presents another neglected American horror legend in honor of Halloween Month.

THE DALTON CHANGELING

Anne Coleman was a feared witch in Lanesboro, MA in the 1780s. She was suspected of causing storms that sank ships, bringing on diseases that killed cattle, making food go bad and other malevolent deeds.  

Eunice Dalton – a new mother – had told her husband Ezra and anyone else who would listen that she was certain that Anne Coleman had stolen their baby boy out of the crib and replaced it with a changeling. Ezra and others tried to assure her that the baby was her own but she continued regarding it with fear. Continue reading →

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PETER RUGG – A GHOST STORY FROM 1824

PETER RUGG, THE MISSING MAN (1824) – This short story was written by author William Austin. A ghostly post-chaise horsedrawn carriage is often sighted and/or encountered up and down the East Coast. The carriage is pursued by a supernatural storm and is driven by a man named Peter Rugg with his daughter Jenny as his passenger.   

In the story, the narrator character Jonathan Dunwell and his driver meet Peter Rugg and his daughter on the road one night. Rugg asks for directions to Boston, obtains them from Dunwell’s driver and drives off, pursued by the storm.

Dunwell is puzzled, so his driver explains that Peter, his daughter, and their black horse are ghosts. Long ago they were killed in a storm while making their way to Boston. Rugg had refused to seek shelter at an inn, screaming to the heavens that he would reach Boston that night or never, and he and his child were then killed by the storm. Continue reading →

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THE WEIRD, WEIRD WEST – HORROR FILMS WITH A WESTERN THEME

With Halloween approaching Balladeer’s Blog is doing its usual holiday-themed posts. This time around I’ll give a brief synopsis of western-flavored horror flicks. In keeping with my blog’s theme of covering out of the way topics I won’t be examining movies that are too well known, like Billy the Kid vs Dracula, Jesse James Meets Frankenstein’s Daughter or The Terror of Tiny Town. Ditto for more recent movies like Sundown and Billy The Kid in Hell. As for West World and Welcome to Blood City, those are more science fiction than horror, so they aren’t included either.  

black noonBLACK NOON (1971) – Roy Thinnes stars as an old west preacher who falls in with a coven of witches in the town of Melas (Salem spelled backwards of course).

The witches tempt Thinnes into thinking he’s a prophet and healer, then use his vanity against him and his wife during their dark ritual of the Black Noon, which takes place during a mid-day eclipse.

CURSE OF THE HEADLESS HORSEMAN (1974) –  A medical student and his hippy friends try to renovate a dude ranch haunted by the Headless Horseman. No, it’s not the figure from the Washington Irving tale, but an old-west gunslinger who was unjustly hanged, losing his head in the process. The Horseman now roams the dude ranch by night looking for victims to frighten. SPOILER: The Continue reading →

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HALLOWEEN MONTH 2026 IS HERE!

October 1st kicks off Balladeer’s Blog’s usual mixing of horror items in with my usual topics. I review horror films from the silent movie era onward as well as obscure stories from the 1800s and earlier, like they’re Halloween counterparts to my Ancient Science Fiction reviews.

To give new readers a taste of how Halloween is done around here, take a look at some of last year’s Halloween Month highlights:

GRAND FINALE

HALLOWEEN WITH PAUL NASCHY – I capped off the horror season with a look at the 60s, 70s and 80s movies of Spain’s King of Horror – Jacinto Molina aka Paul Naschy. And I mean all of them, not just his many, many werewolf movies about tormented lycanthrope Waldemar Daninsky. Naschy also starred as a mummy, as Dracula, as slashers, as an exorcist and so on.

There was Assignment: Terror, one of my all-time favorite Bad Movies featuring aliens who possess the dead bodies of scientists so they can conquer Earth with a vampire, a mummy and a werewolf. Werewolf vs the Yeti was another as was Dr. Jekyll vs the Wolfman.

Non-werewolf Naschy films I reviewed included Count Dracula’s Great Love, Horror Rises from the Tomb, The Hunchback of the Rue Morgue (yes), Vengeance of the Zombies, Return of the Witch, The Mummy’s Revenge, House of Psychotic Women, Exorcism, and The Man with the Severed Head.

