Tag Archives: Gothic horror

TWO EARLY GOTHIC HORROR NOVELS

Regular readers of Balladeer’s Blog may remember the obscure horror stories I review during Halloween Month each year. I’ve been asked if I’ll ever review any of the better known, big names in Gothic Horror, so here we go. 

the monkTHE MONK (1796) – Written by Matthew G. Lewis. Though The Monk was preceded by other works of Gothic Horror like The Castle of Otranto (1764) and The Necromancer (1794), Lewis’ novel cranked up the supernatural elements a great deal. It also painted the Catholic clergy in extremely unflattering terms, at least in the initial edition.

After the public outcry over the extreme horror and lascivious conduct of clergy members in the first edition, Lewis softened up the content in future editions. The title character, Ambrosio, breaks his vows by committing murder, rape and sex with a consenting partner, before plumbing new depths. The Prioress, Mother Saint Agatha, is sadistically violent to those in her power, even torturing the heroine Agnes.  

Some of the supernatural characters and elements: Continue reading

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YEGOR’S PORTRAIT (1897) AND GEORGE DOBSON’S EXPEDITION TO HELL (1828)

Halloween Month continues here at Balladeer’s Blog with two more overlooked tales.

george hepworthYEGOR’S PORTRAIT (1897) – Written by George Hepworth.  A well to do Russian named Yegor was killed in a horse riding accident. A portrait of the man haunts those who remember him. By night the Yegor of the portrait emerges from the work of art.

Stephan, Yegor’s cousin and closest friend in life befriends the apparition from the painting. As the pair spend a night drinking and gambling together, Yegor admits to Stephan that the reason his essence is bound to the material world is because he left behind him an illegitimate child with no financial support. Continue reading

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TWO OVERLOOKED HORROR STORIES FROM JULIAN HAWTHORNE

As Halloween Month rolls along, Balladeer’s Blog takes a look at two horror stories written by Nathaniel Hawthorne’s son, Julian.

mummiesTHE UNSEEN MAN’S STORY (1893) – A needlessly neglected mummy tale. At age twenty-eight, a Frenchman named Carigliano arrives in Egypt on assignment from the French government. He has studied Egyptology and is thrilled with his placement.

Gradually, dreams and waking visions propel him to investigate around Thebes. Once there, he discovers the previously unviolated tomb of Queen Amunuhet. Throughout the tomb’s halls and chambers he encounters reanimated mummies which stalk him, intent on killing him. Continue reading

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MALDOROR 3:5 – THE RED LANTERN AT TWILIGHT

Maldoror 3 5 red lantern

Balladeer’s Blog resumes its examination of the macabre 1868 French language work The Songs of Maldoror. This is one of the most twisted sections of a book loaded with them. And be forewarned … when I say this is twisted I mean TWISTED. You’ve been warned.

THE RED LANTERN AT TWILIGHT

All of the action in this stanza takes place at twilight and the first moments of darkness. The supernatural being Maldoror comes upon a French brothel that used to be a convent centuries before. A rough wooden bridge leads across a stream of filth to the establishment. Customers take their leave by crawling out through a grate into a courtyard littered with chickens and chicken filth.

Continue reading

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MALDOROR 3:2 – VICTIMS BOTH LIVING AND DEAD

As Halloween Month continues what could be more appropriate than to resume Balladeer’s Blog’s examination of the macabre 1868 French language work The Songs of Maldoror.

WARNING: THIS IS ANOTHER OF THE MOST TWISTED, DISTURBING AND HORRIFIC STANZAS IN THE ENTIRE BOOK. 

VICTIMS BOTH LIVING AND DEAD

Maldoror 2The malevolent supernatural being Maldoror commits one of his most horrific acts of violence ever in this stanza. For those horror fans who prefer to see our vile main character perpetrating genuine atrocities this is the tale for you.  

This stanza begins with Maldoror contemplating an elderly, poverty-stricken madwoman who roams the roads of France. She wears tattered clothing and her aged face is withered like a mummy’s while what little hair she has left falls like long spider-legs over her head and neck. Continue reading

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THE MONKS OF MONK HALL (1844-1845)

As Halloween Month continues, Balladeer’s Blog looks at a neglected work of American horror.

Monks of Monk Hall

THE MONKS OF MONK HALL aka THE QUAKER CITY (1844-1845) – Written by George Lippard, this strange and macabre story was originally serialized from 1844-1845 before being published in novel form. This bloody, horrific work was America’s best-selling novel before Uncle Tom’s Cabin

I always refer to this book as “Twin Peaks Goes To The 1840s.” On one level The Monks of Monk Hall deals with crime, corruption, drugs and sex-trafficking among many supposedly “respectable” citizens of Philadelphia the way Twin Peaks did with residents of the title town.

On another level the novel deals with supernatural horrors that lurk behind the Quaker City’s murders, vices and sexual perversions, again like the David Lynch series. The center of the darkness is Monk Hall, an old, sprawling mansion with an unsavory history and reputation. Many have disappeared into the bowels of the building, never to be seen again. The power players and criminals who mingle at the Hall in bizarre orgies, secret murders and drunken debauches are known as “Monks” – Monk Hall’s exclusive membership.

Monks of Monk Hall 4

Think of Monk Hall as a combination of Twin Peaks establishments like the Black Lodge, One-Eyed Jacks and the Great Northern all rolled into one. The vast, multi-roomed Hall is honey-combed with secret passageways and trap doors. Beneath the mansion are a subterranean river plus several levels of labyrinthine catacombs filled with rats, refuse and the skeletal remains of the Monks’ many victims from the past century and a half.   

