This weekend’s light-hearted, escapist superhero post from Balladeer’s Blog is a look at the neglected Golden Age superhero pantheon from Ace Periodicals.
CAPTAIN VICTORY
Secret Identity: Jack Wilson, Diplomatic Attache
Origin: Jack Wilson was serving as a Diplomatic Attache at the American Embassy in the fictional Central American nation of Centralvo. While there he gained superpowers but Ace Periodicals’ writers never got around to explaining how during this character’s brief run.
First Appearance: Our Flag Comics #1 (August 1941). His final Golden Age appearance came that same year.
Powers: Captain Victory (No relation to the Jack Kirby character of that name) could fly and had massive super strength. The upper limits of his flying abilities and his strength were never established before the character disappeared.
Comment: Since America had not yet entered World War Two, Captain Victory’s adventures had to walk a fine line. The hero thwarted an Axis Powers attempt to trick Centralvo into entering the war on their side, stopped a Nazi sub from secretly sabotaging the Panama Canal and – in a prescient bit – defeated a Japanese sneak attack on the American Navy.
LIGHTNING GIRL
Secret Identity: Isabel Blake
Origin: When Isabel’s Naval Officer father John was brainwashed by Lash Lightning’s supervillain foe the Teacher and forced to help the Japanese forces against the U.S. When Lash Lightning was in one of the Teacher’s death traps he transferred some of his power to Isabel so she could help him.
Her father was freed from his brainwashing and died a hero. Isabel vowed to continue fighting the Axis nations to avenge her father and became Lightning Girl, Lash Lightning’s partner.
First Appearance: Lightning Comics Volume 3 #1 (June 1942). Her final Golden Age appearance came in 1946.
Powers: Lightning Girl could fly at lightning speed, shoot lightning bolts from her hands, generate lightning-heat and track Lash Lightning through their shared electrical impulses.
This superheroine could recharge herself with any electrical outlet. Continue reading
LEMMINGS: DEAD IN CONCERT (1973) – This is not a review of the original, legendary National Lampoon stage version of Lemmings from January of 1973. Instead, it’s a review of the filmed special of a live performance of the slightly reworked stage show. 
The accompanying documentary about the multi-day event, filmed while it was happening, captured the experience for subsequent generations whether we wanted to see it or not. I’m KIDDING! If you had or have siblings, parents, grandparents, etc. from the 60s generation it’s possible that – like happened to me – they shared the documentary with you so many times you felt like you’d seen Woodstock more often than Charlton Heston’s character in Omega Man. 
TARGET (1958) – This syndicated 30-minute suspense anthology series was hosted by the one and only Adolphe Menjou. It was a Ziv production and ran for 38-41 episodes, depending on which online source you go by. 
When we left off last time, Medea’s Aunt Circe had informed her that in order to stop the vendetta the Furies were waging against her, Jason, Orpheus and the rest of the Argonauts Medea must be purified from the taint of betraying her father and killing her brother through rites performed by Orpheus and the Meliae – the ash-tree nymphs who nursed the infant Zagreus (in this Orphic version).
ATTACK OF THE BEAST CREATURES (1983)- Category: A neglected bad movie classic that deserves a Plan 9-sized cult following. 
DR. DEATH (195?-195?) – Ted Knight, famous for his roles on The Mary Tyler Moore Show and Too Close for Comfort is among the surprising names who worked in the American folk art of Movie Hosting. Yes, just as Tim Conway played Ghoulardi’s sidekick and Gary Busey was Mazeppa’s sidekick; just as Pat Sajak wrote for Nashville’s Phantom of the Opry, Bill O’Reilly for Uncle Ted and Tom Snyder for Bob Hersh’s Movie Host the Advisor, Ted Knight is in the mix as well. 
In the wake of 
Balladeer's Blog 