Tag Archives: film reviews

STACY KEACH: RIP – THREE LESSER-KNOWN WORKS

Stacy Keach, who worked in everything from Shakespeare to Cheech and Chong, has passed away. Regular readers of Balladeer’s Blog know the procedure. While everyone else salutes his more popular projects, I’ll look at a few of his more obscure items.

DYNASTY (1976)

This Made for Television production was based on a story outline by James A. Michener. He doesn’t seem to have had much else to do with it, however. The Blackwood Family are trying to make a life for themselves on the Ohio Frontier of the very early 1800s. 

Circumstances push the family ever further westward as they try to build an empire. Brothers Matt Blackwood – played by Stacy Keach – and John Blackwood – played by Harris Yulin – fight over Jennifer (Sarah Miles).

Despite this, the family stands united against slave-hunters when they come looking for fugitive slave Sam (Charles Weldon). They come to Sam’s aid and he stays with the Blackwoods from then on.

Despite being married to one of the brothers, Jennifer runs off with the other. Long years later, she returns to her husband with her son Mark, played by Harrison Ford. But which Blackwood Brother is his real father? Also starring Amy Irving. Continue reading →

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HARRY HOUDINI: HIS SILENT MOVIES (1918-1923)

Many people have forgotten that escape artist Harry Houdini parlayed his stage fame into a series of gimmick movies and a serial during the age of silent films. Balladeer’s Blog takes a look at those overlooked productions.

master mysteryTHE MASTER MYSTERY (1918-1919) – The first film footage of Harry Houdini performing his stage act dates to 1907, but it wasn’t until this 15-part serial that he hit the big screen in a series of adventures. Chapter One of The Master Mystery debuted on November 18th, 1918 and starred Houdini as a federal agent named Quentin Locke.

Quentin is assigned to infiltrate a sinister corporation that practices patent fraud, but as Locke’s investigation probes deeper, a far-reaching conspiracy against the entire United States is exposed.

automaton Every cliffhanger ending for the chapters of the serials involves a deathtrap which Houdini escapes from at the start of the following installment.

No trick photography was used in filming Harry’s escapes, and another bit of history in The Master Mystery involves the villain’s robot, called the Automaton. One of the first powered exoskeletons in movie history was used to maneuver the android around. As the story goes on, the Automaton’s creator modifies it to spray his nerve gas called the Madagascan Madness.  Continue reading →

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Filed under Neglected History, opinion

HALLOWEEN FILM FROM JEAN ROLLIN: THE LIVING DEAD GIRL (1982)

Halloween Month continues with this review of one of the zombie movies of French Director Jean Rollin. Balladeer’s Blog’s reviews of Rollin’s films always point out that his works range from brilliant and artistic to just plain awful.

The Living Dead Girl is one of the director’s best in my opinion, but deals with extreme concepts and gore so I’m providing my courtesy WARNING for readers who don’t like such movies to refrain from clicking on “Continue reading.”  Continue reading →

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THE BLACK PIRATE (1926) SILENT DOUGLAS FAIRBANKS CLASSIC

THE BLACK PIRATE (1926) – Fairbanks starred as the Duke of Arnoldo aka the Black Pirate in this high seas adventure that captured the feel of Rafael Sabatini’s novels and the look of Howard Pyle’s artwork of the Golden Age of Piracy. The seizing, plundering and destruction of treasure-laden ships has rarely looked so stunning.

While pursuing his career of piracy, our hero is simultaneously looking for revenge on the pirate captain who killed his father. The Black Pirate features some of Doug’s best action set pieces since his 1920 classic The Mark of Zorro – all manner of sword fights, including with two swords at once, swinging from the ship’s ropes, seizing a prize ship literally single handed and more. Continue reading →

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A LOOK AT TWENTY JAMES GARNER MOVIES

James Garner 2Balladeer’s Blog is here with a look at a score of James Garner films. NOTE: The Great Escape is not included, only because Garner was part of an ensemble cast in that movie. 

Best remembered for his portrayal of slick-talking gambler/ gunslinger Bret Maverick and Westlake-esque private detective Jim Rockford, Garner inspired the term “marshmallow macho”. That description perfectly captured Garner’s special appeal.

