Tag Archives: mythology

THE ORPHIC ARGONAUTICA: PART FIVE

Balladeer’s Blog continues examining this Orphic variation of the Quest for the Golden Fleece. PART ONE HERE. PART TWO HERE. PART THREE HERE. PART FOUR HERE

Having obtained the Golden Fleece, Jason, Orpheus and the rest of the Argonauts fled Colchis immediately on board the Argo. King Aeetes’ daughter Medea fled with them because she fell in love with Jason and defied her father to enable the theft of the Golden Fleece.   

Medea took her brother Absyrtus along and as their father Aeetes’ and his crew were about to overtake the Argo at sea, the dark sorceress Medea murdered Absyrtus, chopped his body into several pieces and scattered those pieces on the waves.

King Aeetes had to break off pursuit so he and his crew could fish up the various fragments of his son’s corpse for proper funeral rites.

NOTE: Though some versions of this epic have the people called the Minyae transform the floating remains into the two Absyrtides Islands, this Orphic variation presents the dismemberment and gathering of body parts as an allegory for the saga of Zagreus tinged with Osiris parallels.

     In Orphism, Zagreus is the supreme deity and combines aspects of Dionysus and Zeus. I will explore the concept in more depth as I delve more thoroughly into Orphism in the future. Continue reading

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THE ORPHIC ARGONAUTICA: PART FOUR

Balladeer’s Blog continues examining this Orphic variation of the Quest for the Golden Fleece. PART ONE HERE. PART TWO HERE. PART THREE HERE.

As the Argo pulled into Colchis, King Aeetes and his family – including his daughter Medea – observed their arrival. The Royal Family was on hand because of a dream that the goddess Hera had sent to Aeetes regarding foreign forces that would take Medea across the seas. 

Orpheus and Jason approached King Aeetes and explained that they had come in search of the Golden Fleece and needed to acquire it so that Jason could claim his rightful throne. The wily Aeetes insisted that the fleece would be given up only to a man who could survive a series of challenges imposed on him by the king.

Jason volunteered to face the challenges himself. The love goddess Aphrodite filled Princess Medea with affection for Jason and she resolved to use her dark magic to help him survive those challenges. Continue reading

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AFRICAN EPIC MYTH: BAKARIDJAN KONE

Balladeer’s Blog resumes its blog posts about neglected mythological epics from around the world. This particular epic comes from the Bambara people of the Kingdom of Segu in what is now Mali.

MaliTHE BAKARIDJAN KONE EPIC – Djeli, the poet-historians of the Bambara people for over 300 years, would often recite, chant and sing this epic myth while playing their stringed instruments called ngoni.

A. The future father of Bakaridjan Kone is a noble-born farmer in Disoro Nko. He grows tired of his agrarian lifestyle and his wives. (“Segu City’s where he’d rather stay/ He gets allergic smelling hay” Had to be said.) Hearing that Da Monzon, the great ruler of the Kingdom of Segu, knows how to create gold, the disenchanted farmer goes to Segu City and becomes part of the court of Da Monzon, only to learn the gold story is not true.

A ngoni instrument

A ngoni

B. Kumba, one of the errant farmer’s wives, gives birth to a boy. His deadbeat dad refuses to be present for the naming ceremony but hints around to Da Monzon that maybe he should provide him with a gift to celebrate the birth. Da Monzon is disgusted with the man for abandoning his wives and not being present for said naming ceremony.

              Instead, the king sends cowries to the wives so they can perform a proper ceremony, at which he wants the baby to be named Bakaridjan Kone. As the provider of the boy’s name, Da Monzon has made himself the child’s adopted father.

C. Years go by, and, royal politics being what they are no matter the culture or time period, Da Monzon begins to worry that he may get killed and/or overthrown before any of his sons are old enough to take over as king. His morike (oracle or diviner) tells him that no full-grown man poses a threat, but there is a boy-child who would one day be able to seize the throne. The morike advises Da Monzon to find a boy who is tough enough to not cry out when his foot is pierced by the king’s spear. THAT is the boy who might overthrow the king. Continue reading

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THE ORPHIC ARGONAUTICA: PART THREE

FOR PART ONE, ITS TIES TO ORPHISM AND ITS DIFFERENCES TO THE MAINSTREAM MYTH OF THE ARGONAUTS CLICK HERE. FOR PART TWO CLICK HERE

With the Titaness Rhea placated by the funerary rites, libations and games that the Argonauts dedicated to her slain son Kyzikos, our heroes resumed their Quest for the Golden Fleece.

