Would one percenter ALEC BALDWIN find the plot of this movie a little too close to reality?
The World’s A Stage (2014 – Glitternight productions) – This independent film, though set here in the 21st Century, is reminiscent of ancient Greek political satires like the ones penned by Aristophanes, Eupolis and Cratinus as well as the parathespian comedies of Strattis.
A traveling troupe of actors visit an unnamed town and are a huge hit in a play dramatizing the heroics of a group of honest politicians. The citizens are bowled over by their performances and elect the men and women of the theatre troupe to actually govern their town.
Naturally the shallow and vain thespians are in way over their heads when it comes to dealing with real-world responsibilities and problems. Their egotistical need for applause and approval also makes them unfit for office, especially when it comes to Continue reading
Elvis IS General Andrew Jackson at the Battle of New Orleans
January 8th of each year always represents the general rift that separates American pop culture from alleged “high culture”. On the one hand it’s Elvis Presley’s birthday. On the other hand it’s also the anniversary of the Battle of New Orleans, in which General (and future President) Andrew Jackson teamed up with French pirate Jean Lafitte to hand the British their worst defeat in the War of 1812.
It’s not tough to guess which event gets more attention year in and year out, but cult director Eddie Wozniak took a break from the film world to write, produce and direct this musical comedy.
General Jackson as a one-man USO show for his battle-hardened troops
Rock’N’Roll vs the Redcoats is Wozniak’s hilarious but educational fusion of Elvis’ birthday with the martial anniversary. The musical comedy depicts the events of 1815 as they might have been depicted in an Elvis Presley movie with an actual Elvis impersonator in the lead role. So basically the star of Rock’N’Roll vs the Redcoats is a man playing Elvis Presley playing General Andrew Jackson. Continue reading
OBAMA: I usually just ignore black-on-black violence but dammit, even when a black cop shoots a black suspect I will ALWAYS promote violence against the cops!
My contempt for America’s Democrats and Republicans is not a secret. I was tempted to post a mock-news story today headlined EVERY DEMOCRAT AND REPUBLICAN ELECTED OFFICIAL DIES FROM MYSTERY DISEASE: NATION REJOICES. Instead I decided my review of the blaxploitation satire Funky Ferguson would be more appropriate.
FUNKY FERGUSON (2014) – This was one of the biggest money-makers of 2014. Funky Ferguson is the title character of this very dark satire which uses the style and structure of 1970’s blaxploitation films to comment on the horrific events in Ferguson, MO.
Unidentified black men making with the ubiquitous new hand-signal which means “I have a very small penis.”
The events that spawned the whole “Hands up, don’t shoot” lie are depicted in disjointed and irreverent ways. The main character Funky Ferguson is in the mold of figures like the Black Baron from The Candy Tangerine Man. The Funky One keeps the streets safe for criminal elements and prevents law-abiding African-American business owners from fighting back against the thugs.
Funky Ferguson’s many triumphs over The Man mean nothing but hardship and personal tragedy for other African-Americans, who watch their children being killed by African-American criminals on a regular basis. Funky cares nothing for them or the “crapitalist” (as he calls them) business owners.
Gradually all of the promising young African-American children in Funky Ferguson’s hood wind up getting preyed upon and eventually killed by the brainless, violent black thugs who are the only kids worth caring about in the eyes of Funky Ferguson, the politicians and the media.
An entire generation of creative and hopeful African-American children come and go, slain by street gangs like the film’s Gentle Giants, unmourned by a world that cares only for the plight of the sadistic criminals who killed them. Only those criminals are elevated and considered “heroic” by the demagogues of “the community”. Continue reading
One percenter Mark Cuban (actual size)
MARK CUBAN AS MIGHTY MOUSE (children) – The diminutive rich pig makes a public fool of himself once again, this time by performing in a live action version of the old cartoon show Mighty Mouse.
Tonight’s episode was even written by Cuban, a former Keebler elf, and is titled Big Money, Little Manhood. Supposedly it’s semi-autobiographical. Continue reading
What’s Up, Muhammad could have worked as an alternate title of this film, which revives the grand old tradition of overdubbing a movie’s existing dialogue with comical new dialogue. What’s Up, Tiger Lily? (1966), Woody Allen’s overdubbing of a Japanese spy movie to make it a battle over an egg salad recipe, is still the best known of these ventures.
It was far from the first, however, and was preceded by Fractured Flickers (1963), a weekly television show in which celebrities would dub improvised comedic dialogue into old silent movies. Much later Mad Movies (1985) would feature its comedy talent from the L.A. Connection overdubbing movies from the 30s, 40s and 50s.
Or, as the film makes it, “Nothing to do with Islam, Nothing to do with Islam, Nothing to do with Islam …”
Not even serials were exempt from such treatment, with my favorite example being Firesign Theater’s production Hot Shorts (1984) featuring items like Sperm Bank Bandits in which the comedy team inserted comical dialogue into old serials like Canadian Mounties vs Atomic Invaders.
Other prime instances of overdubbing include What’s Up, Hideous Sun Demon (1983) with Jay Leno and other celebrities editing comical dialogue into the classically bad monster movie The Hideous Sun Demon and A Man Called … Rainbo (1990) in which the early Sylvester Stallone movie No Place to Hide was overdubbed to make it a comedic sendup of Sly’s Rambo movies. Even the original Night of the Living Dead has been given this treatment.
Enough background information! Islam Attacks features the Tim Burton movie Mars Attacks being overdubbed with hilariously dark comedy material which makes the story a look at the Western World’s weak and inept response to Muslim fanatics. The large heads of the Martian invaders are altered by CGI making them look like turbans in just one example of this film’s audacious attitude.
Art by Loston Wallace
If you recall, Burton’s Mars Attacks featured the government hilariously refusing to think the Martians had hostile intentions no matter how many acts of violence they committed. The Martians would even be shooting people to death while robotically saying “We come in peace.” Islam Attacks does just what you’d hope for and plays up how contemporary governments keep trying to downplay any hostile intentions from Islamist groups and shows them blasting people to death while saying “We are a religion of peace” over and over. Continue reading
… BUT NAMES WILL NEVER HURT ME (Game Show) Liberals and Conservatives try to shame contestants into silence by calling them “babykillers” if they are pro-choice on abortion and calling them “racists” if they are pro-choice on Muhammad cartoons.
ALL AMERICAN HISTORY SHOW (Non-Fiction) America’s Left-Wing Archie Bunkers from the “academic” (LMFAO) world explain how America caused the previous ice age, the Black Plague, the capitalist system, the Crusades ,etc. Reasonable people who call in to point out America didn’t even exist as a nation yet for most of those events will be rudely shouted down. Continue reading
Rob Reiner’s character Meathead struggles to deal with the fact that his worldview is FIVE DECADES out of date.
All in the Family: The Next Generation, the brand-new sitcom from Glitternight Productions debuts tonight. Cult director Eddie Wozniak strikes again with this controversial update to the original 1970s series which blended the standard family sitcom format with a nearly Ibsenesque examination of social and political issues.
Rob Reiner is back as Meathead aka Michael Stivic. This time around Stivic is the Archie Bunker-type character to reflect the way that Rob Reiner’s generation of self-infatuated 1960s fools have grown as stagnated in their thinking and as trapped in the past as was the original Archie Bunker generation. Continue reading