Here at Balladeer’s Blog I often hear from people who like scary movies for Halloween but who really don’t like blood-soaked or sexually explicit films. Since I review a LOT of extreme horror movies here’s some equal time for people who want chills but not graphic violence.
CROWHAVEN FARM (1970) – Do you like ghosts and witches? Do you enjoy slow burn horror like Rosemary’s Baby? Give Crowhaven Farm a viewing or two. It’s perfect for a viewing party after the trick or treaters are done for the night. And at just 74 minutes what do you have to lose?
Hope Lange and Paul Burke portray a couple whose marriage is on the rocks. When they inherit the title farm they decide to give their relationship one last try by relocating there. John “He’s probably even in the Zapruder Film if you look hard enough” Carradine portrays a creepy handyman, Lloyd Bochner tags along for some Lloyd Bochnering and William “Big Bill” Smith shows up as a policeman.
VAMPIRE (1979) – Incredibly underappreciated horror film that concentrates on atmosphere and eeriness rather than in-your-face antics. Cult actor Richard Lynch stars as the title menace, Prince Anton Voytek. When the undead bloodsucker’s tomb is disturbed by construction for a new church (talk about adding insult to injury), the vampire subjects the city to a reign of terror.
Jason The Exorcist Miller plays the new church’s architect and E.G. Marshall portrays an elderly cop who helps Miller in his struggle against Voytek. Kathryn Harrold, Jessica Walter and a very subdued Joe Spinell also star. Part Martin, part Grave of the Vampire, this flick is an excellent showcase for Richard Lynch’s villainous charisma and very odd looks. (Not being cruel, just making an observation.) If you watch only one movie on this list, make it this one. Continue reading
Halloween month continues here at Balladeer’s Blog! In previous years I’ve run my list of The Top Eleven Neglected Bad Movie Classics for Halloween and even a followup list of eleven more. Right now here’s a look at three more classically bad horror flicks for the season.
BLOOD SONG (1982) – Singer Frankie Avalon as a 1980s- style slasher villain! The godfather’s Luca Brasi (Lenny Montana) as a co-star and co-producer! Who could possibly resist that? Frankie plays a homicidal maniac who escapes from an insane asylum with his beloved flute/recorder type thingee.
Turns out years earlier a girl played by Donna Wilkes – soon to star as Angel herself – got a blood transfusion from Psycho Frankie. In this movie’s logic-free universe that means that she has a mental link with our mad slasher. This link is causing him to track her down to kill her with the single-minded fury that Mike Myers showed toward Jaime Lee Curtis in the Halloween movies. Continue reading
THE KINDRED (1987) – This monster movie was the third horror project from the writing and directing team of Stephen Carpenter and Jeffrey Obrow.
The duo got started while they were film students at UCLA and released the regulation 1982 slasher movie Death Dorm aka Pranks aka The Dorm That Dripped Blood. Next came The Power (1984), about a cursed Aztec relic.
Neither of those works were exceptional nor were they trying to redefine the genre, but there was noticeable improvement between the 1984 project and the 1982 debut film. The Kindred continued that professional refinement and is the most watchable of “Carpbrow’s” early horror efforts.
THE Kim Hunter is in a few early scenes as Amanda Hollins, a biochemist who was engaged in some ethically questionable research before a car accident left her in a coma for years. She has just emerged from that coma and wants her son John (David Allen Brooks) to go to her old beach house and destroy all of her work, including her notes.
Rod Steiger, just one year away from his outrageous tour-de-force performance in the slasher film American Gothic (with YVONNE DE CARLO), plays Dr Phillip Lloyd, the villain of the story. The mad Dr Lloyd has been trying his own hand at the kind of research that Amanda Hollins excelled at. To that end he’s been paying an unscrupulous ambulance driver to covertly provide him with accident victims to use as human guinea pigs. Continue reading
Halloween Month continues here at Balladeer’s Blog, this time with the definitive horror/ sci-fi/ monster franchise in cinema. 2019 is the 40th anniversary of the original movie Alien and earlier this year six authorized (not fan-made) short films were released to mark the occasion.
Bill Paxton’s son is in two of them, but just his voice on the radio in one.
The six films range from okay to excellent but they ALL capture the feel of the creepy Alien universe far better than most of the sequels. To get you in the mood here is Alien: Harvest. The others are titled Alone, Containment, Ore, Species and Night Shift. Check out Harvest below then check out the others HERE
The living dead emerging from The Dead Pit (1989)
Balladeer’s Blog’s month-long celebration of Halloween continues! If you’re like me you’re bored with zombies and pseudo-zombies. The 21st Century is as mired in tiresome, cookie-cutter zombie flicks as the 1980s were in tiresome, cookie-cutter slasher flicks.
Here is a look at seven films which, while technically classified as zombie movies at least adopt unique perspectives and don’t follow established formulas.
