Even though there are signs here and there that audiences are getting fatigued with the oversaturation of superhero adaptations for the big and small screens, there still doesn’t seem to be any end in sight.
What better time for an OPERA version of Philip Wylie’s science fiction novel Gladiator, from 1930? Wylie’s work is often credited with inspiring the creation of Superman and every other superhero that followed.
Long before the overrated and overpraised Alan Moore wrote The Watchmen, this very first look at a superhero presented the figure struggling with the moral issues regarding the use of his superior abilities.
The central character uses his powers in World War One but afterward must cope with the limits of “super-powers” when it comes to dealing with political corruption and other problems that can’t be solved with violence. Or in which flexing his super-muscles would be counter-productive, maybe even ushering in a dictatorship.
In other words, the same type of stories which today are praised as “innovative” for “deconstructing the superhero mythos” WERE ALREADY EXPLORED IN THIS NOVEL EIGHTY-NINE YEARS AGO!
As a break from movie and television superhero tales I think an Opera format would be an intriguing and unexpected way of adapting Gladiator. Let’s face it – if it was done for television or movies today it would be criticized as “derivative” (irony of ironies) and “talky.”
Marvel Comics’ 1976 adaptation
That talkyness would slide nicely into a staged opera since, as I often point out in my examinations of 1970s Marvel stories, operas – like many comic books – are filled with lengthy expository monologues, but in song form. (There are countless “senses-shattering” origin stories and villain rants that are sung in operas.)
Think of this piece as a way of using the familiar superhero formula to encourage more people to “give opera a chance.” I love sharing my enthusiasms and I was very happy with the reception of those blog posts where I wrote about Ancient Greek Comedies to make them seem relevant. I want to try doing the same with operas.
Many people may disagree, but operas and superheroics are made for each other. Look at all the operas adapted from tales of ancient gods or other mythical supernatural figures. When you get right down to it, every larger-than life hero or heroine in any given story can be interpreted from a superhero angle. Continue reading →