Tag Archives: film reviews

HARD CUT: RECOMMENDED MOVIE REVIEW CHANNEL ON YOUTUBE

Balladeer’s Blog takes a look at another YouTube movie review channel. This one is called Hard Cut Reviews. I haven’t been this enthusiastic about a YT channel since Red Letter Media when I covered them way back in the early years of 2010 and 2011.

Hard Cut‘s hosts Bobby and Matt post videos in which they do in-depth discussions of new releases, old classics and high-budget bombs from recent decades. Matt and Bobby themselves describe their content as “Based movie reviews” so picture a blend of Red Letter Media film review shows crossed with Critical Drinker but with much fresher takes that are like a happy medium between the two approaches. Continue reading

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JOHN PAUL JONES (1959) MOVIE REVIEW

With the 4th of July fast approaching, here’s another item for America’s 250th birthday – a biopic of our nation’s early naval hero.

JOHN PAUL JONES (1959) – Robert Stack stars as the title character, Charles Coburn plays Benjamin Franklin, Bette Davis is Empress Catherine the Great of Russia, Macdonald Carey is Patrick Henry and Thomas Gomez portrays Commodore Esek Hopkins. On a scale of 1 to 10 I would rate John Paul Jones a 6. I wish it could be higher.

This movie looks good enough, but Stack’s performance is a bit too dry and the story rambles on for too long after the logical end point when the Revolutionary War is over. Some brief closing text could have covered John Paul Jones’s career in the Russian Navy from 1787 onward. Just a quick note acknowledging the damage he wrought to the Turkish Navy on Russia’s behalf and bring on the closing credits. 

The film also subjects us to far too much of Jones’s younger years as a sailor and Robert Stack’s Forever 31 face at the time is comically distracting. (I Was a Teenage Thirtysomething) I wish more biopics used the terrific approach of Patton (1970) – focus on the most eventful years of the main character’s life with dialogue filling viewers in on their early life.  Continue reading

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RICHARD TODD’S SWASHBUCKLER MOVIES

Richard Todd enjoyed a long career during which he played nearly every type of role imaginable. Among those were a few swashbucklers.

ROB ROY: THE HIGHLAND ROGUE (1953) – Accurate history has no place in this Disney film in which Richard Todd stars as Scottish Clan leader and legendary outlaw Rob Roy MacGregor. The film begins in 1715 as Clan MacGregor is among the Scottish forces fighting against King George the First of England in the Jacobite Uprising.

The Duke of Argyll (James Robertson Justice) leads troops loyal to the king and defeats the rebellious clans despite his grudging admiration for them, especially Rob Roy MacGregor. By 1717, Argyll’s rival the Duke of Montrose is placed in charge of the Scottish Highlands and is much harsher than the Duke of Argyll was.

Montrose pardons all the Jacobite Clans except the MacGregors, who are forbidden to even use their surname, hence their leader being renowned as simply Rob Roy. Our hero is imprisoned by Montrose but escapes and leads his kinsmen and loyalists in rustling Montrose’s cattle and looting his estates.   

And so the film goes, with the Duke of Montrose used as a Prince John in Robin Hood figure and his underling Killearn serving as a Sheriff of Nottingham type. Rob Roy and his men thwart the bad guys at every turn, and ultimately the Duke of Argyll arranges a truce between Rob Roy’s clan and the king.

Glynis Johns co-stars as Rob’s wife Helen Mary MacGregor with Michael Gough portraying the villainous Montrose. 81 minutes. Continue reading

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THE SWASHBUCKLER MOVIES OF PAUL HENREID

Paul Henreid, perhaps best known as Victor Laszlo in Casablanca, also starred in a few swashbuckler films in the 1940s and 1950s.

THE SPANISH MAIN (1945) – In the 1600s, Dutch Captain Laurent van Horn (Paul Henreid) is using his ship to transport refugees from the current war in Holland to safety in the Carolina Colonies. Storms and other misfortunes cause the ship to go wildly off course, ultimately wrecking near Cartagena. Spanish Colonial Governor Don Juan Alvarado (Walter Slezak) imprisons Laurent and his crew, sentencing them to hang.

