Tag Archives: film reviews

A LOOK AT TWENTY JAMES GARNER MOVIES

James Garner 2Balladeer’s Blog is here with a look at a score of James Garner films. NOTE: The Great Escape is not included, only because Garner was part of an ensemble cast in that movie. 

Best remembered for his portrayal of slick-talking gambler/ gunslinger Bret Maverick and Westlake-esque private detective Jim Rockford, Garner inspired the term “marshmallow macho”. That description perfectly captured Garner’s special appeal.

James GarnerFor many American males James Garner and the characters he brought to life represented a happy medium between psychotically macho men and unbearably femmey men. I hate the term “role model” but for lack of a better choice that’s what we’ll go with.

In addition, Garner served in the Korean War and was a Purple Heart earner.

MaverickMAVERICK (1994) – Though James Garner was technically playing a supporting role to Mel Gibson in this film, Gibson was portraying Bret Maverick, the character Garner had turned into a sensation in the 1950s. Since this movie would not exist without the cultural cache built up by James’ portrayal of both Bret AND “Pappy” Beauregard Maverick (in old age makeup) this definitely counts as a Garner film. Bret, Pappy and Jody Foster as Annabelle Bransford are among the gambler-gunslingers headed east for St. Louis and a Poker Tournament on a riverboat.

James Coburn plays the Commodore, the host of the tournament. 

NECESSARY SPOILER: The lawman character that Garner portrays in the film turns out to really be Pappy Maverick, with Mel Gibson’s Bret simply playing along with his father’s impersonation. FOR MY FULL-LENGTH REVIEW OF THIS FILM CLICK HERE   

Barbarians at the GateBARBARIANS AT THE GATE (1993) – In this telefilm based on the best-selling non-fiction book, Jim plays F. Ross Johnson, the real-life president of RJR-Nabisco who unleashed one of the most chaotic and frenzied leveraged buyouts in Wall Street history during the “greed is good” 1980s.

The real Ross Johnson was close with Warren Beatty and other major players in the entertainment industry, which may be why he gets painted in a less villainous light in the movie. (Being played by the ever-charming Garner certainly helps.) In reality FEWER jobs were lost by the ultimately triumphant Henry Kravis’ LBO plan than would have been lost if Johnson came out on top.

Teddy Forstmann, the lone Wall Street figure of the 80s who was a voice in the wilderness condemning LBOs and the damage they did to the economy, gets depicted as a virtual loon. Very odd, since Forstmann’s real-life views on LBOs were closer to the sentiments of Larry Gelbart and the others behind this flick than Johnson’s or Kravis’ were.

Ultimately Barbarians at the Gate is a dark comedy classic, it’s true, but read the book if you want the real low-down on the eventful RJR-Nabisco buyout. Continue reading →

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FILM REVIEW: SIX-STRING SAMURAI (1998) ONE OF MY FAVORITE MOVIES

Six String SamuraiSIX-STRING SAMURAI (1998) – 91 minutes – Directed by Lance Mungia … Starring Jeffrey Falcon and Justin McGuire … Written by Lance Mungia and Jeffrey Falcon … Soundtrack by Brian Tyler and the Red Elvises  

There’s an old saying to the effect that every American male who loves movies wishes on some level that they had directed The Wild Bunch. Generalizations like that are very seldom accurate and at least in my case that particular one is very far from the truth. If I wished I had directed any one movie it would be Six-String Samurai.  

Trying to offer a brief description of this film is virtually impossible but for the sake of attracting new viewers to this underappreciated flick I’ll take a shot at it by calling it surrealism’s only two-fisted action blockbuster. For its visual style Six-String Samurai slyly adopts the cinematic elements and directorial grammar that are shared by the best samurai films, Spaghetti Westerns and post-apocalypse actioners.  

Fans of the Coen Brothers, David Lynch, Alejandro Jodorowsky and Guillermo del Toro would likely love this film as much as I do. Just as the Continue reading →

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JOHNNY COOL (1963) UNDERRATED GANGSTER FILM

JOHNNY COOL (1963) – Okay, this weekend I once again met someone who never heard of this film, so I resolved to do what little I could to spread the word about it by reviewing it here on Balladeer’s Blog. 

