Here at Balladeer’s Blog I’ve long found Midnight’s Edge to be the most accurate site when it comes to entertainment news. I would put Clownfish TV in second place. As for Midnight’s Edge, not only do they carefully label what has already been proven and what is merely word from sources, but over the past few years they have been the only entertainment site I’ve seen that winds up being ACCURATE, especially in the long run, after all the facts have come out.
Best of all, Andre, the boss at Midnight’s Edge, isn’t from the U.S. so he never takes a shrill, partisan approach. He has no dog in our fight.
You can subscribe to Midnight’s Edge here, but if you want a taste of their style watch the video below:
VIDEODROME (1983) 
Here at Independent Voter site Balladeer’s Blog I can certainly understand hostile feelings toward given presidents. Regular readers know how much I despise George W Bush and Barack Obama, but I also pointed out when I thought negative stories about them were absurdly over the top. With de facto Third Party President Donald Trump it’s like the media did nothing BUT absurdly over the top stories about him that fell apart under the most casual scrutiny. This most recent example involves the lie about Russia and bounties (links below) which turned out to be as untrue as all of the “Russian collusion” nonsense. 
Non-partisan journalist Sharyl Attkisson, the Ida Tarbell of the 21st Century, has catalogued 
Now come revelations about the utter falsehood of last year’s media hit pieces claiming that Putin was offering bounties to Taliban troops in Afghanistan, and that Trump was aware of it and did nothing. Now the media – and America’s forever-vile “intelligence community” – have walked back those ridiculous claims. THE BOUNTY OFFERS NEVER HAPPENED, so there was nothing for Trump to know, but hey, they got to damage Trump close to the election by implying he answered to Putin and was letting him offer bounties on U.S. troops. 
Back to the Russian Bounty lies – here’s an excerpt from a terrific article (link below) about that miscarriage of intelligence work and “journalism.” FAKE NEWS is an accurate description of what America’s corporate media inflicts on the public. 
“At the time the Russia Bounty story was an obvious and blatant lie, an unconfirmed report, a manufactured narrative to undermine one of Trump’s many presidential strengths — in this case, his affection for the U.S. military and his string of foreign policy success at making the world a safer and more peaceful place.
Back to athletics, Corporate Sports don’t just publicize the issues the Democrats want publicized they even advocate for or condemn particular political candidates AND SPECIFIC PIECES OF LEGISLATION now. Democrats who get elected with the aid of such support are not likely to pass legislation hurting their corporate fascist allies in the major sports franchises. And the Corporate Sports Leagues know that political favors will keep coming as long as they mouth Democrat talking points. The clueless buffoons who run the Republican Party are irrelevant because of their mindless reverence for “the Free Market” (LMAO). 
Yes, the misleadingly named Antifa (really KLANtifa) continues to riot. Saturday night roughly one hundred members of the fascist hate group set fire to a federal building in Portland with employees still inside. (link below) In March, Antifa set fire AGAIN to the Federal Courthouse in Portland. 
Joe Biden and his fellow Democrats continue to pretend “Antifa is just an idea” – which is typical of their non-response to problems they are unable or unwilling to come to grips with. So America is now even more like a Third World country, complete with masked groups of violent predators striking at their targets on a regular basis. 
PART FIFTY-FOUR – There was no February issue of James Larkin Pearson’s version of The Fool-Killer in 1912, so we resume with the March issue, put together with Pearson’s new printing machinery. The Fool Killer’s targets this time around included: 
THE LAST DAYS OF PATTON (1986) – George C Scott SINGS! Yes, an ENTIRE SONG while camping it up like he’s in a vaudeville revue! 
Roughly half of the movie is spent with the great George C Scott in a hospital bed, like we’re watching Whose Life Is It Anyway, Ya Pusillanimous Sons of Bitches? Scott is always watchable, and really shines here, but the other actors have no room. With such a gigantic figure – real-life Elmer Fudd voice aside – it may have been like that in reality, too. Sharing any stage with the likes of George S Patton must have been suffocating for one’s own ego. 