FORGOTTEN HORROR STORIES

MAN-SIZE IN MARBLE (1887), about old stone statues of two knights which come to life to do evil. Classics like The King in Yellow (1895), Isabella of Egypt (1812) and several Ambrose Bierce short stories. Continue reading →

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VINCENT PASTORE: RIP – BLACK ROSES (1988)

Black Roses 1BLACK ROSES (1988) – This legendarily laughable attempt at a horror film belongs to quite a few niche sub-genres. It’s a Canadian horror movie, it’s one of the wonderfully campy Heavy Metal Horror productions of the 1980s and most importantly for trivia lovers Black Roses is one of the Big Three Canadian turkeys to feature Frank Dietz in a supporting role. (The other two are Rock’N’Roll Nightmare and Zombie Nightmare. ) 

Dietz looked too young to be a police detective in Zombie Nightmare and he looks too OLD to be a high school student in Black Roses. But that’s part of his – and the movie’s – charm. He also plays one of the Black Roses in monster form during the film.

You want more kitsch-casting? How about Julie Adams of Creature from the Black Lagoon playing an elderly frump outraged over Heavy Metal’s supposed “Satanic” element?

How about noted musician Carmine Appice as Vinny Apache, one of the demonic members of the band Black Roses?

How about Vincent Pastore from The Sopranos as a Heavy Metal-hating parent who pays for that by getting mauled by a $1.49 spider-puppet AND getting sucked into a speaker playing Black Roses songs?  Continue reading →

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ANCIENT SCIENCE FICTION: THE MAN AND THE MONSTER (1826)

THE MAN AND THE MONSTER – Written by Henry M. Milner, this stage adaptation of Mary Shelley’s Frankenstein differs significantly from her novel and was first performed on July 3rd, 1826 at the Royal Cobourg Theatre.

The full title of this play is Frankenstein; or The Man and the Monster, a Melodrama in Two Acts. At least one other stage adaptation in 1823 preceded Milner’s version of the story. Milner’s play can be read in its entirety online.

In honor of Rome: Italian Style on SCTV I like to think of this work as Frankenstein: Italian Style since it is set in Sicily, apparently only so that Mt. Aetna can figure in the play’s finale. Rather than laboring in his own castle, Dr. Frankenstein lives and works in Sicily under the auspices of the Prince del Piombino.

The prince is a great patron of arts and sciences, and he finances Frankenstein’s work. In turn, the doctor tutors the prince’s son Julio (Julio?). Continue reading →

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SCHALCKEN THE PAINTER (1979)

SCHALCKEN THE PAINTER (1979) – The British Film Institute has released a terrific video edition of this 69-minute Gothic Horror telefilm which originally aired on December 23rd, 1979 as part of the Omnibus program.

Leslie Megahey directed this adaptation of the Sheridan Le Fanu story. Schalcken the Painter is a genuine masterpiece of visual storytelling. Nearly every scene is lit and filmed like a 1600s painting by artists like Godfried Schalcken, Rembrandt, Vermeer and others.

I always compare the cinematography in this production to one of my favorite Stanley Kubrick films – Barry Lyndon. If you enjoyed the candlelit atmosphere of that movie then Schalcken the Painter will blow you away.

This film redefines slow burn horror, so it’s certainly not for all tastes. Art House Horror would describe it nicely. The emphasis is on mood and feelings of dread rather than graphic horror.

Jeremy Clyde of Chad & Jeremy fame stars as the Dutch artist Schalcken with Maurice Denham as his already famous teacher Garrett Dou and Cheryl Kennedy as Rose, Dou’s niece and Schalcken’s desire.

Rose reciprocates Godfried’s affections, but they dare not discuss anything with her uncle until Schalcken establishes himself and has enough money to support her. One night, a sinister, wealthy Dutchman named Vanderhausen of Rotterdam arrives to claim Rose for himself. Continue reading →

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