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5. THE SCARLATTI INHERITANCE (1971)
TIME PERIOD: Pre-World War One Era on up through the start of the Great Depression with an epilogue set during World War Two.
This was Robert Ludlum’s very first novel and it’s a shame that the planned movie starring Ingrid Bergman never panned out. In my opinion there has never been a very good screen adaptation of a Ludlum novel. Or at least not when it comes to adaptations that are actually like their source material.
The successful Jason Bourne movies bear virtually no resemblance to the trilogy of novels that inspired them. Other films or mini-series’ adapted from Ludlum’s writings have tended to be so far off the mark that some of them qualify as classically bad, for instance The Osterman Weekend.
HEROINE: (This novel has a female and a male protagonist) Elizabeth Wyckham Scarlatti, an 1890s adventuress from American Old Money who – in her youth – spurned plenty of bloated rich pigs for not being as high-spirited and daring as she was.
Her heart and loins are finally stolen away by Italian-American Giovanni Scarlatti, a laborer in her father’s factory. Though he speaks broken English, Scarlatti’s mechanical genius is first-rate. The rebellious Elizabeth combines her own business acumen with Giovanni’s aptitude for inventions and before long the two lovers are married and have taken over the companies run by her father and plenty of his friends.
The Scarlattis continue to thrive financially through the expected hardball methods and after having three children they change the family name to Scarlett. Eventually Giovanni dies of natural causes and eldest son Roland is killed during World War One.
Making her own version of Sophie’s Choice, Elizabeth allows her brawling, bullying wastrel of a son Ulster to enlist in the Army to romantically take Roland’s place in the World War while keeping third son Chancellor in America with her to prep him to take over Scarlett Industries when she dies.
HERO: Matthew Canfield, an accountant and investigative agent for the American government – specifically Group Twenty, Ludlum’s fictional agency. Group Twenty was operative during the 1920s, when the bulk of this story takes place. Their agents specialized in uncovering financial hanky-panky in that gray area where dishonest business practices and outright criminality mingle. Continue reading