BRACKEN’S WORLD (1969-1970) – This one-hour drama has the dubious distinction of being the series that replaced Star Trek on NBC’s Fall Schedule for the 1969 into 1970 season. The program was set at fictional Century Studios in Hollywood and presented dramas about life in the film industry. Dorothy Kingsley created and produced the show and wrote several episodes.
John Bracken ran Century Studios and in the first season all viewers got was his voice on the speakerphone, praising or crushing his employees. The voice was provided by Warren Stevens in the first season, then Leslie Nielsen took over the role and appeared in person as Bracken for the second season.
The episodes were sometimes self-contained with assorted guest stars at the center of each week’s backstabbing and maneuvering, but most revolved around a regular cast portraying figures who worked at or were under contract to Century Studios.
Appearing in all 41 episodes were Peter Haskell as producer Kevin Grant, Linda “Nova from Planet of the Apes” Harrison as ingenue actress Paulette Douglas, Elizabeth Allen as talent coach Laura Deane and Karen Jensen as established star Rachel Holt.
Other recurring roles with a lengthy run were filled by Madlyn Rhue as Kevin Grant’s wife Marjorie, Dennis Cole as stunt man and later assistant studio head Davey Evans and Stephen Oliver as Tom Hudson, a talented but volatile actor.
THE EPISODES:
101. FADE IN – Brandoesque Tom Hudson tries to make his mark as an actor, Paulette Douglas is reluctant to do a nude scene in her first film, but her ambitious show-business mother (Jeanne Cooper) insists she do it. Producer Kevin Grant’s marriage is in trouble over his use of the casting couch. Tony Curtis, Omar Sharif and Raquel Welch make brief appearances as themselves to sell the supposed “star power” of Century Studios. Continue reading
THE STRUGGLE FOR EMPIRE: A STORY OF THE YEAR 2236 (1900) – Written by Robert W Cole. I left out the first half of the title for the headline, since The Struggle For Empire sounds like a mundane history book. In reality this novel was a very, very early example of the Space Opera sub-genre. 
Initially the Earth colonized and inhabited the planets and certain moons of our own solar system all the way out to Neptune. (Pluto was not discovered until 1930.) In a quaint quasi-Steam-Punk way, all of those planets and moons have Earth-like atmospheres and conditions. 
Cheri Currie of Runaways fame unleashed a broadside on the pathetic, hatemongering, fascistic and intolerant Democrat Party of 2025. She courageously embraced the MAGA label, too. 
GOLDEN GIRL 
Here’s a roundup of current events from 
THE DEATHMASTER (1972) – In between his pair of movies as the vampire named Count Yorga the one and only Robert Quarry starred as a vampiric Charles Manson wannabe in this film. The Deathmaster starts out with a great bit that wouldn’t look out of place in a Jean Rollin horror flick from France: the huge, hulking Barbado (Le Sesne Hilton) plays eerie flute music, seemingly luring ashore a sea-tossed coffin. This casket holds our “Deathmaster” – a vampire called Khorda. 
Just a light-hearted post about a non-serious topic but one which I’m seeing both sides of the political aisle making silly talking points about. In the new Marvel movie Thunderbolts Julia Louis-Dreyfus plays the character Contessa Valentina Allegra de Fontaine. 
EMPIRE (1962-1963) – Ryan O’Neal, Charles Bronson, Richard Egan and Terry Moore starred in this modern-day (1960s) drama about a family ranch in New Mexico. 
RICHARD EGAN starred as Jim Redigo, the brawny ranch manager with an MBA. That was an intriguing idea, and this character helped capture the new complexities of operating a ranch in the modern era while retaining the raw machismo that 1960s viewers would have expected from a ranch manager. 
RYAN O’NEAL played Tal Garret, Lucia’s son who was being groomed to take over the family ranch one day. His relationship with Redigo went from being like an uncle and nephew to more like a father and son but Tal struggled for the respect that he felt the older man was not giving him. Neither as a young man nor a rancher. 
