RELIC OF FORT TEJON (November 3rd, 1957) – Here’s something a little different from the usual for Balladeer’s Blog’s Forgotten Television category. The 1950s James Garner series Maverick was an all-time classic, but this particular episode is often overlooked.
The subject matter deals with a camel supposedly left over from the ill-fated American Camel Corps that the U.S. Army tried launching in the 1800s. The project fell through in the end, but the dozens of camels from the experimental program – and their offspring – wound up roaming the deserts of the southwest for decades afterward.
Previously, I’ve examined the James Garner western One Little Indian (1973) in which his soldier character winds up using a camel to flee an unjust mutiny charge, and the legendary Red Ghost of Arizona, a Camel Corps leftover which was sighted multiple times in the 1880s to 1890s and was mistaken for a monster.
In Relic of Fort Tejon, Garner’s iconic Bret Maverick, a gambler/ gunslinger, wins a camel named Fatima from a fellow gambler who conned him into thinking he was using an Arabian stallion as part of a poker wager. Continue reading
DJANGO: AN OPERA – Here at Balladeer’s Blog I love sharing my enthusiasms. My blog posts where I provide contemporary slants to Ancient Greek Comedies to make them more accessible have been big hits over the years, so now I’m trying it with operas. A little while back I wrote about how Philip Wylie’s science fiction novel Gladiator could be done as an opera. This time I’m addressing the 1966 original version of the Spaghetti Western titled Django. 
LANGUAGE: Spanish. I’ve resigned myself to the fact that most of my fellow English-speakers find English-language operas to be silly. The prosaic nature of the forced rhymes in a language we are well-versed in does seem to rob opera of its mystique and its grandeur. 
Scene One: The opera would open with a stage version of one of the most iconic visuals from the 1966 film. Our title character, DJANGO, clad in his long blue jacket with his well-worn Union Army uniform underneath it, slowly, wearily drags a coffin behind him as he walks along singing his mournful song. He pulls the coffin via a rope slung across one shoulder. 
And with many people home from work for the day the 2020 Frontierado Holiday Weekend has started! The actual holiday is tomorrow, August 7th, but many of you have indicated that you’ve taken to getting started on the Thursday night before, or “Frontierado Eve” I guess we could call it. 
Or if you prefer your drinks with no mixers there’s plenty of the OFFICIAL bourbons of Frontierado – 
FRONTIERADO IS COMING UP ON FRIDAY, AUGUST 7th! As always the Frontierado holiday (now celebrated on 6 continents) is about the myth of the Wild West, not the grinding reality. It’s just like the way medieval festivals celebrate the era’s romantic aspects, not “the violence inherent in the system” (for my fellow Monty Python fans). Here’s another Balladeer’s Blog review of a seasonal movie. 
MAVERICK (1994) – Richard Donner directed and Mel Gibson starred in this excellent tribute to the 1950s and 1980s Maverick television series. The original series starred James Garner as slick-talking gambler/ gunslinger Bret Maverick AND, in old-age makeup, as “Pappy” Beauregard Maverick, the gambler and con-man patriarch of that family of rogues. (No relation to the real-life Maverick family of Texas, for whom “maverick” cattle were named.)
Mel Gibson portrays Bret Maverick since by 1994 James Garner was too old for the role. Jodie Foster co-stars as rival gambler Annabelle Bransford and the iconic James Garner provides memorable support as a lawman. 
INCIDENT AT PHANTOM HILL (1966) – With the massive Frontierado Holiday just a few months away let’s start getting in the mood with a review of this 1966 western directed by Earl Bellamy. 
A major complication: The desert region where the bullion is buried is located in the Staked Plains, which were recently ceded to the Comanche Indians in the latest treaty. If uniformed troops are spotted poking around in the area a fresh Comanche war could break out. 
GET MEAN (1975)- One of the weirdest Spaghetti Westerns ever made and that’s saying something! Get Mean stars Tony Anthony and was also released under the title The Stranger Gets Mean, making it the final movie in Anthony’s series of Italo-Westerns as the enigmatic gunslinger known only as the Stranger. 
GANG OF ROSES (2003) – The annual Frontierado Holiday, coming August 2nd this year, is about the myth of the Old West, not the grinding reality. So is the movie Gang of Roses, which is why I cannot believe the merciless reviews this fun, harmless, escapist movie has gotten. I find it far better than the similar Bad Girls. 
Let me give a quick synopsis, then take a look at the main characters, following which I will state my counter-arguments to the most frequent criticisms leveled at this female-led Western:
BREAKHEART PASS (1975) – (Frontierado is coming up August 2nd and, as always, it’s about the myth of the Old West, not the grinding reality.) Alistair MacLean may be more closely associated with espionage and crime thrillers like When Eight Bells Toll, The Eagle Has Landed and Puppet on a Chain but his lone Western, Breakheart Pass, is a very solid story which transfers MacLean’s usual themes to the American West. 
Some critics bash this above-average film because they apparently thought Alistair MacLean’s name on the script meant it would be an over-the-top Western Spy actioner along the lines of Robert Conrad’s old Wild Wild West television series crossed with Where Eagles Dare. Instead, Breakheart Pass comes closer to grittiness than slickness and is all the more enjoyable for that. 
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