Even among cult films, Johnny Cool has a certain prestige. It was released in October 1963 – the month before President John F. Kennedy was assassinated. Peter Lawford, JFK’s brother-in-law and Rat Pack member was a co-producer and got fellow Rat Pack figures Sammy Davis, Jr. and Joey Bishop to appear in the movie.

Sammy was still wearing his pre-glass eye eyepatch in the film and also sang the movie’s title song. There’s a boatload more kitsch casting in Johnny Cool, which I’ll cover as we go along.

Our story begins in Italy, where aspiring young Sicilian hoodlum Salvatore Giordano (THE Henry Silva) is rescued from the police by former American Mafia bigwig Johnny Colini (Marc Lawrence himself). Like the real-life gangster boss Lucky Luciano, Colini was arrested and deported to Sicily after getting sold out by his organized crime rivals and allies back in the States.   

Colini mentors the violent diamond-in-the-rough Giordano and grooms him into an instrument of revenge for himself against his enemies in America. When the homicidal prodigy is polished and ready, Colini rechristens him Johnny Cool and sends him to the U.S. to settle accounts.  Continue reading →

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SAM NEILL R.I.P. – ROBBERY UNDER ARMS (1985)

ROBBERY UNDER ARMS (1985) – The irreplaceable Sam Neill has passed away. Other sites will be focusing on Neill’s more well-known projects like the Jurassic Park movies, Reilly – Ace of Spies, The Hunt for Red October, Omen III: The Final Conflict, Event Horizon and so many others. In keeping with Balladeer’s Blog’s theme I’m taking a look at Sam’s neglected Bushranger movie Robbery Under Arms.

Before I dive into a review of that Australian production, let me point out two of my previous examinations of lesser-known Sam Neill films like the horror tale Possession (1981) and the Cold War espionage movie Enigma (1982). Plus a review of the better known In the Mouth of Madness (1994).

Thank you to Jason McGathey for reminding me about the 1994 film.

On to Robbery Under Arms, the film is based on the Australian novel of the same name, which was published in serialized form in 1882 before being collected in novel form later in the decade. Robbery Under Arms is a monumental work of fiction Down Under and has been adapted several times since 1907 – a year after Australia’s silent movie The Story of the Kelly Gang.   

For readers who are not aware of this, Australia’s Gold Rushes beginning in the 1850s spawned a tableau like America’s Wild West in terms of outlaws and desert landscapes. Real life Bushrangers (Aussie outlaws of the deserts and bush regions) included Mad Dog Morgan, Ben Hall and of course Ned Kelly and his gang. Any fan of American Westerns would likely enjoy Bushranger flicks.

In Robbery Under Arms, Sam Neill stars as a fictional outlaw leader known by the alias Captain Starlight, the type of flashy name used by real-life Bushrangers like Midnight, Moondyne Joe, Captain Moonlite and others. Continue reading →

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HARD CUT: RECOMMENDED MOVIE REVIEW CHANNEL ON YOUTUBE

Balladeer’s Blog takes a look at another YouTube movie review channel. This one is called Hard Cut Reviews. I haven’t been this enthusiastic about a YT channel since Red Letter Media when I covered them way back in the early years of 2010 and 2011.

Hard Cut‘s hosts Bobby and Matt post videos in which they do in-depth discussions of new releases, old classics and high-budget bombs from recent decades. Matt and Bobby themselves describe their content as “Based movie reviews” so picture a blend of Red Letter Media film review shows crossed with Critical Drinker but with much fresher takes that are like a happy medium between the two approaches. Continue reading →

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JOHN PAUL JONES (1959) MOVIE REVIEW

With the 4th of July fast approaching, here’s another item for America’s 250th birthday – a biopic of our nation’s early naval hero.