Captain van Horn leads his men in escaping the prison and stealing a ship they rechristen the Barracuda. Over the next five years they thrive as pirates preying on Spanish shipping and thumbing their noses at villainous Governor Alvarado every chance they get.

One day they seize the Spanish Galleon taking Contessa Francesca (Maureen O’Hara) to Cartagena to marry Alvarado. Feisty Francesca impresses Laurent with her spirit and her beauty, so when she offers him her hand in marriage if he spares the lives of her escorts he gladly accepts.

Captain van Horn and his crew take the Contessa to the port where the Barracuda and other pirate vessels hide out. A very inaccurate rendition of pirate Anne Bonny (Binnie Barnes) is jealous that Francesca has taken her man Laurent. She joins forces with pirate captains who resent van Horn’s leadership to deliver Francesca to Alvarado.

The bad guys and gals also capture Laurent and offer to turn him over to Alvarado for a big payday. Naturally, the pirate captain and the Contessa manage to defeat the villains and cement their romance. 100 minutes.  Continue reading

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SECRET OF THE INCAS (1954) CHARLTON HESTON AS A MORE GROUNDED INDIANA JONES AND HAN SOLO

SECRET OF THE INCAS (1954) – Considering that some of the costume and design staff members for Raiders of the Lost Ark have openly stated that they did repeated viewings of this neglected Charlton Heston film while putting together the “look” of that 1981 blockbuster I admit to being as puzzled as they are that Secret of the Incas isn’t mentioned as much as old serials are as an influence.

And let me emphasize that I do mean “influence”, and not imitation or rip-off. In my opinion, the most that could be said is that this 1954 flick is like Raiders of the Lost Ark before they added the choreographed action scenes and special effects. The storyline in Secret of the Incas involves violent, double-crossing and deadly attempts by shady and not-so-shady figures to discover and claim/ steal an ancient Inca relic … from Machu Pichu itself!

Location filming in Peru greatly improves the quality of this overlooked film. Footage of Machu Pichu’s 1950s condition is fascinating and Peruvian singer Yma Sumac as priestess Kori-Tica performs a few folk songs in honor of Inca culture. Expect a movie closer to Film Noir with archeological trappings rather than an action spectacle and you may enjoy Secret of the Incas as much as I do. Beautiful Nicole Maurey plays Heston’s love interest.    

Moving on to the elephant in the room, Charlton Heston as Harry Steele wears beard stubble and what is now called “an Indiana Jones hat” in addition to an Indy jacket. Heston’s character is also a pilot so the jacket has logo patches on each side and is accessorized by a flight scarf but otherwise he looks every inch the visual basis for a certain two-fisted archeologist.

Remember when Marion Ravenwood tells Dr. Jones “You’re not the man I knew ten years ago.” Well, it’s tempting to think that Harry Steele IS what Indy was like ten years ago. Brasher than Jones in Raiders and as ruthless as Han Solo, Steele is also fluent in multiple languages, including Quechua. As a veteran relic hunter he’s also well-versed in ancient cultures and is buddies with the scholars at Cuzco’s museum. Continue reading

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MABEL NORMAND’S BEST SILENT COMEDIES (1921-1927)

Balladeer’s Blog takes its third and final look at the best silent film comedies of the legendary comedienne Mabel Normand. For 1910-1915 click HERE. For 1916-1920 click HERE.

MOLLY O (1921) – This film was produced by Mabel’s longtime romantic partner Mack Sennett (the musical Mack & Mabel is about them) and co-written by Mary Hunt. Originally 80 minutes long, this comedy was once considered completely lost like so many other silent movies.

Part of the surviving 57 minutes of footage has an unusual survival story. Because the film centers on the romance of a poor struggling Irish girl, Molly O’Dair (Normand) and wealthy MD John Bryant (Jack Mulhall), much of the comedy centers on class stereotypes of Molly’s poor but honest family and Jack’s wealthy but villainous family.

