Balladeer’s Blog’s 31 Days of Halloween continues with this neglected horror hero.
THE COFFIN (2000) – Written by Phil Hester and drawn by Mike Huddleston, The Coffin was originally a four-part serial before being collected into graphic novel format. I’ll provide details below but right up front let me point out that the horrific but intriguing premise is that the Coffin is a dead scientist whose soul is trapped within a polymer techno-suit of his own creation.
Dr Ashar Ahmad, the brilliant scientist in question, is employed by Heller Technologies, whose eponymous owner is a vile and amoral tycoon. Heller himself is a figure straight out of a horror film.
He’s incredibly old and his withered, wrinkled body is still functioning only because of all of the legal and illegal organ transplants he has had. His body is a battleground of scars from all that surgery. Obviously immortality is what our power-mad plutocrat longs for.
And so Heller Technologies recruited Dr Ahmad to devise strong, lightweight polymers for medical purposes. To that end Ashar has developed polymers that can be used to form an artificial membrane that is perfectly impermeable and incredibly durable.
Extensions of that technology result in masses of polymers – literally thousands of layers – some of them only a few molecules thick. Dr Ahmad has managed to make it so that these polymers react to electronic pulses like the kind from a human brain to its body’s muscles, making the polymer “skin” or membrane expand or contract in response to those electronic pulses. Continue reading
THE DEAD PIT (1989) – This horror film was the directorial debut of the very prolific director Brett Leonard. While not a four-star movie The Dead Pit is enjoyable enough for the Halloween Season and should certainly appeal to anyone into 1980s horror flicks. This movie’s hybrid of zombie elements and slasher elements is both its charm AND the reason behind its love-it-or-hate-it status. 
BRIGHTBURN (2019) – This mid-level budget movie has been criminally underrated in my opinion. Its horror twist on the usual superhero story (especially Superman) is well-handled and should have been just the thing audiences flocked to for a change of pace from the flood of superhero movies in recent years. 
Representatives from film, literature, television, gaming, comic books and the arts will be there.
The latest attempt at cramming the X-Men’s lengthy, years-long Dark Phoenix storyline into one movie is now in theaters. With everybody reviewing that cram course Balladeer’s Blog will instead take a look at the female Phoenix character from the original 1966-1971 run of Dark Shadows. 
Decades before Bella Swan was torn between a supposedly hunky vampire and a supposedly hunky werewolf in the Twilight novels, female readers of Tiger Beat magazine were torn between Dark Shadows‘ horror heart-throbs. Jonathan Frid’s vampire Barnabas Collins was one and David Selby’s werewolf/ warlock/ Dorian Gray-figure Quentin Collins was the other. 
In terms of female horror heart-throbs from Dark Shadows, Lara Parker’s evil witch Angelique is the best known, but obviously this post will address the unusual supernatural menace the Phoenix, aka Laura Collins, played by Diana Millay (right) on the original Dark Shadows. 
THE HOUSE ON THE BORDERLAND (1908) – Written by William Hope Hodgson. This tale is a terrific but often overlooked forerunner of Lovecraftian horror blended with traditional haunted house elements. Throw in material that puts the reader in mind of Madame Blavatsky’s and Aleister Crowley’s horror fiction and it’s a magnificent story for Halloween. 
As always, October flies by too quickly. There are just a few days left in Balladeer’s Blog’s month-long celebration of Halloween. Here’s a shoutout to the title song from the infamously bad 1991 horror film HauntedWeen. 
PHAROS THE EGYPTIAN (1899) – Written by Guy Boothby, who was better known for his Doctor Nikola stories about an evil genius in the mold of Dr Mabuse and Fu Manchu. 
That ancestor was Ptahmes, whom we’re told served as a magician for the Pharaoh Ramses during the mythical Exodus. Pharos is angry over the desecration of his ancestor’s remains so Forrester obligingly returns the mummy to the old man. 
