September 27th-29th in Alpharetta, Georgia it’s the 6th edition of Monsterama. Guests will include cult figures Jane Merrow, Trina Parks, Jackie Joseph, Pauline Peart, Katie Carpenter, Ian Ogilvey and Mark Maddox.
Representatives from film, literature, television, gaming, comic books and the arts will be there.
There will be exhibits, autograph signings and contests being judged once again by figures from the Stan Winston School of Character Arts. And among the films being screened are the 1929 version of Mysterious Island plus Revenge of the Creature.
FOR MORE DETAILS Continue reading
“Maldoror and His Smile” by Lord Orlando
Balladeer’s Blog has done a comprehensive examination of The Songs of Maldoror, often referred to as just Maldoror. The original 1868 French language work by the self-designated Count de Lautreamont (real name Isidore Ducasse) was in verse form, which is great for poetry geeks like me but if you prefer prose there are plenty of prose translations available.
This work of surreal horror was so far ahead of its time that the author himself, in one of the few existing copies of his correspondence, expressed fears that he might be jailed or thrown into an insane asylum and requested that the publisher literally “stop the presses.” Just 88 copies of the book were completed in that initial run and for a few decades The Songs of Maldoror languished in obscurity.
By the 1890s those few copies of Maldoror had been circulating among the more adventurous literati of the time period and the work began to be hailed as a forgotten masterpiece by Maeterlink, Bloy, Huysmans and de Gourmont. This new acclaim ultimately resulted in a new run of copies – this time in the thousands instead of dozens like the first run. This also accounts for why some reviewers mistakenly refer to The Songs of Maldoror as an 1890s work, despite its original publication date of 1868. Continue reading
The latest attempt at cramming the X-Men’s lengthy, years-long Dark Phoenix storyline into one movie is now in theaters. With everybody reviewing that cram course Balladeer’s Blog will instead take a look at the female Phoenix character from the original 1966-1971 run of Dark Shadows.
Amazingly enough, I often encounter people who claim to have never heard of the Gothic Horror soap opera Dark Shadows. Not the original 5-day a week cult series (still available in reruns), not the movies, not the attempted reboot in 1991 and not the ongoing series of audio plays set in the 1970s onward. If anything they’ve heard of the incredibly lame Tim Burton comedy version of the show starring Johnny Depp.
Decades before Bella Swan was torn between a supposedly hunky vampire and a supposedly hunky werewolf in the Twilight novels, female readers of Tiger Beat magazine were torn between Dark Shadows‘ horror heart-throbs. Jonathan Frid’s vampire Barnabas Collins was one and David Selby’s werewolf/ warlock/ Dorian Gray-figure Quentin Collins was the other.
In terms of female horror heart-throbs from Dark Shadows, Lara Parker’s evil witch Angelique is the best known, but obviously this post will address the unusual supernatural menace the Phoenix, aka Laura Collins, played by Diana Millay (right) on the original Dark Shadows.
In Dark Shadows lore Laura Collins was sold to a Phoenix Cult in Egypt in the 1700s by her evil lover, for whom she had abandoned her husband back in America. The cult used Laura as an offering/ guinea pig, transforming her into a supernatural figure called the Phoenix. Continue reading
Happy Halloween 2018 from Balladeer’s Blog!
THE HOUSE ON THE BORDERLAND (1908) – Written by William Hope Hodgson. This tale is a terrific but often overlooked forerunner of Lovecraftian horror blended with traditional haunted house elements. Throw in material that puts the reader in mind of Madame Blavatsky’s and Aleister Crowley’s horror fiction and it’s a magnificent story for Halloween.
Our tale is set in and around an isolated house in a desolate, eerie location in West Ireland. The main character is an elderly man who lives there with his sister. His sleep is tainted with disturbing dreams that become more like occult visions of barren but impossible landscapes. (Think “If M.C. Esher did landscaping.”)
In those visions his and his sister’s house is always in the middle of the terrifying geography. After these unsettling experiences on the astral plane the material version of those forces are unleashed in the real world by a minor earthquake near our main character’s house.
Swinish humanoids that resemble the illusory pig-faced monster in the movie Boardinghouse emerge from the new fissure and besiege the two terrified humans, Night of the Living Dead style. Continue reading
As always, October flies by too quickly. There are just a few days left in Balladeer’s Blog’s month-long celebration of Halloween. Here’s a shoutout to the title song from the infamously bad 1991 horror film HauntedWeen.
That movie is about a young kid driven insane by accidentally causing an impalement death. Long years later that now grown-up figure runs his family’s yearly spook-house for Halloween season. The catch is that after a few deaths that he demonstrates as fakes for the attendees he then begins really killing several helpless captives. The live audience cheers wildly, thinking it’s all just more fake blood and gore.
That inspired premise is squandered in a classically bad film that DOES boast a catchy theme song. And here it is:
Balladeer’s Blog celebrates Halloween all month long. For today here’s a look at an 1899 mummy tale.
PHAROS THE EGYPTIAN (1899) – Written by Guy Boothby, who was better known for his Doctor Nikola stories about an evil genius in the mold of Dr Mabuse and Fu Manchu.
Cyril Forrester, a successful British artist, is approached by an enigmatic and sinister-seeming old Egyptian named Pharos. This figure tells Cyril that a mummy he (Cyril) inherited from his Egyptologist father is the dead body of Pharos’ ancestor from over 3,000 years ago.
That ancestor was Ptahmes, whom we’re told served as a magician for the Pharaoh Ramses during the mythical Exodus. Pharos is angry over the desecration of his ancestor’s remains so Forrester obligingly returns the mummy to the old man.
And so begins a danger-filled supernatural adventure to return the mummy of Ptahmes to his tomb. Cyril is suckered along into following Pharos because he is attracted to – or as we’re supposed to pretend in fiction, he is “in love with” Valerie, a beautiful Hungarian violinist who is in thrall to the old Egyptian. Continue reading
Balladeer’s Blog’s month-long celebration of Halloween hurtles toward its finale next Wednesday night. This time around I’ll examine the tale of Sean na Sagart aka John of the Priests, who should have been the lead character in several horror films by this point.
Sean was born John Mullowney around 1690 AD in Derrew, Ireland. By his teens he was living beyond his means, often drinking and carousing. He financed his hard-partying lifestyle through multiple crimes, with various accounts claiming he was a masked Highwayman or a burglar or even a rustler and horse-thief.
It IS certain he was arrested for stealing horses and was sentenced to death by hanging in Castlebar, Ireland. Recognizing what an amoral creature was before them, the authorities offered Sean a very dirty job in exchange for escaping death on the gallows – becoming a Priest Hunter/ Killer.
The Penal Act of 1709 had decreed that Catholic Priests plus higher and lower clergymen must take the Oath of Abjuration and recognize Great Britain’s Protestant Queen Anne as the supreme religious authority in England AND Ireland. Refusing to do so merited summary execution.
Thus began the career and dark legend of Sean na Sagart. Sean spent roughly the next 17 years hunting, capturing and killing renegade Catholic Priests, Bishops, and Cardinals.
Since Catholic schools were forbidden, outlaw Hedge School Teachers were also fair game. Sean’s bounty varied according to the rank of his clergy member victims. If he ever backed out of this career as a Priest Hunter it was back to the gallows for him.
WHY A HORROR STORY? For multiple reasons in a variety of storytelling approaches. First, if played strictly true-to-life it would make for a very ironic twist on the horror subgenre of Witchfinder General flicks, which always featured crazed, sadistic clergymen hunting and torturing confessions out of “witches.” And Continue reading