The sinister staff of Monk Hall are happy to provide their members with all the sex, opium and other diversions that they hunger for behind their public veil of respectability. Throw in the occult practices of the members and there’s a sort of “American version of Sir Francis Dashwood’s Hellfire Club” feel to it. Among the novel’s more horrific characters:

Monks of Monk Hall 2

DEVIL-BUG – The deformed, depraved and deranged bastard offspring of one of Monk Hall’s members and one of the many prostitutes who are literally enslaved there. Devil-Bug has spent his entire life in the Hall and has no other name. He is squat, incredibly strong and grotesquely ugly with one large gaping eye and one small, withered, empty socket on his face.

This monstrosity works as Monk Hall’s combination door-man, bouncer and executioner, gleefully murdering on demand and secreting the corpses away in the sub-basements beneath the mansion. Just to make him even more unwholesome, Devil-Bug sleeps next to the corpse of one of his victims and uses occupied coffins as furniture in his creepy rooms.

Monks of Monk Hall 3

RAVONI – Interchangeably referred to as a sorcerer, mad doctor, astrologer and anatomist, this handsome but sinister man pulls the strings behind the supernatural evils of Philadelphia and vicinity.

Master of an occult method of eternal youth, Ravoni has been alive for over two hundred years. (The novel repeatedly says just two hundred years, but the villain refers to having been present at the Saint Bartholomew’s Day Massacre, which happened in 1572, so it has to be longer)

Ravoni has powers of mesmerism, prognostication and can even raise the dead. He was the original owner of Monk Hall under another name long ago. Readers eventually learn the kind of dark rituals the man performed at the Hall but don’t learn the full extent of his evil plans until the climax of the novel.         

Continue reading

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MALDOROR 2:6 – THE JUSTICE OFFERED BY THE LAW IS WORTHLESS

Balladeer’s Blog resumes its examination of the macabre 1868 French language work The Songs of Maldoror. NOT FOR THE EASILY UPSET.

THE JUSTICE OFFERED BY THE LAW IS WORTHLESS

Tuileries gardens at nightThe supernatural being Maldoror, fresh off his sadistic murder of a 10 year old girl in the previous stanza, this time around turns his attentions on an 8 year old little boy. Our vile protagonist first spots the child sitting on a bench in the Tuileries Gardens. Maldoror sits down next to the boy and engages him in conversation. 

The conversation consists of the monstrous figure peppering the child with questions about his beliefs and his dreams for the future as well as his barely-developed notions of right and wrong.  Continue reading

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MALDOROR 2:5 – INDELIBLE BLOOD GLITTERING LIKE A DIAMOND

mascot sword and gun picBalladeer’s Blog resumes its examination of the macabre 1868 French language work The Songs of Maldoror.

PLEASE NOTE:

As I’ve warned in the past, don’t let the 1868 date fool you. There are disturbing elements to this.

Don’t say I didn’t warn you if this really gets to you. 

INDELIBLE BLOOD GLITTERING LIKE A DIAMOND

Maldoror 2 5Back to the insane, taciturn and blood-thirsty Maldoror we’re used to this time around. The supernatural being has been strolling through a particular narrow Paris alley as part of the ground he covers while taking his walk. A slender ten year old girl, oblivious to the danger she’s courting, takes to following him each time until he gets to the end of the alley where she and her mother live.

Growing bolder she even takes to playfully blocking his way sometimes. On occasions when Maldoror tries to walk through at a brisker pace she speeds up her own gait to keep pace with him. On occasions when he goes slowly through the alley the little girl matches that pace, too. When she tries to start a conversation with the monstrous figure by asking him what time it is he coldly replies that he has no watch. Continue reading

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MALDOROR 2:4 – THE MIDNIGHT OMNIBUS

Balladeer’s Blog resumes its examination of the macabre 1868 French language work The Songs of Maldoror.

THE MIDNIGHT OMNIBUS

Midnight strikes in Paris. An eerie double-decker horse-drawn omnibus bursts forth from the ground and begins making its way through the nearly empty, night-darkened streets.

A few late night wayfarers regard the unusual omnibus with a shudder as it goes by. The vehicle carries the full passenger load of twenty-four but all of the travelers on the upper deck appear to be lifeless corpses leaned against each other.

The top-hatted driver looks like another corpse, and the whip he uses to urge on his horses seems more alive than he is. That whip appears to be what animates the arm of the otherwise lifeless driver, not the other way around. Even the passengers on the inner deck remain mute and still and are likewise as pale as ghosts.   Continue reading

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MALDOROR THIRTEEN: THE GREAT TOAD ANGEL

Balladeer’s Blog resumes its examination of the macabre 1868 French language work The Songs of Maldoror.

THE GREAT TOAD-ANGEL 

Maldoror 13This stanza opens up with the supernatural being Maldoror contemplating the worms he pulls from the swollen belly of a dead dog. Slicing the worms into small bits he philosophizes on how human beings should learn a lesson about their own mortality from the state of such dead, worm-riddled bodies. 

Night is falling. In the distance he spies a horse-sized toad with white wings flying down from the sky and landing on the road he is traveling. As the two draw nearer to each other Maldoror senses something familiar about the creature and reflects that its face is “as beautiful as suicide”. He resents the being over how beautiful it looks even in its massive ugliness and the halo over the toad’s head tells him it has come from Heaven and his archrival God.  Continue reading

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