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THE GRIM GHOST (1975)

Halloween Month at Balladeer’s Blog continues with this look at the Grim Ghost, a Pre-Spawn horror figure from the VERY short-lived Atlas/ Seaboard Comics. FOR MANY MORE ATLAS/SEABOARD HEROES CLICK HERE 

Grim Ghost 1THE GRIM GHOST

Secret Identity: Matthew Dunsinane, Highwayman

Origin: In 1740s America, Matthew Dunsinane was the masked Highway Robber known only as the Grim Ghost. He successfully preyed upon the Carriage Trade for years. In 1743 the Grim Ghost robbed Lord and Lady Braddock in their coach.

Lady Sarah Braddock, beautiful but evil, pretended to be interested in a tumble with the daring outlaw who had committed the robbery. Our red-blooded hero fell into her trap, was unmasked, tried and hanged.

In Hell, Satan informed the Grim Ghost that in the 20th Century he was facing a rebellious demon called Brimstone, who wanted to overthrow him and rule Hell in his place. That diabolical figure was endowing various evil-doers with powers to survive their ordained deaths, depriving Satan of their souls, thus weakening him in power and prestige.

Grim Ghost 2Satan offered to release the Grim Ghost from Hell periodically to subdue those renegade evil-doers and send them to Hell for damnation.

God would not interfere with Dunsinane’s mission since Brimstone was defying Fate. Satan endowed the Grim Ghost with powers of his own to battle Brimstone’s legions on Earth.

First Appearance: The Grim Ghost #1 (January, 1975). His final appearance came in July of that same year.

Powers: The Grim Ghost was given a flying, coal-black horse by Satan as well as ghostly powers of intangibility plus a brace of supernatural pistols. Those pistols fired shots that could burn and blast their way through solid objects plus dispatch Brimstone’s minions to their rightful place in Hell.

Comment: Continue reading

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THE CREEPY LINE (2018)

Halloween Month continues with the most frightening documentary since the morbidly obese Michael Moore’s film titled Why Can’t I Find A Training Bra That Fits Me? 

Creepy LineTHE CREEPY LINE (2018) (AVAILABLE ON I-TUNES) – This is a terrific and highly-detailed look at the abuses involved in selective censorship on Social Media and other internet sites. The techno-fascists at Facebook, Google, Twitter and similar 21st Century Robber Baron domains are finally getting the kind of scrutiny that those privileged (and partisan) one percenters deserve.

The willingness of those corporate fascists to cooperate with totalitarian regimes and totalitarian political parties has become a danger to freedom of expression all around the world. Letting privileged white billionaires dictate acceptable language and ideas on the internet is like a real-life version of countless works of dystopian fiction.

Mark Zuckerberg dead inside

“I’M DEAD INSIDE.”

This situation also brings to mind Robert Ludlum’s espionage novel The Prometheus Deception in which Zuckerbergian techno-fascists are more than happy to help oppressive governments impose a global dictatorship. Such thoughts remain in the back of your mind the entire time you watch this riveting documentary.

Silicon Valley’s fondness for suppressing speech and undermining free elections makes this long-overdue expose very VERY relevant as social media sites are now often refusing even PAID ADVERTISEMENTS of candidates disliked by the one percenters in charge.

Data Harvesting and the way those same Robber Baron fiefdoms in Silicon Valley violate the privacy of users and then sell their most intimate information is explored as well. Overall The Creepy Line is as explosive and relevant as Upton Sinclair’s The Jungle was back in its day. Think of this documentary as a similar work updated for the internet age. 

The Jungle caused such an uproar that it led to the Pure Food and Drug Act as well as the Meat Inspection Act. Hopefully The Creepy Line will lead to similar policing of the flagrant abuses of Silicon Valley’s “Masters of the Universe.” 

FOR MORE ABOUT THE CREEPY LINE CLICK HERE  

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RANDOM HALLOWEEN WEIRDNESS

A1 cHalloween Month plactan jremm!

Zxxtng klitmo junb Jack Parsons gwytrty sdo.

Bih gneq zyzy Babalon Working. Qlett sdo zxxtng twa kwa sdo! Sruohu gzevvro kna lu gzevvro sdo feswaq ts o pa Marjorie Cameron.

Ghui laktim laktoma Jan-Mar 3112 YOLD. Continue reading

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MARILYN MANSON: SWEET DREAMS

Halloween Month continues here at Balladeer’s Blog with another seasonal song. This time it’s Marilyn Manson’s cover of Sweet Dreams by the Eurythmics. 

