INVASION FROM INNER EARTH (1974) – This hilariously bad science fiction film was one of the early efforts from Bill Rebane, whose low budget movies were to Wisconsin what Larry Buchanan and his productions were to Texas. Invasion from Inner Earth is a perfect example of “so bad it’s good” filmmaking … for the first half hour or so. After that the story drags on agonizingly and the apparently improvised dialogue pushes your sanity to the breaking point.
A disease has been killing off human beings by the millions while the aliens who unleashed the disease further torment humanity with red smoke bombs and buzz attacks from their flying saucers. Scattered pockets of people have survived but most of those groups seem absurdly unfazed by the apocalyptic events that are unfolding.
Some news broadcasts take the events seriously but others present the victims of the chaos as bone-headed rubes deserving of ridicule. We are even shown viewers laughing at these victims but we never understand why, since the Earth is obviously under attack with millions of dead and missing. At no time are we shown the mockers getting their comeuppance for their smirking callousness despite how wrong they are. It’s that kind of movie. Continue reading
June 7th is National VCR Day! Balladeer’s Blog marks the occasion with some very brief takes on old VHS movies that I’ll probably never find the time to write full-length reviews about.
THE DEADLY SPAWN (1983) – This film is also known as The Alien’s Deadly Spawn. If you’re into less appreciated splatter flicks this is the movie for you! Diminutive creatures (ignore the poster) from outer space terrorize a neighborhood while literally chewing their way through anything in their way, including human bodies. The gore effects are graphic but not extreme, the acting ranges from awful to average and the creature designs may be cheap but the overall package makes this a cult classic. And watch out for that final stinger!
TRIUMPH OF THE CHAMPIONS OF JUSTICE (1974) – Another movie in the Campeones Justicieros series from Mexico. Blue Demon, Superzan and the White Phantom are back in action, aided by Elsa Cardenas as Venus. In their usual way, these wrestlers/ pulp heroes/ superheroes are clashing with their foe Black Hand and a group of evil midgets from another planet (or dimension, it’s hard to tell sometimes). And did I mention that for most of the run time the midgets are INVISIBLE while kidnapping Earth women? Lucha Libre the way it was meant to be – hard-hitting, Dutch-angled and barely coherent! Continue reading
I’ve gotten e-mails asking that I review this movie but I already did in 2010. It’s been on my Bad Movie page here: https://glitternight.com/bad-movies/
IF FOOTMEN TIRE YOU, WHAT WILL HORSES DO? (1971) – Category: A neglected bad movie classic that deserves a Plan 9-sized cult following.
No, it’s not about Quentin Tarantino and pre-Castro Havana nightclubs (Thank you, I’m here all week!) it’s really a Cold War-era warning about what would happen if Communists took over the United States. It’s from Ron Ormond, best known for the bad movie classic Mesa Of Lost Women before he found religion and hooked up with the Reverend Estus W Pirkle for films like this one.
Pirkle serves as the narrator of this quirky little mess, ranting on and on in his over-the-top way about how the USA has turned away from the Bible and will suffer the consequences. He’s like a combination of Criswell in Plan 9 From Outer Space and the sermonizing narrator from Blood Freak (qv).
In one of his enjoyably bizarre tangents before he gets to the Soviet conquest of America he also speaks out on the “evils” of dancing, which he calls ”The front door to adultery! What starts on the dance floor is expected to be finished later.” He even says dancing is “as immoral as it has always been”. Continue reading
Here at Balladeer’s Blog I review a lot of very obscure movies. This is a look at some of the films I have thus far not been able to find. Any help anyone could offer would be appreciated.
MICHEL AUDER’S CLEOPATRA (1970) – It’s weirdness squared in this overlooked flick which Michel Auders directed utilizing assorted Andy Warhol menagerie figures in the cast. Auder himself played Caesar, with modern-day Rome as the seat of his empire. Viva portrayed Cleopatra with her domain of Egypt being set in the modern-day state of New York with snowmobiles as horses. Yes, it’s one of THOSE kinds of films.
The cast members improvised their way through the storyline, so I will say again “Yes, it’s one of THOSE kinds of films”. Among the cast were Nico, Ultra Violet, Ondine, Louis Waldon and Taylor Mead. Keep your eyes peeled for the one and only Christopher Walken. Continue reading
THE SECRET OF THE MUMMY (1982, 1983) – This Brazilian horror film was released as O Segredo da Mumia in 1982 and with English subtitles as The Secret of the Mummy in 1983. It was directed by the one and only Ivan Cardoso aka Ivan the Terrible to fans.
