Halloween Month continues at Balladeer’s Blog.
PSYCHO GOTHIC LOLITA (2010) – Also available under the title Gothic & Lolita Psycho, this ultra-violent and blood-soaked movie was Japanese filmmaker Go Ohara’s follow-up to Geisha Assassin from 2008.
Rina Akiyama stars as Yuki, the black-clad title character whose fashion sense combines two Japanese fetish looks in one. The film begins with Yuki already enacting her revenge quest against a bizarre quintet of villainous supernatural figures. Disjointed flashbacks provide background details as the story unfolds, with the most crucial secret being withheld for last. Continue reading
Halloween Month continues here at Balladeer’s Blog with my take on the top four (of ten) movies in the Hellraiser franchise.
HELLRAISER (1987) – “Jee-zuz WEPT!” Clive Barker helped translate his novel The Hellbound Heart to the big screen in this film. It’s incredibly rare for a novelist to get to DIRECT a movie version of one of his own works but Barker made the most of it.
Frank Cotton (Sean Chapman) has exhausted sexual sensation with women, men, corpses and animals. Seeking new stimulation he solves LeMerchand’s Puzzle Box, a “Rubik’s Cube From Hell” which leaves him at the mercy of the demonic inter-dimensional sadomasochists called the Cenobites of the Order of the Gash.
Suffering unimaginable torments as the M in this S&M relationship, Frank struggles to escape the Cenobites for good, even if it means sacrificing his brother Larry plus Larry’s wife Julia (Clare Higgins) and daughter Kirsty (Ashley Laurence). Continue reading
The living dead emerging from The Dead Pit (1989)
Balladeer’s Blog’s month-long celebration of Halloween continues! If you’re like me you’re bored with zombies and pseudo-zombies. The 21st Century is as mired in tiresome, cookie-cutter zombie flicks as the 1980s were in tiresome, cookie-cutter slasher flicks.
Here is a look at seven films which, while technically classified as zombie movies at least adopt unique perspectives and don’t follow established formulas.
THE DEAD PIT (1989) – This horror film was the directorial debut of the very prolific director Brett Leonard. While not a four-star movie The Dead Pit is enjoyable enough for the Halloween Season and should certainly appeal to anyone into 1980s horror flicks. This movie’s hybrid of zombie elements and slasher elements is both its charm AND the reason behind its love-it-or-hate-it status.
Don’t expect non-stop Resident Evil-level action but DO expect to see some in-your-face gore very early in the flick for lovers of guts and decomposition. A physician (Dr Swan) at a mental hospital discovers the secret sub-basement where a rival MD (Dr Ramzi) is subjecting hopeless patients to horrific experiments involving a combination of science and the supernatural. Continue reading
Balladeer’s Blog’s month-long celebration of Halloween will as usual feature reviews of horror stories and movies sprinkled in with my usual topics. This year I’m starting off with Brightburn.
BRIGHTBURN (2019) – This mid-level budget movie has been criminally underrated in my opinion. Its horror twist on the usual superhero story (especially Superman) is well-handled and should have been just the thing audiences flocked to for a change of pace from the flood of superhero movies in recent years.
The film skillfully combines horror with science fiction and Jackson A Dunn as the alien child Brandon makes for the creepiest kid this side of Damien in The Omen. The kills in Brightburn are fairly gory but only in one instance is it dwelt upon, and the scene definitely earns that emphasis.
Right up front I’ll mention that you do have to make with a BIG suspension of disbelief. The movie asks viewers to accept the premise that in this age of unending documentation and requirements for child vaccinations that a childless couple could successfully do a fake adoption of a baby from outer space whose spaceship crashed near their farmhouse.
At any rate the couple, the Breyers, live in a remote small-town in Kansas, so if you really have to, you can assume that has helped them carry out their deception. That town is named Brightburn, which provides the film with its title. Continue reading
For April Fool’s Day here at Balladeer’s Blog I’m giving a rest to my usual holiday offering, my review of Aleister Crowley’s Clouds Without Water, to review a movie instead.
SLAUGHTER HIGH/ APRIL FOOL’S DAY (1986) – This is the low-budget horror film made in England and set on April Fool’s Day. There are still VHS tapes and YouTube videos that show the original title, but the title was changed to Slaughter High because of the year’s OTHER April Fool’s Day slasher film with a gimmick ending.
Slaughter High starts off showing us April Fool’s Day of 1976, when a group of “teenagers” including 30-something Caroline Munro go to bizarre lengths to degrade and victimize their nerdy classmate Marty. These “kids” aren’t so much bullies as they are psychopaths, actually.
After an April Fool’s Day “prank” involving nudity, electric shocks and near drowning, Marty is still alive through no fault of his classmates. The supposed popular kids get punished for their criminal assault on Marty, and perversely blame him for it! It’s that kind of movie. Hell, Marty’s tormentors were caught in the act, it’s not even like he peached on them (since this was made in England I couldn’t resist writing “peached on them”).
The psychotic teens-in-their -thirties decide Marty deserves some payback for the way they got in trouble for nearly killing him earlier, so they stage a new “prank” involving tampered-with marijuana, dangerous chemicals … and acid. C’mon, you kidders! Stop giving Marty the business! Just cut off one of his limbs or something and call it a day, ya jokesters! Continue reading
After this seasonal post had last year off it’s the return of my review of Mardi Gras Massacre.
MARDI GRAS MASSACRE (1978) – Category: A neglected Bad Movie classic, but its hard-core gore will prevent it from ever having a Plan 9-sized cult following
It takes a twisted sort of genius to make multiple disembowelment murders look boring, but that’s exactly what Jack Weis accomplishes in Mardi Gras Massacre! Today may be Fat Tuesday, but let’s rechristen it “Splat Tuesday” in honor of this late 70s splatterfest.
The actual “massacre” part of this movie is an incredible disappointment. An insane, hate-filled man with a knife – no, not Jim Bowie (rimshot) – is roaming around New Orleans during Mardi Gras targeting prostitutes as sacrificial offerings to the Aztec deities he worships.
That sounds promising for a horror film but the disembowelment ritual is reenacted word for word and movement for movement for EACH VICTIM! There is no variation and also no suspense because after the first killing we know exactly how all the subsequent sacrifices will play out. The only chills come from listening to the awful disco music that plays during the ceremonial slayings. (“NOOOOOOOOOO!”) Continue reading