James GarnerFor many American males James Garner and the characters he brought to life represented a happy medium between psychotically macho men and unbearably femmey men. I hate the term “role model” but for lack of a better choice that’s what we’ll go with.

In addition, Garner served in the Korean War and was a Purple Heart earner.

MaverickMAVERICK (1994) – Though James Garner was technically playing a supporting role to Mel Gibson in this film, Gibson was portraying Bret Maverick, the character Garner had turned into a sensation in the 1950s. Since this movie would not exist without the cultural cache built up by James’ portrayal of both Bret AND “Pappy” Beauregard Maverick (in old age makeup) this definitely counts as a Garner film. Bret, Pappy and Jody Foster as Annabelle Bransford are among the gambler-gunslingers headed east for St. Louis and a Poker Tournament on a riverboat.

James Coburn plays the Commodore, the host of the tournament. 

NECESSARY SPOILER: The lawman character that Garner portrays in the film turns out to really be Pappy Maverick, with Mel Gibson’s Bret simply playing along with his father’s impersonation. FOR MY FULL-LENGTH REVIEW OF THIS FILM CLICK HERE   

Barbarians at the GateBARBARIANS AT THE GATE (1993) – In this telefilm based on the best-selling non-fiction book, Jim plays F. Ross Johnson, the real-life president of RJR-Nabisco who unleashed one of the most chaotic and frenzied leveraged buyouts in Wall Street history during the “greed is good” 1980s.

The real Ross Johnson was close with Warren Beatty and other major players in the entertainment industry, which may be why he gets painted in a less villainous light in the movie. (Being played by the ever-charming Garner certainly helps.) In reality FEWER jobs were lost by the ultimately triumphant Henry Kravis’ LBO plan than would have been lost if Johnson came out on top.

Teddy Forstmann, the lone Wall Street figure of the 80s who was a voice in the wilderness condemning LBOs and the damage they did to the economy, gets depicted as a virtual loon. Very odd, since Forstmann’s real-life views on LBOs were closer to the sentiments of Larry Gelbart and the others behind this flick than Johnson’s or Kravis’ were.

Ultimately Barbarians at the Gate is a dark comedy classic, it’s true, but read the book if you want the real low-down on the eventful RJR-Nabisco buyout. Continue reading →

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FILM REVIEW: SIX-STRING SAMURAI (1998) ONE OF MY FAVORITE MOVIES

Six String SamuraiSIX-STRING SAMURAI (1998) – 91 minutes – Directed by Lance Mungia … Starring Jeffrey Falcon and Justin McGuire … Written by Lance Mungia and Jeffrey Falcon … Soundtrack by Brian Tyler and the Red Elvises  

There’s an old saying to the effect that every American male who loves movies wishes on some level that they had directed The Wild Bunch. Generalizations like that are very seldom accurate and at least in my case that particular one is very far from the truth. If I wished I had directed any one movie it would be Six-String Samurai.  

Trying to offer a brief description of this film is virtually impossible but for the sake of attracting new viewers to this underappreciated flick I’ll take a shot at it by calling it surrealism’s only two-fisted action blockbuster. For its visual style Six-String Samurai slyly adopts the cinematic elements and directorial grammar that are shared by the best samurai films, Spaghetti Westerns and post-apocalypse actioners.  

Fans of the Coen Brothers, David Lynch, Alejandro Jodorowsky and Guillermo del Toro would likely love this film as much as I do. Just as the Continue reading →

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JOHNNY COOL (1963) UNDERRATED GANGSTER FILM

JOHNNY COOL (1963) – Okay, this weekend I once again met someone who never heard of this film, so I resolved to do what little I could to spread the word about it by reviewing it here on Balladeer’s Blog. 

Even among cult films, Johnny Cool has a certain prestige. It was released in October 1963 – the month before President John F. Kennedy was assassinated. Peter Lawford, JFK’s brother-in-law and Rat Pack member was a co-producer and got fellow Rat Pack figures Sammy Davis, Jr. and Joey Bishop to appear in the movie.

Sammy was still wearing his pre-glass eye eyepatch in the film and also sang the movie’s title song. There’s a boatload more kitsch casting in Johnny Cool, which I’ll cover as we go along.

