Balladeer’s Blog is here with a look at a score of James Garner films. NOTE: The Great Escape is not included, only because Garner was part of an ensemble cast in that movie.
Best remembered for his portrayal of slick-talking gambler/ gunslinger Bret Maverick and Westlake-esque private detective Jim Rockford, Garner inspired the term “marshmallow macho”. That description perfectly captured Garner’s special appeal.
For many American males James Garner and the characters he brought to life represented a happy medium between psychotically macho men and unbearably femmey men. I hate the term “role model” but for lack of a better choice that’s what we’ll go with.
In addition, Garner served in the Korean War and was a Purple Heart winner.
MAVERICK (1994) – Though James Garner was technically playing a supporting role to Mel Gibson in this film, Gibson was portraying Bret Maverick, the character Garner had turned into a sensation in the 1950s. Since this movie would not exist without the cultural cache built up by James’ portrayal of both Bret AND “Pappy” Beauregard Maverick (in old age makeup) this definitely counts as a Garner film. Bret, Pappy and Jody Foster as Annabelle Bransford are among the gambler-gunslingers headed east for St. Louis and a Poker Tournament on a riverboat.
James Coburn plays the Commodore, the host of the tournament.
NECESSARY SPOILER: The lawman character that Garner portrays in the film turns out to really be Pappy Maverick, with Mel Gibson’s Bret simply playing along with his father’s impersonation. FOR MY FULL-LENGTH REVIEW OF THIS FILM CLICK HERE
BARBARIANS AT THE GATE (1993) – In this telefilm based on the best-selling non-fiction book, Jim plays F. Ross Johnson, the real-life president of RJR-Nabisco who unleashed one of the most chaotic and frenzied leveraged buyouts in Wall Street history during the “greed is good” 1980s.
The real Ross Johnson was close with Warren Beatty and other major players in the entertainment industry, which may be why he gets painted in a less villainous light in the movie. (Being played by the ever-charming Garner certainly helps.) In reality FEWER jobs were lost by the ultimately triumphant Henry Kravis’ LBO plan than would have been lost if Johnson came out on top.
Teddy Forstmann, the lone Wall Street figure of the 80s who was a voice in the wilderness condemning LBOs and the damage they did to the economy, gets depicted as a virtual loon. Very odd, since Forstmann’s real-life views on LBOs were closer to the sentiments of Larry Gelbart and the others behind this flick than Johnson’s or Kravis’ were.
Ultimately Barbarians at the Gate is a dark comedy classic, it’s true, but read the book if you want the real low-down on the eventful RJR-Nabisco buyout. Continue reading
PART 78 – As always, it’s fascinating to read the over 100-year-old opinions of James Larkin Pearson (and by extension his Fool Killer), including the opinions that one doesn’t agree with. Here are some of the Fool Killer’s targets in October 1915: 
MCGURK (1979) 
Monday is here with another current events roundup from 
A FAMILY SKELETON (1885) – This short story was written by one of Balladeer’s Blog’s favorite neglected sci-fi authors – Robert Duncan Milne. This time around, Milne’s tale deals with a French nobleman and his wife, who has proven to be sterile. 
NAIA OVER NCAA DIV TWO – Yet another of the 2026 season’s Upsets by an NAIA football team – the WARNER UNIVERSITY ROYALS – over a D2 team – the CLARK ATLANTA UNIVERSITY PANTHERS. The Royals led their hosts 10-0, 17-3 and 25-10 in the 1st, 2nd and 3rd Quarters, respectively. In the 4th Warner U. consummated the Upset 32-10. 
SPIRIT OF EIGHTY-TWO – Staying with the NAIA for a moment, the SOUTHWESTERN COLLEGE MOUNDBUILDERS took it on the road against the BETHANY COLLEGE SWEDES. The Moundbuilders folded, spindled and mutilated Bethany College, converting their 28-0 1st Quarter lead into a 55-0 advantage at the Half. In the end, Southwestern College won EIGHTY-TWO to SIXTEEN! 
MOON GIRL
PART ELEVEN – Back at the home of his unfit uncle King Temugedege, Ozidi took Odogu’s Wife to bed with him that night. Though she seemed to willingly leave Odogu’s home, and in fact had led Ozidi by the hand as they fled, it became clear that the woman was playing a game of her own. 
ANNE OF THE INDIES (1951) – Jean Peters stars as female pirate Captain Anne Providence, commander of the ship Sheba Queen. One day she and her crew seize a British ship in the West Indies. 
