Crypt TV is a YT channel featuring original horror film shorts with a variety of deadly monsters. Many of the monsters are featured in ongoing stories that are like ARG’s but with much better special effects. This particular video features the first appearance of a violent creature whose ongoing appearances hint at plenty of unsavory, sinister secrets as well as serial killings in a small town. It’s titled The Wedding Hand, as a play on a Wedding Band. NOT FOR THE EASILY FRIGHTENED! Continue reading
Tag Archives: horror films
Before MST3K there was … The Texas 27 Film Vault!
Balladeer’s Blog continues its examination of this neglected cult show from the mid-1980s.
EPISODE ORIGINALLY BROADCAST: Saturday December 27th, 1986 from 10:30pm to 1:00am.
EXTRAS: Randy Clower and Richard Malmos, as machine-gun toting Film Vault Technicians First Class and members of the fictional Film Vault Corps (“the few, the proud, the sarcastic”) had two and a half hours to work with each week. Interviews with figures like Vincent Price, Forry Ackerman and others were featured and the movies being shown and mocked were often preceded by episodes of old Republic serials like Radar Men from the Moon and others. This episode featured Randy and Richard’s interview with Ben Johnson, whom they had interviewed at his ranch earlier in the year. Johnson also appeared in the episode’s film, Terror Train.
SERIAL: For this episode the movie was preceded by a chapter of Mysterious Doctor Satan in which a mad scientist called Dr Satan commanded a goofy robot and was opposed by a pulp-style hero called Copperhead.
HOST SEGMENTS: The most memorable Host Segment Randy and Richard did during this New Year’s-themed horror film was a bit where, as Midnight Dallas Time approached, they staged a countdown and then a raucous celebration of the arrival of … December 28th, 1986. Ken “Tex” Miller, Joe “The Hypnotic Eye” Riley and other Film Vault Corps members joined in the festivities in a great example of the wry humor of this pre-MST3K program.
TERROR TRAIN (1980) – A New Year’s Eve slasher film set on a train carrying a load of partying passengers who plan to ring in the New Year in each time zone of the United States. As required by law at the time, Jamie Lee Curtis starred since it was a slasher flick with a seasonal theme. (Look under the Federal Halloween, Halloween II and Prom Night Act of 1980 if you don’t believe me)
A few years earlier Curtis and her college buddies played an initiation trick on a freshman by tricking him into bed with a female corpse. The guy had a nervous breakdown from the ugly near-necrophiliac experience (like sleeping with Barbra Streisand must feel) and is supposedly still in a mental hospital because of it. Continue reading
Halloween Month continues! Independent filmmaker Earl Owensby churned out a long list of movies over the years, including this horror flick. For more Earl Owensby horror films click HERE
A DAY OF JUDGMENT (1981) – This movie plays as if Owensby collaborated with Reverend Estus W Pirkle like Ron Ormond did for the religious zealot/ Cold War potboiler If Footmen Tire You, What Will Horses Do?
You can strip away that movie’s Cold War angle, though, since A Day of Judgment is set in the 1920s American south. Well, 1920s-ISH we’ll say since the usual fun Owensby anachronisms turn up repeatedly in assorted scenes.
Reverend Cage addresses a church that is virtually empty and bores the few faithful who remain by bitching and moaning about how poor attendance has been. He’s leaving town and is basically washing his hands of the place, warning that the increasingly sinful town will get what’s coming to it.
Next we have a series of scenes featuring some of the more sinful citizens of the deep southern town. Adultery, bigotry, covetousness, greed and outright murderous passions lurk behind every corner of this Mayberry-turned-Sodom and Gomorrah. These scenes go on so long even Larry Buchanan would scream “Pick up the pace, dammit!” at the screen.
A sinister, monstrously ugly man in black arrives in town, driving a horse-drawn carriage and sporting a long scythe. This figure is the film’s Grim Reaper/ Angel of Death/ Foolkiller- type menace. Continue reading
Balladeer’s Blog’s month-long celebration of Halloween hurtles toward its finale next Wednesday night. This time around I’ll examine the tale of Sean na Sagart aka John of the Priests, who should have been the lead character in several horror films by this point.