That nickname was not an insult but was a sincere compliment to the cult horror film director, playing on the real-life Ivan the Terrible and his frightful reputation. Cardoso previously served as an Assistant Director to Brazil’s King of Horror – Coffin Joe himself! (For my look at eight Coffin Joe films click HERE.)
The Secret of the Mummy is a terrific starting point for Ivan’s movies, whether you’re interested in foreign cinema or looking for a change of pace in a mummy flick. It’s also a good introduction to his eccentric style – frequent changes between black & white footage and color footage, riffs on global cinema and periodic insertions of bizarre sex comedy. Continue reading
THE SECRET OF THE LOCH (1934) – So America gave the world King Kong in 1933, eh? Well, the Empire strikes back! Milton Rosmer directed this neglected British film that was co-written by THE Charles Bennett and edited by THE David Lean. The Loch Ness Monster is featured and is found to be responsible for multiple mysterious deaths around the Loch, though only one on-screen instance of the monster devouring a human occurs in the movie.
Seymour Hicks stars as Professor Heggie and seems to think he’s still performing in Silent Movies, given his hilarious overacting. Heggie believes in the existence of the Loch Ness Monster but seems even less credible than modern-day people who claim to have spotted the beastie.
Frederick Peisley costars as London newspaper reporter Jimmy Anderson, who tries to get a story about the Loch Ness Monster. Australia’s Nancy O’Neil portrays Angela Heggie, the professor’s granddaughter with whom Jimmy forges a romance.
Jeffrey Hunter as The Christmas Kid
I always think of this bizarrely themed Spaghetti Western as The Gospel According to Sam Colt or Paul’s Letter to Smith & Wesson. Our title gunslinger is played by Jeffrey “Captain Pike on Star Trek” Hunter. As Jesus in the movie King of Kings, Hunter’s youthful appearance brought on ridicule from wags who called the film I Was a Teenage Jesus.
Once again Jeffrey plays a character who is born in a manger at Christmas and gets visited by three wise (well … no) men. The Christmas Kid‘s half-assed Jesus parallels continue from there in sporadic fashion. The little babe – called Christmas Joe at first – grows up to be a philosophical boy who practices pacifism.
When our hero’s home hamlet of Jaspen, Arizona becomes a Boom Town after copper is discovered, the place turns into a proverbial web of sin and vale of tears. Michael Culligan (Louis Hayward), the greedy town boss, builds an empire for himself out of crime and greed as the copper rush continues.
This being a western, the day comes when Christmas Joe must strap on a gun and pin on a badge for a three-year mission – I mean term in office – to fight the forces of evil in Arizona Territory. Now called the Christmas Kid our hero spreads the Good News of Gunplay as he blows away various bad men who leave him with no other choice. Continue reading
VORTEX (1982) – Written and directed by Beth B and Scott B, this independent sci-fi detective film starred cult figure Lydia Lunch and actor James Russo. This is one of those movies made with so little money – some of it from the National Endowment for the Arts – that it can’t really be held to the same standards as mainstream releases of its time.
Vortex, a murder mystery involving corporate and governmental corruption, is a fun relic of the days when indy filmmakers did not have access to the kind of technology that such mavericks do today. Here in 2022 it’s possible to buy hand-held equipment that would automatically make one’s movie project look better than many 1980s efforts. However, that does not make today’s filmmakers any more talented than those who came before them.
To be kind, Vortex was one of those films in which the ideas being presented and the bold images being shown on screen were the true point. Solid acting and expensive special effects were only occasionally part of the equation. Continue reading
Regular readers of Balladeer’s Blog know that all – or at least most – roads lead to bad movies with me. Since 1976 the movie Track of the Moon Beast has been a cult hit for the Psychotronic-minded and for those people who were lucky enough to catch it at various drive-ins during their heyday.
Hidden away inside that piece of 1970s schlock was the song California Lady, a catchy and fun song written and performed by Frank Larrabee. In the way that the song Recipe for Romance is associated with the movie Bloody New Year (aka Time Trap) and the song More is associated with Mondo Cane, California Lady has been bound to Track of the Moon Beast.
Frustratingly, the song was not quite complete and had a few interruptions by dialogue from the film. For decades clearer versions of California Lady were incredibly rare. Mike Wolfer found and has uploaded two versions of the song at his YT Channel (subscribe HERE).
The first was the studio recording of the song (below) and the second was the entire EP from Frank Larrabee. California Lady is at the 10:03 mark and is a much smoother, less worn recording of the song and is MUCH MORE LIKE THE PERFORMANCE IN THE MOVIE. No interruptions in either case, so you can enjoy this cult item the way it was meant to be heard.
Click HERE for the EP with the song at 10:03 and HERE for the version below. FOR THE GClephMusique REMASTER, with California Lady as the first song click HERE.