By reader request here is a blog post featuring a brief synopsis of the subject matter to each of the dozens of reviews I’ve written of ancient Greek comedies. Some of you indicated that you don’t like clicking on one with no idea what it will be about, so here we go.
I will start with the Big Three of Aristophanes, Eupolis and Cratinus.
FIRST – My overview of the themes of ancient Greek political satire. CLICK HERE
LYSISTRATA – The women of Athens and Sparta conspire to withhold sex from their men until they bring about an end to the Peloponnesian War. CLICK HERE
THE CLOUDS – A comedic look at the lighter side of the Sophist revolution in education and scientific research, with an emphasis on rhetorical ploys used in the courts. CLICK HERE
THE KNIGHTS – Aristophanes takes on the demagogue Cleon in this examination of the way dishonest candidates always have a built-in advantage in political campaigns. CLICK HERE
THE BIRDS – Proto-Orwellian fantasy in which two Athenians seeking to escape the increasingly oppressive atmosphere of their homeland join with birds to form the absurd Cloud-cuckooland. CLICK HERE
THE BANQUETERS – A clash of generations and values begins when an Athenian farmer inducts his two sons into his Phratry. CLICK HERE
MERCHANT SHIPS – Two merchant ships – one from Athens and one from Sparta – carve out a separate peace when they meet at sea. CLICK HERE
THESMOPHORIAZUSAE aka THE POET AND THE WOMEN – The women of Athens call for retribution against the famous tragedian Euripides for his negative portrayal of women in his plays. CLICK HERE
DEMOI – An Athenian man brings four dead statesmen back to life to set straight the mess that their political successors have made of the city-state. CLICK HERE
AUTOLYCUS – A less than bright athlete is supported for a political position by his well-to-do gay lover. CLICK HERE