The Soviet Union edited out all the funny parts and presented what was left as one of their propaganda films depicting life in America as one long nightmare of evil rich capitalists ridiculing and being cruel to poor working-class people.

That footage from the fallen U.S.S.R.’s film archives helped UCLA film historians flesh out what surviving footage they held with the chopped-up Russian version to make the 57-minute cut. Luckily the ending is intact and reviews from 1921 help fill in any missing story beats.

Molly’s Irish family runs a laundry and when she delivers some clothing to Dr. John Bryant, they fall for each other. Dr. Bryant is the only decent member of his family, and he & Molly struggle to make their romance work despite the snobbish machinations of his hoity-toity clan who despise the Irish.

The brother of John’s former lady is the main villain and tries to send Molly/ Mabel to her death from a high-flying dirigible in the thrilling finale. Dr. Bryant uses a bi-plane to reach the dirigible and executes a daring leap to board the lighter than air vessel so he can overcome the bad guy and save his true love.    Continue reading

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R.I.P. CHUCK NORRIS: MY FAVORITE FILMS

With the passing of the iconic Chuck Norris I’m taking a look at my favorite films of his. I was never the biggest Norris fan, so this list is purely from the perspective of a casual fan.

I’m such a casual fan, in fact, that I wasn’t going to do an R.I.P. post about him but I decided to do one based on the vicious attacks on the late Norris by deranged Democrats who always tell the rest of us to “separate the art from the artist” when their celebrities are criticized in any way.

INVASION USA (1985) – Psychotronic cinema in its purest form, Invasion USA was so firmly in the realm of fantasy that it’s ridiculous that some critics tore into it so deeply. The same type of critics probably loved the pretentious One Battle After Another, which was basically Invasion USA in reverse. 

Norris starred as former intelligence agent Matt Hunter, who gets called back into action when a communist army from Cuba invades Florida under the leadership of Hunter’s old archenemy – Soviet Union agent Rostov, played by cult actor Richard Lynch.

Matt is among the people fighting back against the communist invaders in escapist, over the top action scenes. Anti-Castro Cubans fight the invaders in alliance with our main character. Red Dawn was too juvenile in my opinion, so I much prefer this Norris flick.

There are lots of Christmas decorations on display since the film is set during Yuletide. Invasion USA was therefore part of my “Very Butt-Kicking Christmas Marathon” years ago alongside Die Hard, Lethal Weapon and Die Hard 2.    Continue reading

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SCHALCKEN THE PAINTER (1979)

SCHALCKEN THE PAINTER (1979) – The British Film Institute has released a terrific video edition of this 69-minute Gothic Horror telefilm which originally aired on December 23rd, 1979 as part of the Omnibus program.

Leslie Megahey directed this adaptation of the Sheridan Le Fanu story. Schalcken the Painter is a genuine masterpiece of visual storytelling. Nearly every scene is lit and filmed like a 1600s painting by artists like Godfried Schalcken, Rembrandt, Vermeer and others.

I always compare the cinematography in this production to one of my favorite Stanley Kubrick films – Barry Lyndon. If you enjoyed the candlelit atmosphere of that movie then Schalcken the Painter will blow you away.

This film redefines slow burn horror, so it’s certainly not for all tastes. Art House Horror would describe it nicely. The emphasis is on mood and feelings of dread rather than graphic horror.

Jeremy Clyde of Chad & Jeremy fame stars as the Dutch artist Schalcken with Maurice Denham as his already famous teacher Garrett Dou and Cheryl Kennedy as Rose, Dou’s niece and Schalcken’s desire.

Rose reciprocates Godfried’s affections, but they dare not discuss anything with her uncle until Schalcken establishes himself and has enough money to support her. One night, a sinister, wealthy Dutchman named Vanderhausen of Rotterdam arrives to claim Rose for himself. Continue reading

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RICARDO MONTALBAN’S SWASHBUCKLER FILMS

Nobody doesn’t like Ricardo Montalban. From Mr. Rourke to his memorable villain roles, his suave charm and magnetic charisma kept him a star for decades. Here’s a look at his swashbuckler movies.

