Self-portrait by Kid Russell
With the Frontierado Holiday coming up in just over a month and a half, Balladeer’s Blog decided to whet readers’ appetites with this look at a gritty cable western series based on the real-life gunslinger turned artist Kid Russell (Charles Marion Russell).
As always, Frontierado is about the myth of the American West, not the grinding reality. This ties it in with Balladeer’s Blog’s examinations of myth and folklore and the ways in which the human tendency toward embellishment crafts everything from religious lore to heroic legends.
Even in the 1800s the exploits of real-life gunslingers were being exaggerated in Dime Novels or overblown newspaper accounts to the degree that the surviving tales of Western figures often bear little resemblance to their actual lives. Television added another layer of distortion as the need for weekly stories saw Western shows presenting the likes of Doc Holliday, Wild Bill Hickok, Bat Masterson and many others in adventures that dropped all pretense of being based on anything “real.”
Even a figure like Annie Oakley, who actually saw no action against outlaws, was depicted fighting crime out west in a weekly series. In that same spirit here’s my presentation of how the framework of fictional adventures can be used to familiarize modern audiences with occasional facts about the adventurers themselves.
KID RUSSELL (Cable Series) – “Before he made the art, he LIVED it!” would be the kind of eye-rolling advertising tagline that one could picture being used for a show like this. I’m not implying any disrespect to Kid Russell or his artistic legacy. Regular readers of Balladeer’s Blog are familiar with my regard for the man. (FOR MY LOOK AT THE KID RUSSELL LEGEND CLICK HERE )
I can’t help but speculate that the Kid’s fondness for “windies” would make him smile at the kind of concentrated embellishment I’m about to bring to his real-life adventures. Russell’s famously coy line about how he “… never said how law-abiding I was or wasn’t” made many of the wildest legends about the man seem like there might be more than a kernel or two of truth to them. Continue reading
PART TWENTY: I need to interrupt my look at the 1910-1917 and 1919-1922 Fool Killer items for this time around. In a surprising development Balladeer’s Blog was contacted by THE actual Fool Killer. Using Jimmy Neutron-level science I determined that this correspondent was indeed the actual supernatural figure who had been at large in America since the 1830s. 
Coming to you as I wander in search of fools to kill, as usual a murder of crows following in my wake to feast upon the ample corpses I leave behind me in my travels.
PART EIGHTEEN: In this issue the Fool Killer stated his mission in his newest incarnation (Or “regeneration” we could say with tongue in cheek.) was “the general overturning of all established institutions of every kind.” … “The Hour of Doom has struck for many of this old world’s pet institutions.” Quite a long way from his 1830s mission of driving the Devil out of the Tennessee Hills and killing fools who tried stealing the “hidden” gold of the Melungeons!
PART SIXTEEN: James Larkin Pearson, poet and newspaper man, carried on the Fool Killer tradition from 1910 to 1917, then again from 1919 to 1929. Pearson’s fellow North Carolinian Charles Napoleon Bonaparte Evans had written the Fool Killer Letters of the 19th Century so it’s appropriate that another Tar Heel continue the lore for so many years of the 20th Century. 
In August of 1917 Pearson’s nationwide publication called The Fool-Killer changed its title and format because of America’s entry into World War One four months earlier. That change from the hard-hitting satire of Fool Killing was made to show solidarity while the war raged. 
PART TWELVE 
Now we’re in the 1880s and 1890s. The Fool Killer lore of the Melungeon people was absorbing traces of Mormon influence from the wider culture. The Melungeons were NOT Mormons but their Fool Killer tales took on pseudo-religious elements from Mormon lore, like the notion that the Melungeons may be even older than the previously held legends about pre-Columbian Portuguese explorers or ancient Phoenicians. 
PART NINE: This installment draws to a close the opening era of Fool Killer lore but we have much, much more to go after this. (At left is the figure riding a train’s cowcatcher like he often did to get around.)
PART EIGHT: The previous installment dealt with the last surviving Fool Killer Letter by Charles Napoleon Bonaparte Evans, Editor of the Milton Chronicle. That letter was from February of 1879. 
In 1862 the Southern Literary Messenger quoted from a Milton Chronicle Fool Killer Letter, but without an exact date and without the whole context it’s not sufficient to count it as an 8th surviving letter. 