Our story begins in Italy, where aspiring young Sicilian hoodlum Salvatore Giordano (THE Henry Silva) is rescued from the police by former American Mafia bigwig Johnny Colini (Marc Lawrence himself). Like the real-life gangster boss Lucky Luciano, Colini was arrested and deported to Sicily after getting sold out by his organized crime rivals and allies back in the States.   

Colini mentors the violent diamond-in-the-rough Giordano and grooms him into an instrument of revenge for himself against his enemies in America. When the homicidal prodigy is polished and ready, Colini rechristens him Johnny Cool and sends him to the U.S. to settle accounts.  Continue reading →

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SAM NEILL R.I.P. – ROBBERY UNDER ARMS (1985)

ROBBERY UNDER ARMS (1985) – The irreplaceable Sam Neill has passed away. Other sites will be focusing on Neill’s more well-known projects like the Jurassic Park movies, Reilly – Ace of Spies, The Hunt for Red October, Omen III: The Final Conflict, Event Horizon and so many others. In keeping with Balladeer’s Blog’s theme I’m taking a look at Sam’s neglected Bushranger movie Robbery Under Arms.

Before I dive into a review of that Australian production, let me point out two of my previous examinations of lesser-known Sam Neill films like the horror tale Possession (1981) and the Cold War espionage movie Enigma (1982). Plus a review of the better known In the Mouth of Madness (1994).

Thank you to Jason McGathey for reminding me about the 1994 film.

On to Robbery Under Arms, the film is based on the Australian novel of the same name, which was published in serialized form in 1882 before being collected in novel form later in the decade. Robbery Under Arms is a monumental work of fiction Down Under and has been adapted several times since 1907 – a year after Australia’s silent movie The Story of the Kelly Gang.   

For readers who are not aware of this, Australia’s Gold Rushes beginning in the 1850s spawned a tableau like America’s Wild West in terms of outlaws and desert landscapes. Real life Bushrangers (Aussie outlaws of the deserts and bush regions) included Mad Dog Morgan, Ben Hall and of course Ned Kelly and his gang. Any fan of American Westerns would likely enjoy Bushranger flicks.

In Robbery Under Arms, Sam Neill stars as a fictional outlaw leader known by the alias Captain Starlight, the type of flashy name used by real-life Bushrangers like Midnight, Moondyne Joe, Captain Moonlite and others. Continue reading →

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HARD CUT: RECOMMENDED MOVIE REVIEW CHANNEL ON YOUTUBE

Balladeer’s Blog takes a look at another YouTube movie review channel. This one is called Hard Cut Reviews. I haven’t been this enthusiastic about a YT channel since Red Letter Media when I covered them way back in the early years of 2010 and 2011.

Hard Cut‘s hosts Bobby and Matt post videos in which they do in-depth discussions of new releases, old classics and high-budget bombs from recent decades. Matt and Bobby themselves describe their content as “Based movie reviews” so picture a blend of Red Letter Media film review shows crossed with Critical Drinker but with much fresher takes that are like a happy medium between the two approaches. Continue reading →

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JOHN PAUL JONES (1959) MOVIE REVIEW

With the 4th of July fast approaching, here’s another item for America’s 250th birthday – a biopic of our nation’s early naval hero.

JOHN PAUL JONES (1959) – Robert Stack stars as the title character, Charles Coburn plays Benjamin Franklin, Bette Davis is Empress Catherine the Great of Russia, Macdonald Carey is Patrick Henry and Thomas Gomez portrays Commodore Esek Hopkins. On a scale of 1 to 10 I would rate John Paul Jones a 6. I wish it could be higher.

This movie looks good enough, but Stack’s performance is a bit too dry and the story rambles on for too long after the logical end point when the Revolutionary War is over. Some brief closing text could have covered John Paul Jones’s career in the Russian Navy from 1787 onward. Just a quick note acknowledging the damage he wrought to the Turkish Navy on Russia’s behalf and bring on the closing credits. 

The film also subjects us to far too much of Jones’s younger years as a sailor and Robert Stack’s Forever 31 face at the time is comically distracting. (I Was a Teenage Thirtysomething) I wish more biopics used the terrific approach of Patton (1970) – focus on the most eventful years of the main character’s life with dialogue filling viewers in on their early life.  Continue reading →

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