Reaching the Rhyndacus River in what is now southwest Turkey Jason, Orpheus and the other Argonauts paused to gather fresh water and hunt to replenish their food supplies. Herakles went hunting with his male lover Hylas and the pair got separated.

Hylas, while trying to find Herakles, encountered the Rhyndacides, nymph daughters of the river god Rhyndacus and the mountain goddess Didymos. The Rhyndacides were so awestruck by Hylas’ physical perfection that they detained him indefinitely. Continue reading

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THE ORPHIC ARGONAUTICA: PART TWO

FOR PART ONE OF THE ORPHIC ARGONAUTICA , ITS TIES TO ORPHISM AND ITS DIFFERENCES TO THE MAINSTREAM MYTH OF THE ARGONAUTS CLICK HERE

### After the Argonauts had feasted, they proceeded to the Argo and tried pulling it to the sea for launching. It was snagged on dry seaweed and refused to go further, so the Argonauts began losing their resolve. Remember, this is an Orpheus-centric version of the Quest for the Golden Fleece, so this wimpy loss of resolve was just an excuse for another Orphic lesson.

Even Jason felt helpless and looked to Orpheus for help. Orpheus played music and sang lyrics invoking another parable from the Derveni Papyrus (300s B.C.) and other Orphic material.

The song reminded each Argonaut of their noble bloodlines and recalled how years earlier Orpheus’s songs had bestowed movement on the pines and oaks from the mountains and had them walk near the coastline to re-root themselves.

Recently, those trees had been cut down by Argos and his workers to build the great ship the Argo. Orpheus’ song further reminds the trees whose wood now makes up the ship that they are as bound to obey him now as they were when they were whole.

The Argo itself proceeds to free itself from the dry seaweed and move into the water. Our heroes board the vessel, but Jason has come to doubt his leadership abilities and nominates Herakles to be the new captain of the Argonauts. Continue reading

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THE VISION OF ADOMNAN: CENTURIES BEFORE DANTE’S DIVINE COMEDY

THE VISION OF ADOMNAN – Dated to the late 600s A.D., This was a tale of the vision that Saint Adomnan supposedly had during his lifetime (c 679-704 A.D.). Several centuries before Dante’s Divine Comedy (Inferno, Purgatorio, and Paradiso),  The Vision of Adomnan depicted the future saint being conducted through Heaven, Purgatory, and Hell so that he could share this “vision” with others. 

Dante was guided in a different order by the dead poet Virgil, but Adomnan is being guided by his Guardian Angel.

I. On the Feast of Saint John, Adomnan feels as if he has died and his Guardian Angel leads him through the Afterlife. The first stop in Heaven is the Land of the Saints, a realm of eternal fair weather where dwell the saints, all of them clad in white cassocks with white hoods.

Oddly, the saints are placed according to the four cardinal directions – those who were from the north when alive dwelt in the north of the Land of the Saints, those who were from the south when alive dwelt in the south of the Land of the Saints and so on.

Positioned the closest to God in the center of the realm are the Virgin Mary and the Twelve Apostles, then come the other significant figures in Christian beliefs. Angels are all around, and the music of bird-choirs is always heard.

The innermost circle is where sits God’s throne, formed like a canopied chair with four columns of precious stones supporting it. Three birds are perched on the throne, staring in adoration at God while they mark the 8 canonical hours. Along with birds, horses are also depicted in Heaven. Continue reading

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THE ORPHIC ARGONAUTICA

It’s been years since I’ve written about the Orphic variations of mainstream Greco-Roman mythology. For anyone who is not familiar with the Orphic Hymns, Zagreus, etc. these fascinating offshoots of the myths we all grew up with feature a variety of differences.This version of the tale of Jason and the Argonauts won’t always match the more popular rendition. 

