Balladeer’s Blog’s 31 Days of Halloween continues with this neglected horror hero.
THE COFFIN (2000) – Written by Phil Hester and drawn by Mike Huddleston, The Coffin was originally a four-part serial before being collected into graphic novel format. I’ll provide details below but right up front let me point out that the horrific but intriguing premise is that the Coffin is a dead scientist whose soul is trapped within a polymer techno-suit of his own creation.
Dr Ashar Ahmad, the brilliant scientist in question, is employed by Heller Technologies, whose eponymous owner is a vile and amoral tycoon. Heller himself is a figure straight out of a horror film.
He’s incredibly old and his withered, wrinkled body is still functioning only because of all of the legal and illegal organ transplants he has had. His body is a battleground of scars from all that surgery. Obviously immortality is what our power-mad plutocrat longs for.
And so Heller Technologies recruited Dr Ahmad to devise strong, lightweight polymers for medical purposes. To that end Ashar has developed polymers that can be used to form an artificial membrane that is perfectly impermeable and incredibly durable.
Extensions of that technology result in masses of polymers – literally thousands of layers – some of them only a few molecules thick. Dr Ahmad has managed to make it so that these polymers react to electronic pulses like the kind from a human brain to its body’s muscles, making the polymer “skin” or membrane expand or contract in response to those electronic pulses. Continue reading
FAUST: LOVE OF THE DAMNED (1987) – Written by David Quinn with artwork by Tim Vigil. Halloween Month continues here at Balladeer’s Blog with this review of the 1987-2012 “adult” comic book series Faust. This series included very graphic and very unusual sex and violence while offering a twisted update on the story of Faust selling his soul to Mephistopheles. The year 2000 Brian Yuzna (’nuff said) movie version of Faust: Love of the Damned is pretty bad but does capture the blood-soaked, anarchic WTF air of the series. 
DARKER THAN AMBER (1970) – Rod Taylor IS, for some reason, an Australian version of John D MacDonald’s detective Travis McGee. William “Big Bill” Smith plays the outrageously bleached-blonde villain Terry Bartlett and Theodore Bikel portrays McGee’s friend and idea man Meyer. McGee saves a woman (Suzy Kendall) from being forcibly drowned by her criminal associates only to see her get bumped off by them anyway. 
Regular readers of Balladeer’s Blog know how interested I am in the various ARGs, Analog Horror projects and other forms of “Unfiction” that play out on the internet. Earlier this year I had fun looking back on completed projects like 
Previously here at Balladeer’s Blog I covered YT Channels that featured what I considered the very best of the emerging subgenre of Analog Horror or “Unfiction” as a lot of people have labeled it. Those descriptive terms have been coined to help keep these creative efforts distinct from pure ARGs (Alternate Reality Games). 
(If you’re in the mood for Analog Horror which does NOT back away from pandemic and lockdown lore, check out 
FIVE SCARY BUT NOT GORY HORROR FILMS – For those who like scary Halloween flicks that lack intense gore. Click 
GHOST RIDER: THE MOST HALLOWEENISH COVERS – A look at the original 1972-1983 run of the Marvel Comics horror character Ghost Rider. Click 
BLADE THE VAMPIRE SLAYER: THE EARLY YEARS – A look at the original 1973-1983 run of the Marvel Comics horror character Blade. Click 
Balladeer’s Blog’s Month-long celebration of Halloween nears its end for 2020 as I take a look at the most seasonal covers of the 1970s Marvel Comics series Son of Satan. The latest Marvel television show, Helstrom, is a very watered-down and weak version of their horror character Daimon Hellstrom, the son of Satan and a mortal woman. (They didn’t even use both “L’s” in the name Hellstrom for the series title, as if h-e-l-l is too shocking for public use.) 
MARVEL SPOTLIGHT Vol 1 #12 (October 1973) 
THE MAGICIAN – During Halloween Season a few years back Balladeer’s Blog reviewed the 1926 silent movie adaptation of The Magician. This time around I’ll review the original Somerset Maugham novel from 1908. It’s no secret at this late date that the malevolent sorceror of the title, Oliver Haddo, was based on the real-life Aleister Crowley. In fact, Crowley would accuse Maugham of plagiarism when he reviewed The Magician under the name Oliver Haddo, his fictional counterpart.
MARVEL SPOTLIGHT Vol 1 #5 (August 1972) 
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