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COLLEGE FOOTBALL RESULTS FROM OCTOBER 20th

HEADLINES

Cumberland Phoenix helmetTOPPLING NUMBER FOUR – Yesterday the NAIA’s CUMBERLAND UNIVERSITY PHOENIX hosted the number 4 team in the nation – the LINDSEY WILSON COLLEGE BLUE RAIDERS. The Phoenix put the Blue Raiders on Upset Alert with a 10-7 Halftime lead that became 17-13 to end the 3rd Quarter. In the end Cumberland U made it a happy Senior Day by holding on for a 24-21 triumph.

Western_ConnecticutMARATHON GAME OF THE DAY – Down in NCAA Division Three came Saturday’s longest game. The WESTERN CONNECTICUT STATE COLONIALS faced the visiting BRIDGEWATER STATE BEARS and, though trailing 21-14 at the break, came back to force Overtime with a 28-28 tie. The 1st OT ended in a 34-34 deadlock, neither team scored in the 2nd and the 3rd ended at 42-42. In the FOURTH OVERTIME the Colonials won it 50-48.

MidAmerica_Nazarene_KSNUMBER SIX GETS DEEP-SIXED – Back in the NAIA the MIDAMERICA NAZARENE UNIVERSITY PIONEERS took it on the road against the country’s 6th ranked EVANGEL UNIVERSITY CRUSADERS. The Pioneers were chasing the Crusaders 19-13 at the Half but in the 4th Quarter they outscored EU 20-7 for a stunning 33-26 Upset victory.   Continue reading

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HORROR MARVELS: FIVE FORGOTTEN MARVEL COMICS HORROR CHARACTERS

masc graveyard newBalladeer’s Blog’s month-long celebration of Halloween continues! There are plenty of Marvel Comics authorities who could give you the story of the in-depth evolution of horror comics in the 1970s, from the relaxing of the Comics Code around 1970 onward. I’ll spare all of us a trip down that particular alley and cut to the chase. Marvel Comics is THE comic book publishing house in pop culture right now with nearly every movie that ever gets made being based on a superhero figure from The House of Ideas.

The 1970s saw Stan Lee and company churn out countless horror comics to cash in on the new flexibility in four-color storytelling. Some were long-lasting successes, like Tomb of Dracula, and others weren’t, like The Frankenstein Monster. When Marvel ventured outside established works by Bram Stoker, Mary Shelley and others they actually produced some very intriguing characters who had more potential than many actual horror films from the 70s. Excluding the overworked Drac and Frank here are five of Marvel’s most intriguing horror figures from that experimental decade.

Satana

1. SATANA THE DEVIL’S DAUGHTER

Comment: How has this character NOT been the subject of multiple movies by this point? You’d think that Marvel would have learned long ago not to let its strong female horror figures lie unused. For decades Stan and friends let their character Rachel Van Helsing, the young blonde descendant of a long line of vampire slayers go unexploited only to watch potential millions of dollars fly away as Buffymania took hold in the 90s.  

Satana black and whiteSatana Hellstrom was the half-sister of Damian Hellstrom, Marvel’s Son of Satan character. Like Damian she was the offspring of Satan and a mortal woman. Unlike Damian, who went goody-goody to spite his infernal father, Satana was a loyal Daddy’s Girl who was happy to try to spread her father’s ways in the human world.

When she wasn’t battling her half-brother or serving as the Earthly object of worship for a Satanic Cult or facing down covens of demons conspiring to overthrow her father’s rule of Hell Satana was a very successful succubus, and it’s easy to see why.

Even the more “adult” black and white horror comics of the 1970s couldn’t show what a succubus REALLY does, so Satana set about harvesting souls by simply kissing her victims, despite occassional dialogue panels indicating that something a little more … involved … might be going on. Mortal souls would emerge as black butterflies from the mouths of the dead, shriveled bodies of Satana’s prey and our sultry protagonist would then crush those butterflies between her fingers, proud to send another soul to her father’s domain.

A cinematic Satana could be given full-blown horror treatment and be a female franchise-spawner to compete with Freddy Krueger and the like. Continue reading

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HALLOWEEN WITH PAUL NASCHY

Halloween Month continues here at Balladeer’s Blog. 

