Balladeer’s Blog continues examining this Orphic variation of the Quest for the Golden Fleece. PART ONE HERE. PART TWO HERE. PART THREE HERE.
As the Argo pulled into Colchis, King Aeetes and his family – including his daughter Medea – observed their arrival. The Royal Family was on hand because of a dream that the goddess Hera had sent to Aeetes regarding foreign forces that would take Medea across the seas.
Orpheus and Jason approached King Aeetes and explained that they had come in search of the Golden Fleece and needed to acquire it so that Jason could claim his rightful throne. The wily Aeetes insisted that the fleece would be given up only to a man who could survive a series of challenges imposed on him by the king.
Jason volunteered to face the challenges himself. The love goddess Aphrodite filled Princess Medea with affection for Jason and she resolved to use her dark magic to help him survive those challenges. Continue reading
THE BAKARIDJAN KONE EPIC – Djeli, the poet-historians of the Bambara people for over 300 years, would often recite, chant and sing this epic myth while playing their stringed instruments called ngoni. 
With the Titaness Rhea placated by the funerary rites, libations and games that the Argonauts dedicated to her slain son Kyzikos, our heroes resumed their Quest for the Golden Fleece.
### After the Argonauts had feasted, they proceeded to the Argo and tried pulling it to the sea for launching. It was snagged on dry seaweed and refused to go further, so the Argonauts began losing their resolve. Remember, this is an Orpheus-centric version of the Quest for the Golden Fleece, so this wimpy loss of resolve was just an excuse for another Orphic lesson. 
THE VISION OF ADOMNAN – Dated to the late 600s A.D., This was a tale of the vision that Saint Adomnan supposedly had during his lifetime (c 679-704 A.D.). Several centuries before Dante’s Divine Comedy (Inferno, Purgatorio, and Paradiso), The Vision of Adomnan depicted the future saint being conducted through Heaven, Purgatory, and Hell so that he could share this “vision” with others. 
It’s been years since I’ve written about the Orphic variations of mainstream Greco-Roman mythology. For anyone who is not familiar with the Orphic Hymns, Zagreus, etc. these fascinating offshoots of the myths we all grew up with feature a variety of differences.This version of the tale of Jason and the Argonauts won’t always match the more popular rendition. 
THE ORPHIC ARGONAUTICA – To avoid being too boring I will omit all the arguments about the exact time period in which this variation on the epic was first written. At any rate, as the “Orphic” part of these writings would indicate, this look at the Quest for the Golden Fleece is told from the point of view of Orpheus the musician, poet and keeper of the Mysteries. 
Our famous lyre-player Orpheus is approached in his cave at Thrace by the hero Jason. The hero tells Orpheus how he has gathered a crew that will take to sea in the Argo, the first vessel built specifically for ocean voyages. NOTE: Yes, the Orphic Argonautica depicts the Argo as the first ship ever built for a long-range journey. Various allegorical meanings are read into this, but I’ll spare you the details. 
THE VOYAGE OF MAEL DUIN (Immram curaig Mail Duin) – Dated to around the late 900s A.D. or earlier, this story deals with the epic quest of Mael Duin (aka Maildun and Maeldune) and the crew of his ship as he seeks revenge on his father’s killers. This lengthy epic deserves to be as well-known as the Odyssey or the Quest for the Golden Fleece.
Mael Duin matured, and proved better than his presumed siblings at athletic, martial and academic competitions. Losing their temper over this, one of our hero’s foster brothers ridiculed Mael Duin for not even knowing who his real father and mother were. 
A. Ngai, the creator god, divider of the universe, divider of the land from the sea and owner of the dazzling light, descended to the Earth shortly after making it. Mists covered the entire world because of how freshly made it was. 
THE GOSPEL OF THE SAVIOR – The narrative of this gospel centers around dialogues between Jesus and his apostles in the last few days before his arrest and crucifixion.
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