Tag Archives: Bad Movies

THE COMIC (1985): MOVIE REVIEW

The Comic bigTHE COMIC (1985) – Virtually every film buff today knows the tale of Sam Raimi, Bruce Campbell and Robert Tapert raising money from doctors, grocers and dentists in Michigan to finance their subsequent horror hit The Evil Dead

Over in the U.K. Richard Driscoll raised money from Welsh miners and doctors to finance his very odd movie The Comic. Raimi and company went on to lucrative careers in the entertainment industry. Driscoll’s story did not have the same type of fairy-tale ending. Not even with an established figure like John Eyres helping out financially when Richard’s original funds ran out.  

The Comic 2The Comic takes place “in another place and another time” according to one of the female characters. From appearances it’s a near-future police state in which fairly ambiguous laws are enforced by goose-stepping goons who wear their hair in ponytails. This film seems to be reaching for the heights achieved in cult films like Eraserhead and Café Flesh but falls so far short that it’s more like The Jar.

Writer/ director Driscoll also peppers in elements of MacBeth, Hamlet and King Lear but only succeeds in embodying the worst clichés of arthouse cinema. If this had been a latter-day student film or direct to video affair it would not deserve all the insults that reviewers throw its way. But if you’re cheeky enough to dump something like this on the theater-going public you’re just asking for a critical onslaught. Continue reading

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COMIN’ AT YA! (1981): MOVIE REVIEW

Comin at Ya 2COMIN’ AT YA! (1981) – Directed by Ferdinando Baldi, Comin’ At Ya! is often credited with starting the pointless and bizarre 1980s revival of 1950s-style 3D movies. The film stars Tony Anthony, famous to us Spaghetti Western fans for the movie series in which he played a gunslinger called the Stranger. He appeared in others, as well, some reasonably good and others, like Blindman, so bad as to be virtually unwatchable.

Tony’s standout feature is the way he always looks like he’s ready to burst into tears, which always set him apart from the countless tough guys in Italo-Westerns. That feature stands him in good stead in Comin’ At Ya!

Tony Anthony

Tony Anthony IS Tinsley – I mean H. H. Hart – in Comin’ At Ya!

Anthony stars as gunfighter H.H. Hart. No, not H.H. Holmes, which would be an entirely different type of movie. Hart has, like many a fictional gunman, decided to leave his past behind and settle down with his one true love – a female gambler called Abilene aka the Cajun Queen. Abilene is portrayed by European actress Victoria Abril.

On their wedding day, H.H. and Abilene are separated when the ceremony is crashed by a gang of white-slavers led by brothers Pike and Polk Thompson. Our story inverts the setup of Louis L’Amour’s western The Shadow Riders, in which two brothers who fought on opposite sides of the Civil War set aside their differences to recover female family members from white-slavers headed for Mexico. 

In Comin’ At Ya! it’s the villains who are such a pair of brothers. Pike served on the Union side and Polk on the Confederate side. The duo command an enormous gang made up of veterans from both sides of the war in addition to renegade Indians and Mexican pistoleros. They steal the lovely Cajun Queen from her new husband and add her to the rest of their haul of young women to sell into slavery down in 1870s Mexico.

comin at ya - cinema quad movie poster (1).jpgOur main character, Triple H, ain’t havin’ it and sets out to recover his new bride and set free the other unfortunate women seized by the Thompson Gang. Needless to say he’ll also kill every member of the gang as well as some of the snobbish, upper-class Mexican aristos – male and female – who buy the ladies at an elegantly-appointed mansion/ former convent now used for slave auctions.

Even though this is really just a Spaghetti Western, albeit with slightly better production values, releasing a film titled Comin’ At Ya! clearly means you want it to stand or fall purely on its gimmick: 3D. First I’ll address the 3D effects and then examine the movie as a whole. Continue reading

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THE RUINED BRUIN (1961): BAD MOVIE

Ruined BruinTHE RUINED BRUIN (1961) – Written and directed by THE John K McCarthy, The Ruined Bruin was another one of those late “nudie cuties” which would make modern audiences yawn and wince … But would no doubt REALLY excite Furries!