Dr Jekyll vs the Wolf ManPaul “Jacinto Molina” Naschy was Spain’s King of Horror decades ago. Many of his films featured his recurring character Waldemar Daninsky, a tormented lycanthrope who was seeking a cure for his curse.

Long ago I reviewed Assignment: Terror (1969), which pitted Waldemar against aliens, a faux Frankenstein Monster, a vampire and a mummy. Here are three more from Naschy:

Dr Jekyll vs The Wolfman (1972), in which a descendant of the original Dr Jekyll uses the family formula to cure Waldemar of lycanthropy. Trouble is he starts turning into a kinky and murderous Mr Hyde on the nights of the full moon. (This is better than being a werewolf?)

There’s even a scene in a disco, for that quintessential 70s touch. (Don’t you hate people who use the word “quintessential”?]  Continue reading

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THE ENSOULED VIOLIN (1880): GOTHIC HORROR

Halloween Month continues as Balladeer’s Blog takes a look at another tale of Gothic Horror which, like The Lost Stradivarius, centers around a violin player.

ensouled violinTHE ENSOULED VIOLIN (1880) Written by Helena Blavatsky, aka Madame Blavatsky, famous for the Theosophy Movement and its premier work Isis Unveiled. Later she wrote The Secret Doctrine, another milestone theosophical opus.

This tale of Gothic Horror is set in the 1820s. The main character is a young violin virtuoso named Franz Stenio from Styria in Austria. Though studying the occult arts and alchemy while away at college his central passion had remained music.

Franz’s skill was extraordinary but eventually his widowed mother ran short of money, ending his studies. He left university and moved back home. Franz devoted his every waking moment to his violin and he refused even to go to church with his mother when she begged him.

The youth’s occult studies had filled him with contempt for Christianity and he preferred to think of himself as a pagan. Franz’s mother worried herself sick over the potential fate of her son’s soul and eventually she put such a strain on herself that she died. Some dark whispers hinted that her son had killed her. Continue reading

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HELLRAISER: THE FOUR BEST FILMS

Halloween Month continues here at Balladeer’s Blog with my take on the top four (of ten) movies in the Hellraiser franchise. 

HellraiserHELLRAISER (1987) – “Jee-zuz WEPT!” Clive Barker helped translate his novel The Hellbound Heart to the big screen in this film. It’s incredibly rare for a novelist to get to DIRECT a movie version of one of his own works but Barker made the most of it.

Frank Cotton (Sean Chapman) has exhausted sexual sensation with women, men, corpses and animals. Seeking new stimulation he solves LeMerchand’s Puzzle Box, a “Rubik’s Cube From Hell” which leaves him at the mercy of the demonic inter-dimensional sadomasochists called the Cenobites of the Order of the Gash. 

Suffering unimaginable torments as the M in this S&M relationship, Frank struggles to escape the Cenobites for good, even if it means sacrificing his brother Larry plus Larry’s wife Julia (Clare Higgins) and daughter Kirsty (Ashley Laurence). Continue reading

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THE PRISONER: EPISODE LINKS

Prisoner 1Recently Balladeer’s Blog wrapped up an in-depth examination of all 17 episodes of Patrick McGoohan’s pioneering 1967 series The Prisoner. Before Lost, before The X-Files, before Twin Peaks, there was this innovative British series which was equal parts science fiction and existentialism.

PROLOGUE: My look at the themes and issues addressed in the series. CLICK HERE

ARRIVAL – After abruptly resigning from British Intelligence a man is abducted to a futuristic prison city called the Village. This inescapable dystopia is an Orwellian nightmare with bits of Kafka, Ionesco, Pirandello and more than a little bit of Alphaville tossed in for good measure. CLICK HERE 

DANCE OF THE DEAD – The Prisoner becomes more acquainted with the oppressive nature of the Village, including the seemingly mad Head Games to which the Villagekeepers subject the Villagers, their human guinea pigs. CLICK HERE    

THE CHIMES OF BIG BEN – After Number Six meets a female prisoner who knows where the Village is located he puts into motion an elaborate plan for escape. The Village’s Art Festival will serve as cover. NOTE: INCLUDES MY TAKE ON THE ALTERNATE VERSION OF THE CHIMES OF BIG BEN. CLICK HERE

CHECKMATE – A degrading game of chess using human beings as the pieces leads to the Prisoner meeting an Aristocrat fallen from power and now held captive in the Village. The pair gather co-conspirators around them in hopes of a mass escape. CLICK HERE Continue reading

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