As Halloween Month continues what could be more appropriate than to resume Balladeer’s Blog’s examination of the macabre 1868 French language work The Songs of Maldoror.
WARNING: THIS IS ANOTHER OF THE MOST TWISTED, DISTURBING AND HORRIFIC STANZAS IN THE ENTIRE BOOK.
VICTIMS BOTH LIVING AND DEAD
The malevolent supernatural being Maldoror commits one of his most horrific acts of violence ever in this stanza. For those horror fans who prefer to see our vile main character perpetrating genuine atrocities this is the tale for you.
This stanza begins with Maldoror contemplating an elderly, poverty-stricken madwoman who roams the roads of France. She wears tattered clothing and her aged face is withered like a mummy’s while what little hair she has left falls like long spider-legs over her head and neck. Continue reading
Balladeer’s Blog resumes its examination of the macabre 1868 French language work The Songs of Maldoror. NOT FOR THE EASILY UPSET.
THE JUSTICE OFFERED BY THE LAW IS WORTHLESS
The supernatural being Maldoror, fresh off his sadistic murder of a 10 year old girl in the previous stanza, this time around turns his attentions on an 8 year old little boy. Our vile protagonist first spots the child sitting on a bench in the Tuileries Gardens. Maldoror sits down next to the boy and engages him in conversation.
The conversation consists of the monstrous figure peppering the child with questions about his beliefs and his dreams for the future as well as his barely-developed notions of right and wrong. Continue reading
Balladeer’s Blog resumes its examination of the macabre 1868 French language work The Songs of Maldoror.
As I’ve warned in the past, don’t let the 1868 date fool you. There are disturbing elements to this.
Don’t say I didn’t warn you if this really gets to you.
INDELIBLE BLOOD GLITTERING LIKE A DIAMOND
Back to the insane, taciturn and blood-thirsty Maldoror we’re used to this time around. The supernatural being has been strolling through a particular narrow Paris alley as part of the ground he covers while taking his walk. A slender ten year old girl, oblivious to the danger she’s courting, takes to following him each time until he gets to the end of the alley where she and her mother live.
Growing bolder she even takes to playfully blocking his way sometimes. On occasions when Maldoror tries to walk through at a brisker pace she speeds up her own gait to keep pace with him. On occasions when he goes slowly through the alley the little girl matches that pace, too. When she tries to start a conversation with the monstrous figure by asking him what time it is he coldly replies that he has no watch. Continue reading
I am always glad to interact with readers of Balladeer’s Blog! Many of you have been asking for a guide to my examination of the surreal horrors in The Songs of Maldoror. Readers asked for it to be the same format I used for the Navajo epic myth about the war god Nayanazgeni battling the dark gods called the Anaye.
THE SONGS OF MALDOROR – First Canto
This work by the author Isidore Ducasse aka the Count de Lautreamont was nearly a century ahead of its time. This neglected masterpiece of surreal horror was so envelope-pushing that Ducasse had the publisher stop printing copies after just eighty-eight were made. He feared that the subject matter in the book might cause him to be arrested or committed to an insane asylum.
Opening Stanzas – An introduction to Maldoror, the book’s mysterious protagonist. Maldoror is a supernatural being who considers God his archenemy & Satan a rival and who regards humans as his prey. Modern readers will recognize in this character elements of Freddy Krueger, Aleister Crowley, Coffin Joe, Heath Ledger’s Joker and the vampire Lestat. Click HERE Continue reading