Gaston Leroux’s The Machine to Kill was written in NINETEEN TWENTY-FOUR. Many book sites list it as 1935, but that was just the year it was finally translated into English.
Personally I would use the title The Clockwork Dead Man or The Clockwork Killer because for modern readers The Machine to Kill sounds like a traditional science fiction tale about technology run amok.
In reality this neglected Gaston Leroux novel is a horror/sci fi hybrid about an android/ cyborg mix whose mechanized body has been outfitted with the brain, eyes and nervous system of a guillotined murderer. The robotic man – called Gabriel – was created by Dr Jacques Cotentin, who needed an absolutely fresh brain, hence having to settle for a just-executed criminal. Continue reading
TALES OF THE ZOMBIE Vol 1 #1 (July 1973) 
THE COFFIN (2000) – Written by Phil Hester and drawn by Mike Huddleston, The Coffin was originally a four-part serial before being collected into graphic novel format. I’ll provide details below but right up front let me point out that the horrific but intriguing premise is that the Coffin is a dead scientist whose soul is trapped within a polymer techno-suit of his own creation. 
And so Heller Technologies recruited Dr Ahmad to devise strong, lightweight polymers for medical purposes. To that end Ashar has developed polymers that can be used to form an artificial membrane that is perfectly impermeable and incredibly durable. 
FAUST: LOVE OF THE DAMNED (1987) – Written by David Quinn with artwork by Tim Vigil. Halloween Month continues here at Balladeer’s Blog with this review of the 1987-2012 “adult” comic book series Faust. This series included very graphic and very unusual sex and violence while offering a twisted update on the story of Faust selling his soul to Mephistopheles. The year 2000 Brian Yuzna (’nuff said) movie version of Faust: Love of the Damned is pretty bad but does capture the blood-soaked, anarchic WTF air of the series. 
DARKER THAN AMBER (1970) – Rod Taylor IS, for some reason, an Australian version of John D MacDonald’s detective Travis McGee. William “Big Bill” Smith plays the outrageously bleached-blonde villain Terry Bartlett and Theodore Bikel portrays McGee’s friend and idea man Meyer. McGee saves a woman (Suzy Kendall) from being forcibly drowned by her criminal associates only to see her get bumped off by them anyway. 
Regular readers of Balladeer’s Blog know how interested I am in the various ARGs, Analog Horror projects and other forms of “Unfiction” that play out on the internet. Earlier this year I had fun looking back on completed projects like 
Previously here at Balladeer’s Blog I covered YT Channels that featured what I considered the very best of the emerging subgenre of Analog Horror or “Unfiction” as a lot of people have labeled it. Those descriptive terms have been coined to help keep these creative efforts distinct from pure ARGs (Alternate Reality Games). 
(If you’re in the mood for Analog Horror which does NOT back away from pandemic and lockdown lore, check out 
FIVE SCARY BUT NOT GORY HORROR FILMS – For those who like scary Halloween flicks that lack intense gore. Click 
GHOST RIDER: THE MOST HALLOWEENISH COVERS – A look at the original 1972-1983 run of the Marvel Comics horror character Ghost Rider. Click 
BLADE THE VAMPIRE SLAYER: THE EARLY YEARS – A look at the original 1973-1983 run of the Marvel Comics horror character Blade. Click 
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