In the past Balladeer’s Blog has reviewed the closing years of the Nudie Cutie subgenre as it went through its final convulsions in the form of gimmicks, each one more absurd than the last. I’ve reviewed Nude on the Moon, The Naked Witch, Orgy of the Dead, Doctor Sex and others.

The Ruined Bruin features a bear – really a costumed man (Myron Griffin) – who escapes from the Los Angeles Zoo and, for no apparent reason than so this movie could be made, tries to romance assorted gorgeous half-nude ladies.

Despite their name the Nudie Cuties never featured full nudity. Toplessness and some butt-shots were all you got, with strategically and/or improbably placed branches, shrubs or rail fences covering pubic regions. Fans of Peter Sellers will remember the classic sendup of those nudie cuties that he worked into one of his Inspector Clouseau films.   

The appeal of these movies is barely understood today, when you can find any visual stimulation you want with just a few clicks on your keyboard but decades ago Nudie Cuties really packed ’em in.

At any rate Buddy the Bear (Griffin) escapes from the zoo and, equipped with his Boris and Natasha-level Russian accent for his voice-over, takes in the sight of plenty of beautiful women. When the first one rejects his advances (and no, I don’t know why a bear is interested in human women any more than I know why cartoon mice characters often woo female cats away from their feline arch-enemies) Buddy tries to transform himself into a human male. Continue reading

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THE GIRL IN THE KREMLIN (1957): BAD MOVIE REVIEW

Girl in the KremlinTHE GIRL IN THE KREMLIN (1957) – The tagline for this Golden Turkey should have been “STALIN’S BACK AND GABOR’S GOT HIM!” The world of Bad Movies is pretty thoroughly littered with hilariously lame films proceeding from the premise that Adolf Hitler survived his supposed death and plotted a Fourth Reich.

The Girl in the Kremlin gives equal time to Hitler’s equally insane but even more murderous contemporary Joseph Stalin.

Zsa Zsa Gabor – yes, Zsa Zsa Gabor – co-stars as TWINS in this movie which features Patty Duke Show regular William Schallert, so you can insert your own “Identical Zsa Zsas” song and joke here. (“They walk alike, they talk alike, they even get their heads shaved alike”)

Bald Zsa Zsa GaborAnd feel free to choose your preferred caption to the photo at right. Either: a) ONE … MILLION … RUBLES or b) Zsa Zsa Gabor IS Mrs Kojak, this fall on the CW! 

Adding to the joyously tasteless atmosphere of this flick is the fact that the guy playing Stalin is named Maurice MANSON! The Marilyn Manson and shock-rocker Hitler “Where Are They Now” Stalin jokes pretty much write themselves.

THE STORY: The Girl in the Kremlin begins in March of 1953, when in real life the subhuman piece of filth Joseph Stalin died. In this movie we see Stalin have a plastic surgeon transform a hapless stooge into a lookalike of the mad Soviet Dictator. (They Saved Stalin’s Face!)

Girl in the Kremlin 2The lookalike is killed and presented for burial while Stalin – who passed the time during the surgery indulging his famous fetish for watching a woman suffer a forced head-shaving – undergoes plastic surgery of his own to disguise his features. The murderous scumbag then flees Russia with – we are told – HALF THE MONEY IN THE SOVIET TREASURY plus a few aides including Nurse Grisenko, one of the twins portrayed by Zsa Zsa Gabor herself. Continue reading

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MOVIE REVIEW: CHINATOWN CONNECTION (1990)

Chinatown ConnectionCHINATOWN CONNECTION (1990) – Forget it, Jake, it’s NOT Chinatown. Nor is it The French Connection. Nor The Chinese Connection. Hell, it’s not even Love Connection. What it IS is a late 80s buddy cop film released in 1990, complete with the “one white guy and one non-white guy” aspect. (48 Hours, Running Scared, Lethal Weapon, etc) 

Forget it, Fall Guy fans, it’s NOT Lee Majors. It’s not even Lee Majors JUNIOR, technically, since he goes by Lee Majors II. Nor is it Bruce Lee backing him up but instead Bruce Ly, who is considered lame even by devoted Brucesploitation fans like me.