JOHN PAUL JONES (1959) – Robert Stack stars as the title character, Charles Coburn plays Benjamin Franklin, Bette Davis is Empress Catherine the Great of Russia, Macdonald Carey is Patrick Henry and Thomas Gomez portrays Commodore Esek Hopkins. On a scale of 1 to 10 I would rate John Paul Jones a 6. I wish it could be higher.

This movie looks good enough, but Stack’s performance is a bit too dry and the story rambles on for too long after the logical end point when the Revolutionary War is over. Some brief closing text could have covered John Paul Jones’s career in the Russian Navy from 1787 onward. Just a quick note acknowledging the damage he wrought to the Turkish Navy on Russia’s behalf and bring on the closing credits. 

The film also subjects us to far too much of Jones’s younger years as a sailor and Robert Stack’s Forever 31 face at the time is comically distracting. (I Was a Teenage Thirtysomething) I wish more biopics used the terrific approach of Patton (1970) – focus on the most eventful years of the main character’s life with dialogue filling viewers in on their early life.  Continue reading →

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RICHARD TODD’S SWASHBUCKLER MOVIES

Richard Todd enjoyed a long career during which he played nearly every type of role imaginable. Among those were a few swashbucklers.

ROB ROY: THE HIGHLAND ROGUE (1953) – Accurate history has no place in this Disney film in which Richard Todd stars as Scottish Clan leader and legendary outlaw Rob Roy MacGregor. The film begins in 1715 as Clan MacGregor is among the Scottish forces fighting against King George the First of England in the Jacobite Uprising.

The Duke of Argyll (James Robertson Justice) leads troops loyal to the king and defeats the rebellious clans despite his grudging admiration for them, especially Rob Roy MacGregor. By 1717, Argyll’s rival the Duke of Montrose is placed in charge of the Scottish Highlands and is much harsher than the Duke of Argyll was.

Montrose pardons all the Jacobite Clans except the MacGregors, who are forbidden to even use their surname, hence their leader being renowned as simply Rob Roy. Our hero is imprisoned by Montrose but escapes and leads his kinsmen and loyalists in rustling Montrose’s cattle and looting his estates.   

And so the film goes, with the Duke of Montrose used as a Prince John in Robin Hood figure and his underling Killearn serving as a Sheriff of Nottingham type. Rob Roy and his men thwart the bad guys at every turn, and ultimately the Duke of Argyll arranges a truce between Rob Roy’s clan and the king.

Glynis Johns co-stars as Rob’s wife Helen Mary MacGregor with Michael Gough portraying the villainous Montrose. 81 minutes. Continue reading →

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THE SWASHBUCKLER MOVIES OF PAUL HENREID

Paul Henreid, perhaps best known as Victor Laszlo in Casablanca, also starred in a few swashbuckler films in the 1940s and 1950s.

THE SPANISH MAIN (1945) – In the 1600s, Dutch Captain Laurent van Horn (Paul Henreid) is using his ship to transport refugees from the current war in Holland to safety in the Carolina Colonies. Storms and other misfortunes cause the ship to go wildly off course, ultimately wrecking near Cartagena. Spanish Colonial Governor Don Juan Alvarado (Walter Slezak) imprisons Laurent and his crew, sentencing them to hang.

Captain van Horn leads his men in escaping the prison and stealing a ship they rechristen the Barracuda. Over the next five years they thrive as pirates preying on Spanish shipping and thumbing their noses at villainous Governor Alvarado every chance they get.

One day they seize the Spanish Galleon taking Contessa Francesca (Maureen O’Hara) to Cartagena to marry Alvarado. Feisty Francesca impresses Laurent with her spirit and her beauty, so when she offers him her hand in marriage if he spares the lives of her escorts he gladly accepts.

Captain van Horn and his crew take the Contessa to the port where the Barracuda and other pirate vessels hide out. A very inaccurate rendition of pirate Anne Bonny (Binnie Barnes) is jealous that Francesca has taken her man Laurent. She joins forces with pirate captains who resent van Horn’s leadership to deliver Francesca to Alvarado.

