Richard Todd enjoyed a long career during which he played nearly every type of role imaginable. Among those were a few swashbucklers.
ROB ROY: THE HIGHLAND ROGUE (1953) – Accurate history has no place in this Disney film in which Richard Todd stars as Scottish Clan leader and legendary outlaw Rob Roy MacGregor. The film begins in 1715 as Clan MacGregor is among the Scottish forces fighting against King George the First of England in the Jacobite Uprising.
The Duke of Argyll (James Robertson Justice) leads troops loyal to the king and defeats the rebellious clans despite his grudging admiration for them, especially Rob Roy MacGregor. By 1717, Argyll’s rival the Duke of Montrose is placed in charge of the Scottish Highlands and is much harsher than the Duke of Argyll was.
Montrose pardons all the Jacobite Clans except the MacGregors, who are forbidden to even use their surname, hence their leader being renowned as simply Rob Roy. Our hero is imprisoned by Montrose but escapes and leads his kinsmen and loyalists in rustling Montrose’s cattle and looting his estates.
And so the film goes, with the Duke of Montrose used as a Prince John in Robin Hood figure and his underling Killearn serving as a Sheriff of Nottingham type. Rob Roy and his men thwart the bad guys at every turn, and ultimately the Duke of Argyll arranges a truce between Rob Roy’s clan and the king.
Glynis Johns co-stars as Rob’s wife Helen Mary MacGregor with Michael Gough portraying the villainous Montrose. 81 minutes. Continue reading
THE SPANISH MAIN (1945) – In the 1600s, Dutch Captain Laurent van Horn (Paul Henreid) is using his ship to transport refugees from the current war in Holland to safety in the Carolina Colonies. Storms and other misfortunes cause the ship to go wildly off course, ultimately wrecking near Cartagena. Spanish Colonial Governor Don Juan Alvarado (Walter Slezak) imprisons Laurent and his crew, sentencing them to hang. 
Captain van Horn and his crew take the Contessa to the port where the Barracuda and other pirate vessels hide out. A very inaccurate rendition of pirate Anne Bonny (Binnie Barnes) is jealous that Francesca has taken her man Laurent. She joins forces with pirate captains who resent van Horn’s leadership to deliver Francesca to Alvarado. 
SECRET OF THE INCAS (1954) – Considering that some of the costume and design staff members for Raiders of the Lost Ark have openly stated that they did repeated viewings of this neglected Charlton Heston film while putting together the “look” of that 1981 blockbuster I admit to being as puzzled as they are that Secret of the Incas isn’t mentioned as much as old serials are as an influence. 
Location filming in Peru greatly improves the quality of this overlooked film. Footage of Machu Pichu’s 1950s condition is fascinating and Peruvian singer Yma Sumac as priestess Kori-Tica performs a few folk songs in honor of Inca culture. Expect a movie closer to Film Noir with archeological trappings rather than an action spectacle and you may enjoy Secret of the Incas as much as I do. Beautiful Nicole Maurey plays Heston’s love interest. 
Remember when Marion Ravenwood tells Dr. Jones “You’re not the man I knew ten years ago.” Well, it’s tempting to think that Harry Steele IS what Indy was like ten years ago. Brasher than Jones in Raiders and as ruthless as Han Solo, Steele is also fluent in multiple languages, including Quechua. As a veteran relic hunter he’s also well-versed in ancient cultures and is buddies with the scholars at Cuzco’s museum. 
MOLLY O (1921) – This film was produced by Mabel’s longtime romantic partner Mack Sennett (the musical Mack & Mabel is about them) and co-written by Mary Hunt. Originally 80 minutes long, this comedy was once considered completely lost like so many other silent movies. 
That footage from the fallen U.S.S.R.’s film archives helped UCLA film historians flesh out what surviving footage they held with the chopped-up Russian version to make the 57-minute cut. Luckily the ending is intact and reviews from 1921 help fill in any missing story beats. 
With the passing of the iconic Chuck Norris I’m taking a look at my favorite films of his. I was never the biggest Norris fan, so this list is purely from the perspective of a casual fan. 
INVASION USA (1985) – Psychotronic cinema in its purest form, Invasion USA was so firmly in the realm of fantasy that it’s ridiculous that some critics tore into it so deeply. The same type of critics probably loved the pretentious One Battle After Another, which was basically Invasion USA in reverse. 
Matt is among the people fighting back against the communist invaders in escapist, over the top action scenes. Anti-Castro Cubans fight the invaders in alliance with our main character. Red Dawn was too juvenile in my opinion, so I much prefer this Norris flick.
SCHALCKEN THE PAINTER (1979) – The British Film Institute has released a terrific video edition of this 69-minute Gothic Horror telefilm which originally aired on December 23rd, 1979 as part of the Omnibus program. 
Jeremy Clyde of Chad & Jeremy fame stars as the Dutch artist Schalcken with Maurice Denham as his already famous teacher Garrett Dou and Cheryl Kennedy as Rose, Dou’s niece and Schalcken’s desire.
RAGE OF THE BUCCANEERS (1961) – Montalban stars as 1600s buccaneer Captain Gordon aka the Black Pirate (no relation to 
Romero’s most dangerous ally is Captain Tortuga (Jose Jaspe), a ruthless slaver who has clashed with Captain Gordon over the years. Montalban shines as the hero viewers can’t help but cheer for, especially when he thwarts the efforts of slavers to dump their chained human “cargo” overboard to drown rather than have our pirate captain liberate them. 
RYAN O’NEAL – Let’s face it, Errol Flynn himself probably looked down from above with envy when it came to Ryan O’Neal’s escapades with women. And it’s a cinch that Flynn would have envied O’Neal’s acting talent, which was never spectacular but was above that of many of Hollywood’s biggest names.
Ryan tried his hand at boxing, then started his film career as a stuntman before gravitating to acting. At one time he was the highest-paid actor in Hollywood, but his legendary partying and volatile behavior ultimately led to him being passed over for roles that might have cemented him as an upper tier thespian in Hollywood. 
GREEN ICE (1981) – Sadly, by 1981 the age of classic heist films like Rififi was long over and that may have contributed to the less than stellar box office results for this project. Ryan O’Neal starred as Joseph Wiley, a former engineer turned adventuring globe-trotter. 
An attempt on his life drives Wiley closer to Lillian and Argenti, but after intrigues and double-crosses involving Colombian rebels, Lillian’s missing sister and clashes with the corrupt Colombian government, Argenti emerges as the main villain. 
WAR HUNT (1962) – Unusual little movie that was sort of like a Korean War forerunner of Platoon. Redford is Private Roy Loomis, a new arrival who would be the film’s Charlie Sheen equivalent, right down to his first-person narration. John Saxon would be the Tom Berenger equivalent as Private Raymond Endore, who uses the war as an excuse to give his violent tendencies full reign. 
SEA DEVILS (1953) – As England and other nations battle France in 1800, English Captain Gilliatt (Rock Hudson) has abandoned his career as a fisherman to become a smuggler. He excels at the task and over the past few years he and his ship the Sea Devil have gained quite a reputation. 
Amid much swordplay and other action during frequent trips across the Channel, Gilliatt struggles to keep her alive and understand the motives of this beautiful woman with whom he has fallen in love. 
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