FATHER’S DAY (2011) – Brace yourself for a gory time in this enjoyably outrageous cult classic.
Ahab, the eye-patch sporting hero of the Astron 6 horror film Father’s Day is in my opinion the one true successor to Bruce Campbell’s Ash Williams. And considering how unfair the ending of this movie is for Ahab and his two sidekicks a case could even be made for them replacing Ash as the most royally screwed character in the history of gore-soaked horror comedies.
It’s difficult to review this dark, grotesque gem without resorting to a series of catch phrases like “Goes where Dead Alive and similar movies failed to go” or “What Grindhouse hath wrought” or even “Twink and Walnut: They’re NOT Muppets!” Let me start with a more practical line: Do not watch this movie if you can not handle the most offensive violence, concepts, gore and deranged sexuality imaginable. Continue reading
Scream Factory has announced that on September 11th it will be releasing its edition of the 1990 cult movie Brain Dead, with Bill Pullman and Bill Paxton.
It’s an enjoyable little head-trip of a movie that tries to keep you guessing about what’s really going on. Extras for the release will be announced at a later date.
I’m not sure if even I would want to own this movie but it’s at least nice for a one-time viewing. Once you know what’s really going on subsequent viewings lack any real oomph.
CORPSE EATERS (1974) – No, not The Brain Eaters and not The Worm Eaters, both of which are real movies, but Corpse Eaters without any “the” in front. This 57 minute wonder actually manages to overstay its welcome, believe it or not, which is just as well because the similar low-budget film Children Shouldn’t Play With Dead Things did everything better than this film does.
The people behind Corpse Eaters know JUST what horror fans want to see … water-skiing and plenty of it! This baby takes the concept of padding to the next level with interminable footage of two couples having a great time boating and otherwise whooping it up at lakeside. I’m not old enough to have ever sat through a suburban family’s hellishly boring home-movies but thanks to this film I can experience it as if I was alive back then! Sweeeeet!
The aforementioned lakeside footage comes after the audience is treated to several loooong minutes of a mortician and his assistant talking about what a creepy job they have. Then it’s on to our “stars” if that isn’t too strong a word for them. The frolicing couples note that it’s Friday the 13th and decide to spend the night in a graveyard just for the heck of it. Continue reading
It’s Balladeer’s Blog’s semi-annual Mother’s Day post!
HAPPY MOTHER’S DAY! LOVE, GEORGE (1973) – Category: Bad movie elevated by kitsch value in the casting.
Directed by THE Darren McGavin and featuring his wife Kathie Browne in a small role, this hilariously bizarre film is also known as Run, Stranger, Run. “Run, Potential Viewer, Run” would be a more appropriate title.
Happy Mother’s Day Love, George (henceforth HMDLG) is often described as a psycho-sexual thriller but actually it is nothing more than a melodramatic soap opera with a few murders and VERY few scenes of blood and gore. Those blood and gore scenes are so over-the-top they are completely at odds with the low-key, almost made-for-tv mildness of the rest of the movie.
This was a theatrical release but is so subdued and slow-paced it seems like a telefilm. You and your friends can keep yourselves entertained making jokes about the recognizable cast members to kill time since the first murder doesn’t happen until we’re more than an hour into this flick.
Ron Howard IS Johnny, a teenager who has come to town to discover who his birth parents are but who mostly just stands around staring at people and ESPECIALLY at houses. He seems completely taken aback that the townspeople find this somewhat creepy. Johnny is intrigued by the rash of missing persons plaguing the small town and feels they are connected to the secret of his past.
Cloris Leachman IS Ronda (no “h”), Johnny’s real mother, as we learn very early in the film. Ronda is in such dire financial straits she had to hock the “h” in her name for rent money. (I’m kidding!) She never speaks to her sister, sleeps with a gigolo passing through town and serves up meals along with expository dialogue. Continue reading
Midnight Marquee, the renowned magazine devoted to horror, sci fi and cult films, returns after a long hiatus.
The 80th issue is now available. Below find the table of contents of this latest issue and the click for ordering. Continue reading
Before MST3K there was … The Texas 27 Film Vault! In the middle 1980s, way down on Level 31 Randy Clower and Richard Malmos, machine-gun toting Film Vault Technicians First Class hosted this neglected cult show.
ORIGINAL BROADCAST DATE: Saturday February 14th, 1987 from 10:30pm to 1:00am.
SERIAL: None. The movie, Film Vault Corps comedy sketches and commercials filled up the entire two and a half hours this time.
FILM VAULT LORE: This episode marked the second time The Texas 27 Film Vault came with a warning about violent content. It was also at least the second time they riffed on a movie that was originally in 3-D. Randy and Richard did various jokes about wearing 3-D glasses and 3-D effects coming out of the screen at them as they watched the movie.
Randy and Richard firing their machine guns on the T27FV 3D poster.
When you throw in the previous year’s “Mock 3D” interview with Ben Johnson and the 1987 release of The Texas 27 Film Vault‘s official 3-D poster you could say Randy, Richard, Ken “Tex” Miller, Joe Riley and Laurie Savino had a definite fondness for taking shots at the whole 3-D concept.
FOR A LOOK AT THE 3-D TEXAS 27 FILM VAULT POSTER (courtesy of Randy Clower) –https://glitternight.com/2013/03/18/movie-hosts-the-texas-27-film-vault-poster/
Friday the 13th Part 3-D was the most notoriously lame sequel in the Friday the 13th film series during the 1980s. Not only was it part of the laughable 1980s attempt to revive the 3-D craze of the 1950s but it’s also infamous for its DISCO VERSION of the iconic Friday the 13th theme. However it’s essential viewing for horror fans because it was the first time Jason Voorhees put on the hockey mask that is so closely associated with the character. Continue reading