The bad guys and gals also capture Laurent and offer to turn him over to Alvarado for a big payday. Naturally, the pirate captain and the Contessa manage to defeat the villains and cement their romance. 100 minutes.  Continue reading →

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SECRET OF THE INCAS (1954) CHARLTON HESTON AS A MORE GROUNDED INDIANA JONES AND HAN SOLO

SECRET OF THE INCAS (1954) – Considering that some of the costume and design staff members for Raiders of the Lost Ark have openly stated that they did repeated viewings of this neglected Charlton Heston film while putting together the “look” of that 1981 blockbuster I admit to being as puzzled as they are that Secret of the Incas isn’t mentioned as much as old serials are as an influence.

And let me emphasize that I do mean “influence”, and not imitation or rip-off. In my opinion, the most that could be said is that this 1954 flick is like Raiders of the Lost Ark before they added the choreographed action scenes and special effects. The storyline in Secret of the Incas involves violent, double-crossing and deadly attempts by shady and not-so-shady figures to discover and claim/ steal an ancient Inca relic … from Machu Pichu itself!

Location filming in Peru greatly improves the quality of this overlooked film. Footage of Machu Pichu’s 1950s condition is fascinating and Peruvian singer Yma Sumac as priestess Kori-Tica performs a few folk songs in honor of Inca culture. Expect a movie closer to Film Noir with archeological trappings rather than an action spectacle and you may enjoy Secret of the Incas as much as I do. Beautiful Nicole Maurey plays Heston’s love interest.    

Moving on to the elephant in the room, Charlton Heston as Harry Steele wears beard stubble and what is now called “an Indiana Jones hat” in addition to an Indy jacket. Heston’s character is also a pilot so the jacket has logo patches on each side and is accessorized by a flight scarf but otherwise he looks every inch the visual basis for a certain two-fisted archeologist.

Remember when Marion Ravenwood tells Dr. Jones “You’re not the man I knew ten years ago.” Well, it’s tempting to think that Harry Steele IS what Indy was like ten years ago. Brasher than Jones in Raiders and as ruthless as Han Solo, Steele is also fluent in multiple languages, including Quechua. As a veteran relic hunter he’s also well-versed in ancient cultures and is buddies with the scholars at Cuzco’s museum. Continue reading →

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MABEL NORMAND’S BEST SILENT COMEDIES (1921-1927)

Balladeer’s Blog takes its third and final look at the best silent film comedies of the legendary comedienne Mabel Normand. For 1910-1915 click HERE. For 1916-1920 click HERE.

MOLLY O (1921) – This film was produced by Mabel’s longtime romantic partner Mack Sennett (the musical Mack & Mabel is about them) and co-written by Mary Hunt. Originally 80 minutes long, this comedy was once considered completely lost like so many other silent movies.

Part of the surviving 57 minutes of footage has an unusual survival story. Because the film centers on the romance of a poor struggling Irish girl, Molly O’Dair (Normand) and wealthy MD John Bryant (Jack Mulhall), much of the comedy centers on class stereotypes of Molly’s poor but honest family and Jack’s wealthy but villainous family.

The Soviet Union edited out all the funny parts and presented what was left as one of their propaganda films depicting life in America as one long nightmare of evil rich capitalists ridiculing and being cruel to poor working-class people.

That footage from the fallen U.S.S.R.’s film archives helped UCLA film historians flesh out what surviving footage they held with the chopped-up Russian version to make the 57-minute cut. Luckily the ending is intact and reviews from 1921 help fill in any missing story beats.

Molly’s Irish family runs a laundry and when she delivers some clothing to Dr. John Bryant, they fall for each other. Dr. Bryant is the only decent member of his family, and he & Molly struggle to make their romance work despite the snobbish machinations of his hoity-toity clan who despise the Irish.

The brother of John’s former lady is the main villain and tries to send Molly/ Mabel to her death from a high-flying dirigible in the thrilling finale. Dr. Bryant uses a bi-plane to reach the dirigible and executes a daring leap to board the lighter than air vessel so he can overcome the bad guy and save his true love.    Continue reading →

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