Lee the Second (it feels like the word “King” or “Pope” should be in front of that) stars as Detective Houston (Forget it, Lee Horsley fans, it’s NOT Matt Houston – OKAY, I’ll stop!). Warren Houston is your regulation Cop Who Plays By His Own Set of Rules and he has anger management issues to boot. Continue reading

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SLAUGHTER HIGH/ APRIL FOOL’S DAY (1986)

For April Fool’s Day here at Balladeer’s Blog I’m giving a rest to my usual holiday offering, my review of Aleister Crowley’s Clouds Without Water, to review a movie instead.

Slaughter HighSLAUGHTER HIGH/ APRIL FOOL’S DAY (1986) – This is the low-budget horror film made in England and set on April Fool’s Day. There are still VHS tapes and YouTube videos that show the original title, but the title was changed to Slaughter High because of the year’s OTHER April Fool’s Day slasher film with a gimmick ending.

Slaughter High starts off showing us April Fool’s Day of 1976, when a group of “teenagers” including 30-something Caroline Munro go to bizarre lengths to degrade and victimize their nerdy classmate Marty. These “kids” aren’t so much bullies as they are psychopaths, actually.

Slaughter High bAfter an April Fool’s Day “prank” involving nudity, electric shocks and near drowning, Marty is still alive through no fault of his classmates. The supposed popular kids get punished for their criminal assault on Marty, and perversely blame him for it! It’s that kind of movie. Hell, Marty’s tormentors were caught in the act, it’s not even like he peached on them (since this was made in England I couldn’t resist writing “peached on them”).

The psychotic teens-in-their -thirties decide Marty deserves some payback for the way they got in trouble for nearly killing him earlier, so they stage a new “prank” involving tampered-with marijuana, dangerous chemicals … and acid. C’mon, you kidders! Stop giving Marty the business! Just cut off one of his limbs or something and call it a day, ya jokesters! Continue reading

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ENDGAME: MOVIE REVIEW

EndgameENDGAME (1983) – More Weirdness at the End of the World with yet another Italian imitation of The Road Warrior. These Spaghetti-pocalypse movies were to the 80s what Spaghetti Westerns were to the 60s and 70s.

Directed by the legendary Joe D’Amato under one of his rolodex-full of aliases, Endgame is one of the most watchable of these cheapjack end of the world exercises. It’s not good, mind you, just watchable.

D’Amato wasn’t the only one operating under an assumed name in this movie. Laura Gemser, cult sexploitation starlet, stars under the name Moira Chen. She portrays Lilith, a telepathic mutant leader. In Endgame‘s 2025 setting, World War Three has come and gone and mutants are feared and persecuted because of their paranormal powers.

Though there are scattered portions of Post-Apocalypse America where mutants are accepted and other scattered portions where mutants rule, in the big cities mutants are hunted down and killed on sight.

Endgame 2Lilith works like a figurative Mutant Called Moses (with apologies to Harriet Tubman) and has been heroically smuggling mutants out of the cities, Underground Railroad style.  

Her cover was blown recently and she needs to get herself and one last gathering of mutant fugitives out of New York City, to the west and safety. Among those mutants is Tommy, a little boy with so much power that Lilith has been telepathically suppressing it. Unchecked, Tommy could level whole neighborhoods.

The film’s male lead is Ron Shannon, played by Al Cliver aka Pierluigi Conti, fresh off my favorite BAD Post-Apocalypse movie, 2020 Texas Gladiators in 1982. Ron Shannon is your regulation world-weary, burned-out warrior, highly skilled at armed and unarmed combat. Continue reading

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