Sean was born John Mullowney around 1690 AD in Derrew, Ireland. By his teens he was living beyond his means, often drinking and carousing. He financed his hard-partying lifestyle through multiple crimes, with various accounts claiming he was a masked Highwayman or a burglar or even a rustler and horse-thief.
It IS certain he was arrested for stealing horses and was sentenced to death by hanging in Castlebar, Ireland. Recognizing what an amoral creature was before them, the authorities offered Sean a very dirty job in exchange for escaping death on the gallows – becoming a Priest Hunter/ Killer.
The Penal Act of 1709 had decreed that Catholic Priests plus higher and lower clergymen must take the Oath of Abjuration and recognize Great Britain’s Protestant Queen Anne as the supreme religious authority in England AND Ireland. Refusing to do so merited summary execution.
Thus began the career and dark legend of Sean na Sagart. Sean spent roughly the next 17 years hunting, capturing and killing renegade Catholic Priests, Bishops, and Cardinals.
Since Catholic schools were forbidden, outlaw Hedge School Teachers were also fair game. Sean’s bounty varied according to the rank of his clergy member victims. If he ever backed out of this career as a Priest Hunter it was back to the gallows for him.
WHY A HORROR STORY? For multiple reasons in a variety of storytelling approaches. First, if played strictly true-to-life it would make for a very ironic twist on the horror subgenre of Witchfinder General flicks, which always featured crazed, sadistic clergymen hunting and torturing confessions out of “witches.” And Continue reading
Halloween is celebrated all month long here at Balladeer’s Blog. Here’s my review of this Jean Rollin film. For even more reviews of horror films with a nudity theme click HERE
5. THE NUDE VAMPIRE (1970) – France’s Jean Rollin is one of those love-them-or-hate-them directors. The snooty French often bashed his films for their devotion to style over all else. Don’t believe reviews which claim that his movies have no comprehensible storylines.
Personally I find him more straightforward than Lynch or Jodorowsky. At any rate the central figure of this arthouse Euro-horror is indeed a beautiful female vampire in skimpy outfits and less. Continue reading
Halloween Month continues here at Balladeer’s Blog.
Paul “Jacinto Molina” Naschy was Spain’s King of Horror decades ago. Many of his films featured his recurring character Waldemar Daninsky, a tormented lycanthrope who was seeking a cure for his curse.
Long ago I reviewed Assignment: Terror (1969), which pitted Waldemar against aliens, a faux Frankenstein Monster, a vampire and a mummy. Here are three more from Naschy:
Dr Jekyll vs The Wolfman (1972), in which a descendant of the original Dr Jekyll uses the family formula to cure Waldemar of lycanthropy. Trouble is he starts turning into a kinky and murderous Mr Hyde on the nights of the full moon. (This is better than being a werewolf?)
There’s even a scene in a disco, for that quintessential 70s touch. (Don’t you hate people who use the word “quintessential”?] Continue reading
Halloween Month continues here at Balladeer’s Blog with my take on the top four (of ten) movies in the Hellraiser franchise.
HELLRAISER (1987) – “Jee-zuz WEPT!” Clive Barker helped translate his novel The Hellbound Heart to the big screen in this film. It’s incredibly rare for a novelist to get to DIRECT a movie version of one of his own works but Barker made the most of it.
Frank Cotton (Sean Chapman) has exhausted sexual sensation with women, men, corpses and animals. Seeking new stimulation he solves LeMerchand’s Puzzle Box, a “Rubik’s Cube From Hell” which leaves him at the mercy of the demonic inter-dimensional sadomasochists called the Cenobites of the Order of the Gash.
Suffering unimaginable torments as the M in this S&M relationship, Frank struggles to escape the Cenobites for good, even if it means sacrificing his brother Larry plus Larry’s wife Julia (Clare Higgins) and daughter Kirsty (Ashley Laurence). Continue reading