Recently Balladeer’s Blog wrapped up an in-depth examination of all 17 episodes of Patrick McGoohan’s pioneering 1967 series The Prisoner. Before Lost, before The X-Files, before Twin Peaks, there was this innovative British series which was equal parts science fiction and existentialism.
PROLOGUE: My look at the themes and issues addressed in the series. CLICK HERE
ARRIVAL – After abruptly resigning from British Intelligence a man is abducted to a futuristic prison city called the Village. This inescapable dystopia is an Orwellian nightmare with bits of Kafka, Ionesco, Pirandello and more than a little bit of Alphaville tossed in for good measure. CLICK HERE
DANCE OF THE DEAD – The Prisoner becomes more acquainted with the oppressive nature of the Village, including the seemingly mad Head Games to which the Villagekeepers subject the Villagers, their human guinea pigs. CLICK HERE
THE CHIMES OF BIG BEN – After Number Six meets a female prisoner who knows where the Village is located he puts into motion an elaborate plan for escape. The Village’s Art Festival will serve as cover. NOTE: INCLUDES MY TAKE ON THE ALTERNATE VERSION OF THE CHIMES OF BIG BEN. CLICK HERE
CHECKMATE – A degrading game of chess using human beings as the pieces leads to the Prisoner meeting an Aristocrat fallen from power and now held captive in the Village. The pair gather co-conspirators around them in hopes of a mass escape. CLICK HERE Continue reading