THE DEAD PIT (1989) – This horror film was the directorial debut of the very prolific director Brett Leonard. While not a four-star movie The Dead Pit is enjoyable enough for the Halloween Season and should certainly appeal to anyone into 1980s horror flicks. This movie’s hybrid of zombie elements and slasher elements is both its charm AND the reason behind its love-it-or-hate-it status.
Don’t expect non-stop Resident Evil-level action but DO expect to see some in-your-face gore very early in the flick for lovers of guts and decomposition. A physician (Dr Swan) at a mental hospital discovers the secret sub-basement where a rival MD (Dr Ramzi) is subjecting hopeless patients to horrific experiments involving a combination of science and the supernatural. Continue reading
Halloween is celebrated all month long here at Balladeer’s Blog. Here’s my review of this Jean Rollin film. For even more reviews of horror films with a nudity theme click HERE
And for my look at three more Jean Rollin movies click HERE and HERE
The Nude Vampire
5. THE NUDE VAMPIRE (1970) – France’s Jean Rollin is one of those love-them-or-hate-them directors. The snooty French often bashed his films for their devotion to style over all else. Don’t believe reviews which claim that his movies have no comprehensible storylines.
Personally I find him more straightforward than Lynch or Jodorowsky. At any rate the central figure of this arthouse Euro-horror is indeed a beautiful female vampire in skimpy outfits and less. Continue reading
Halloween Month continues here at Balladeer’s Blog.
Paul “Jacinto Molina” Naschy was Spain’s King of Horror decades ago. Many of his films featured his recurring character Waldemar Daninsky, a tormented lycanthrope who was seeking a cure for his curse.
Long ago I reviewed Assignment: Terror (1969), which pitted Waldemar against aliens, a faux Frankenstein Monster, a vampire and a mummy. Here are three more from Naschy:
Dr Jekyll vs The Wolfman (1972), in which a descendant of the original Dr Jekyll uses the family formula to cure Waldemar of lycanthropy. Trouble is he starts turning into a kinky and murderous Mr Hyde on the nights of the full moon. (This is better than being a werewolf?)
There’s even a scene in a disco, for that quintessential 70s touch. (Don’t you hate people who use the word “quintessential”?] Continue reading
Halloween Month continues here at Balladeer’s Blog with my take on the top four (of ten) movies in the Hellraiser franchise.
HELLRAISER (1987) – “Jee-zuz WEPT!” Clive Barker helped translate his novel The Hellbound Heart to the big screen in this film. It’s incredibly rare for a novelist to get to DIRECT a movie version of one of his own works but Barker made the most of it.
Frank Cotton (Sean Chapman) has exhausted sexual sensation with women, men, corpses and animals. Seeking new stimulation he solves LeMerchand’s Puzzle Box, a “Rubik’s Cube From Hell” which leaves him at the mercy of the demonic inter-dimensional sadomasochists called the Cenobites of the Order of the Gash.
Suffering unimaginable torments as the M in this S&M relationship, Frank struggles to escape the Cenobites for good, even if it means sacrificing his brother Larry plus Larry’s wife Julia (Clare Higgins) and daughter Kirsty (Ashley Laurence). Continue reading
Halloween Month continues here at Balladeer’s Blog and so does the 200th anniversary year of Mary Shelley’s novel Frankenstein. FOR THREE MORE REVIEWS OF DAN CURTIS HORROR PRODUCTIONS CLICK HERE
FRANKENSTEIN (1973) – Dan Curtis was well-known for his Dark Shadows television series, the original Night Stalker telefilm and its sequel The Night Strangler. Throw in The Norliss Tapes, Trilogy of Terror and about a dozen more made-for-tv exercises in the macabre.
In Frankenstein Robert Foxworth stars as Dr Frankenstein and Bo Svenson portrays his famous monster in what was originally a two-part presentation on The Wide World of Mystery. (“He’s an artificially created monster who solves murders!”)
Susan Strasberg played the good doctor’s love Elizabeth, Willie Aames was William Frankenstein and John Karlen from Dark Shadows appeared as Otto.
Leif Garrett, soon to appear as one of the murderous children in Devil Times Five, was briefly glimpsed as a little boy running from the Frankenstein Monster. Heidi Vaughn and Brian Avery were along for the ride as the DeLaceys. Continue reading
THE BODY SHOP (1973) – Category: A neglected bad movie classic that deserves a Plan 9-sized cult following
HALLOWEEN MONTH CONTINUES! The horror film titled The Body Shop is one of my all-time favorite bad movie gems. It includes all the little extras that separate mere bombs from the truly legendary turkeys and, like another neglected classic, The Wizard of Mars (see my Bad Movie page for the review), just keeps getting worse and worse and weirder and weirder all the way to the end. Continue reading