Independent Voter site Balladeer’s Blog takes a look at some of the latest. (And regarding the above item I will say again that the 2020 election was as tainted and corrupt as the 1876 and year 2000 elections.)
FURTHER QUESTIONS RAISED ABOUT THE BIDENS BEING COMPROMISED BY ALL THEIR CHINA MONEY.
EVEN MORE ALLEGATIONS REGARDING THE BIDEN REGIME PRESSURING A WITNESS AGAINST THEM IN THE BIDEN CORRUPTION INVESTIGATIONS. More HERE.
AUDIT OF THE REPUBLICAN NATIONAL COMMITTEE SPENDING REVEALS HOW MONEY IS BLOWN ON OUTRAGEOUS PERKS FOR THE CLUELESS, OUTDATED AND UTTERLY USELESS PEOPLE WHO RUN THAT POLITICAL PARTY. Have I mentioned lately that we need alternate political parties? Continue reading
THOMASINE & BUSHROD (1974) – The Frontierado Holiday is Friday, August 4th this year, so here is another seasonal post – a review of the black western Thomasine & Bushrod. This tale of a pair of outlaw lovers is a nice change of pace since it is set in the fading Wild West of 1911-1915. Automobiles are beginning to show up here and there, making Thomasine & Bushrod a fascinating fusion of “Robin Hood Outlaw” tales bridging both the old west and the later Pretty Boy Floyd era. 
While collecting the money from her most recent success, Thomasine sees a fresh Wanted poster for her old boyfriend J.P. Bushrod, a gunslinging bank robber and rustler portrayed by Max Julien from the previous year’s blaxploitation hit The Mack. 
ADVENTURE COMICS VOL 1 #352 (January 1967) 
The Fatal Five are Tharok, a cyborg whose cybernetic brain makes him more intelligent than Brainiac 5; Validus, a huge purple monstrosity whose insanity drives it to perpetual violence; the Emerald Empress, evil ruler of an entire planet whose populace recently won a war to overthrow her; the Persuader, a killer and plunderer whose armor and Atomic Axe make him unstoppable; and Mano, a mutant whose hand wields energies so powerful that the hand destroyed his entire home planet. 
Frontierado is celebrated the first Friday of every August, so this year it will be marked on August 4th. This holiday celebrates the myth of the old west, not the grinding reality. Here’s a seasonal post regarding my look at an opera version of the original Django spaghetti western from 1966, which strips the story down to its essentials, with no gold subplot.
DJANGO: AN OPERA – Here at Balladeer’s Blog I love sharing my enthusiasms. My blog posts where I provide contemporary slants to Ancient Greek Comedies to make them more accessible have been big hits over the years, so I’m trying it with operas. A little while back I wrote about how Philip Wylie’s science fiction novel Gladiator could be done as an opera. This time I’m addressing the 1966 original version of the Spaghetti Western titled Django. 
LANGUAGE: Spanish. I’ve resigned myself to the fact that most of my fellow English-speakers find English-language operas to be silly. The prosaic nature of the forced rhymes in a language we are well-versed in does seem to rob opera of its mystique and its grandeur. 
Scene One: The opera would open with a stage version of one of the most iconic visuals from the 1966 film. Our title character, DJANGO, clad in his long blue jacket with his well-worn Union Army uniform underneath it, slowly, wearily drags a coffin behind him as he walks along singing his mournful song. He pulls the coffin via a rope slung across one shoulder. 
THE CLONES (1973) – This neglected sci-fi item from the 70s was directed by Lamar Card & Paul Hunt, based on Hunt’s story. The Clones falls into that category of films that I always refer to as “X-Movies” because of the way they put one in mind of the paranoid and conspiratorial air of the best X-Files episodes. 
Gregory Sierra, best known to trivia buffs as “And Gregory Sierra” for the number of times he was credited like that in various television shows and movies, plays Nemo, a government agent tasked to keep the clone project a secret and bring in the escapee. 
THADDEUS KOSCIUSZKO (1746-1817) – As my last name makes clear, I’m of Polish American descent. Last 4th of July I made a blog post about
After receiving his education and military training in Europe, Kosciuszko sailed for America in June 1776. Unlike his fellow Pole Casimir Pulaski, he had missed out on serving in the Bar Uprising in Poland and was enthusiastic about fighting in the Revolutionary War. Poland’s long history of religious tolerance made Thaddeus feel a certain kinship with those who held similar sentiments in our emerging nation. 