RAGE OF THE BUCCANEERS (1961) – Montalban stars as 1600s buccaneer Captain Gordon aka the Black Pirate (no relation to the Douglas Fairbanks silent film). He’s a former slave turned pirate and his favorite targets for plunder are slave ships.

Gordon liberates all the slaves on such vessels and loots all valuables. His suffering when he was a slave drives him still and he has a “secret identity” of sorts as a wealthy landowner in San Salvador. Through that identity he covertly keeps abreast of ships with valuable cargos as well as the actions of slave merchants trying to avoid his pirate attacks. 

Ricardo has two ladies vying for his love – stowaway Luanal (Liana Orfei) and the governor’s daughter Manuela (Giulia Rubini). Vincent Price himself plays Romero, an evil politician and slave trader plotting to overthrow the governor and take his place. He also wants Manuela for himself. 

Romero’s most dangerous ally is Captain Tortuga (Jose Jaspe), a ruthless slaver who has clashed with Captain Gordon over the years. Montalban shines as the hero viewers can’t help but cheer for, especially when he thwarts the efforts of slavers to dump their chained human “cargo” overboard to drown rather than have our pirate captain liberate them.

This movie should have been remade in recent decades. I know studios consider pirate movies to be risky ventures but this one seems like it couldn’t miss. 88 minutes. Continue reading

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RYAN O’NEAL: FORGOTTEN FILMS (1969-1981)

RYAN O’NEAL – Let’s face it, Errol Flynn himself probably looked down from above with envy when it came to Ryan O’Neal’s escapades with women. And it’s a cinch that Flynn would have envied O’Neal’s acting talent, which was never spectacular but was above that of many of Hollywood’s biggest names.

In addition to the love of his life Farrah Fawcett, a partial list of the beautiful ladies who had romances with Ryan includes Joan Collins, Jacqueline Bisset, Diana Ross, Ursula Andress, Anouk Aimee and Leigh Taylor-Young. His first wife Joanna Moore praised O’Neal as “an incredible lover … totally devoted to giving a woman pleasure.” 

Ryan tried his hand at boxing, then started his film career as a stuntman before gravitating to acting. At one time he was the highest-paid actor in Hollywood, but his legendary partying and volatile behavior ultimately led to him being passed over for roles that might have cemented him as an upper tier thespian in Hollywood.

In this blog post I won’t be covering Ryan O’Neal’s well-known movies like Love Story, Paper Moon, What’s Up, Doc?, Barry Lyndon, The Driver, The Main Event and others. Nor will I cover his ensemble cast flicks like A Bridge Too Far.   

GREEN ICE (1981) – Sadly, by 1981 the age of classic heist films like Rififi was long over and that may have contributed to the less than stellar box office results for this project. Ryan O’Neal starred as Joseph Wiley, a former engineer turned adventuring globe-trotter.

In Mexico, Wiley meets Anne Archer playing Lillian Holbrook, a diamond heiress running away from the life led by her stuffy family. Omar Sharif is Meno Argenti, Holbrook’s co-conspirator in a network of Colombian emerald smugglers. (Emeralds are the “green ice” of the title.)

An attempt on his life drives Wiley closer to Lillian and Argenti, but after intrigues and double-crosses involving Colombian rebels, Lillian’s missing sister and clashes with the corrupt Colombian government, Argenti emerges as the main villain.   

Meno has hoarded emeralds that were originally intended to finance the rebels and stores them in his high-tech, supposedly impregnable vault in his penthouse atop a Colombian skyscraper. Joe Wiley and Lillian Holbrook recruit Miguel (Domingo Ambriz) and Claude (THE John Larroquette) in a heist involving one-man hot-air balloons and assorted technology to steal the emeralds from Argenti’s vault. Continue reading

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