THE ORPHIC ARGONAUTICA – To avoid being too boring I will omit all the arguments about the exact time period in which this variation on the epic was first written. At any rate, as the “Orphic” part of these writings would indicate, this look at the Quest for the Golden Fleece is told from the point of view of Orpheus the musician, poet and keeper of the Mysteries.

Our famous lyre-player Orpheus is approached in his cave at Thrace by the hero Jason. The hero tells Orpheus how he has gathered a crew that will take to sea in the Argo, the first vessel built specifically for ocean voyages. NOTE: Yes, the Orphic Argonautica depicts the Argo as the first ship ever built for a long-range journey. Various allegorical meanings are read into this, but I’ll spare you the details. 

Jason explains that he needs to find and obtain the Golden Fleece of the sacrificed ram in order to mark his claim to the throne of Iolcus. He has named his crew the Argonauts. None of them are willing to risk the dangers of this quest unless Orpheus, he who braved the Netherworld and returned, is with them. Continue reading

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THE VOYAGE OF MAEL DUIN – HAPPY SAINT PATRICK’S DAY 2026!

Happy Saint Patrick’s Day! Here’s a look at an ancient Irish epic from Lebor na hUidre, The Book of the Dun Cow

voy mael duinTHE VOYAGE OF MAEL DUIN (Immram curaig Mail Duin) – Dated to around the late 900s A.D. or earlier, this story deals with the epic quest of Mael Duin (aka Maildun and Maeldune) and the crew of his ship as he seeks revenge on his father’s killers. This lengthy epic deserves to be as well-known as the Odyssey or the Quest for the Golden Fleece.

        At any rate, exactly why the main character wants revenge for that slaying is beyond me, because Mael Duin’s father, supposedly Ailill of the Edge of Battle, raped a nun at a priory and she subsequently gave birth to him. The nun turned the infant Mael Duin over to her queen and king to raise as if he was their own child.

        voyage of mael duin cMael Duin matured, and proved better than his presumed siblings at athletic, martial and academic competitions. Losing their temper over this, one of our hero’s foster brothers ridiculed Mael Duin for not even knowing who his real father and mother were.

        The hero prevailed upon his mother the queen to tell him the truth, and she referred him to his birth mother, the nun. She revealed to Mael Duin the name of his father and the young man set out with his three foster brothers to the land of his father Ailill of the Edge of Battle. Continue reading

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KENYAN MYTHOLOGY: CREATION MYTH OF THE KIKUYU

Regular readers of Balladeer’s Blog are familiar with my love of mythology. I’ve covered many gods, goddesses and epics from around the world. This blog post will examine the Kikuyu (also spelled Gikuyu) Creation Myth of the Kikuyu people of what is now Kenya.

kenyaA. Ngai, the creator god, divider of the universe, divider of the land from the sea and owner of the dazzling light, descended to the Earth shortly after making it. Mists covered the entire world because of how freshly made it was.

B. After inspecting the world, Ngai established his Earthly home atop Kirinyaga (Mount Kenya), where the deity may be prayed to but he can never be perceived by human eyes.

C. Ngai developed a swelling in his knee. He cut it open (or in some versions it burst open on its own) and out came three sons, named Kikuyu/ Gikuyu, Masai and Kamba. Those sons were to marry and produce the three tribes/ nations which would be named for the husbands.

           As this portion of the tale continued, Ngai offered his three sons the choice of a spear, a bow or a digging stick. Kikuyu chose the digging stick and established agriculture; Masai selected the spear and learned to tend herds on the plains; and Kamba took the bow and established the practice of hunting for game. Continue reading

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APOCRYPHAL GOSPEL OF THE SAVIOR

A look at one of the many Apocryphal Gospels. 

THE GOSPEL OF THE SAVIOR – The narrative of this gospel centers around dialogues between Jesus and his apostles in the last few days before his arrest and crucifixion.

Some of the material is similar to the Gospels of John and Matthew, but some is Gnostic, with references to discarding the useless garment of the body so the soul can return to the empyrean realm (or Pleroma, if you insist). 

The most striking departure in this gospel comes in the Garden of Gethsemane segment, when Jesus, as God the Son, traditionally prays to God the Father to spare him the ordeals that lay ahead. In The Gospel of the Savior Jesus transports himself and his apostles to the throne-room of God the Father where he makes his appeal in person. Continue reading

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