Tag Archives: horror

SEAN NA SAGART: HORROR CLASSIC IN WAITING

masc graveyard newBalladeer’s Blog’s month-long celebration of Halloween hurtles toward its finale next Wednesday night. This time around I’ll examine the tale of Sean na Sagart aka John of the Priests, who should have been the lead character in several horror films by this point.

Sean was born John Mullowney around 1690 AD in Derrew, Ireland. By his teens he was living beyond his means, often drinking and carousing. He financed his hard-partying lifestyle through multiple crimes, with various accounts claiming he was a masked Highwayman or a burglar or even a rustler and horse-thief.

It IS certain he was arrested for stealing horses and was sentenced to death by hanging in Castlebar, Ireland. Recognizing what an amoral creature was before them, the authorities offered Sean a very dirty job in exchange for escaping death on the gallows – becoming a Priest Hunter/ Killer.

The Penal Act of 1709 had decreed that Catholic Priests plus higher and lower clergymen must take the Oath of Abjuration and recognize Great Britain’s Protestant Queen Anne as the supreme religious authority in England AND Ireland. Refusing to do so merited summary execution.

Sean na Sagart's treeThus began the career and dark legend of Sean na Sagart. Sean spent roughly the next 17 years hunting, capturing and killing renegade Catholic Priests, Bishops, and Cardinals.

Since Catholic schools were forbidden, outlaw Hedge School Teachers were also fair game. Sean’s bounty varied according to the rank of his clergy member victims. If he ever backed out of this career as a Priest Hunter it was back to the gallows for him.  

WHY A HORROR STORY? For multiple reasons in a variety of storytelling approaches. First, if played strictly true-to-life it would make for a very ironic twist on the horror subgenre of Witchfinder General flicks, which always featured crazed, sadistic clergymen hunting and torturing confessions out of “witches.” And Continue reading →

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THE ENSOULED VIOLIN (1880): GOTHIC HORROR

Halloween Month continues as Balladeer’s Blog takes a look at another tale of Gothic Horror which, like The Lost Stradivarius, centers around a violin player.

ensouled violinTHE ENSOULED VIOLIN (1880) Written by Helena Blavatsky, aka Madame Blavatsky, famous for the Theosophy Movement and its premier work Isis Unveiled. Later she wrote The Secret Doctrine, another milestone theosophical opus.

This tale of Gothic Horror is set in the 1820s. The main character is a young violin virtuoso named Franz Stenio from Styria in Austria. Though studying the occult arts and alchemy while away at college his central passion had remained music.

Franz’s skill was extraordinary but eventually his widowed mother ran short of money, ending his studies. He left university and moved back home. Franz devoted his every waking moment to his violin and he refused even to go to church with his mother when she begged him.

The youth’s occult studies had filled him with contempt for Christianity and he preferred to think of himself as a pagan. Franz’s mother worried herself sick over the potential fate of her son’s soul and eventually she put such a strain on herself that she died. Some dark whispers hinted that her son had killed her. Continue reading →

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HELLRAISER: THE FOUR BEST FILMS

Halloween Month continues here at Balladeer’s Blog with my take on the top four (of ten) movies in the Hellraiser franchise. 

HellraiserHELLRAISER (1987) – “Jee-zuz WEPT!” Clive Barker helped translate his novel The Hellbound Heart to the big screen in this film. It’s incredibly rare for a novelist to get to DIRECT a movie version of one of his own works but Barker made the most of it.

Frank Cotton (Sean Chapman) has exhausted sexual sensation with women, men, corpses and animals. Seeking new stimulation he solves LeMerchand’s Puzzle Box, a “Rubik’s Cube From Hell” which leaves him at the mercy of the demonic inter-dimensional sadomasochists called the Cenobites of the Order of the Gash. 

Suffering unimaginable torments as the M in this S&M relationship, Frank struggles to escape the Cenobites for good, even if it means sacrificing his brother Larry plus Larry’s wife Julia (Clare Higgins) and daughter Kirsty (Ashley Laurence). Continue reading →

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THE LOST STRADIVARIUS: HALLOWEEN READING

lost-stradivarius-2

Jeremy Brett in The Lost Stradivarius

THE LOST STRADIVARIUS (1895) by John Meade Falkner – More than a century before Anne Rice’s violin-oriented ghost story Violin came The Lost Stradivarius. Halloween month continues here at Balladeer’s Blog with a look at this neglected gem of horror fiction.

The main story is set in the 1840s. John Maltravers, a young man from the British gentry, is attending Magdalen College at Oxford University. Stumbling across an anonymous piece of lost music the talented Maltravers plays the piece on a violin.

This spontaneous recital summons up – among other horrors – the ghost of Adrian Temple, the violinist who composed the eerie piece of music when he was a student at Oxford in the 1750s. That ghost leads John to the hidden location of his (Temple’s) Stradivarius violin. Continue reading →

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CEMETERY MAN (1994)

FOR REVIEWS OF SIMILAR HALLOWEEN MOVIES CLICK HERE

Cemetery Man

Cemetery Man

CEMETERY MAN (DELLAMORTE DELLAMORE) (1994) – This film is based on stories by Tiziano Sclavi, the man at the center of “Sclavian philosophy” from Italy. Michele Soavi directed and Rupert Everett starred as the hero, Francesco Dellamorte. Dellamorte is the gravedigger and custodian of Buffalora Cemetery, Buffalora being a fictional town supposedly in the north of Italy.

If you ever wondered what the Patrick McGoohan series The Prisoner would have been like if it had been done as a horror story rather than sci-fi then Cemetery Man is the movie for you! The film employs the same Kafkaesque themes that The Prisoner did with heavy overtones of Sartre’s work The Myth of Sisyphus.

The dead buried in Buffalora Cemetery tend to come back to life as killer zombies after seven days. Dellamorte, with minimal help from his rotund and simple-minded assistant Gnaghi (Francois Hadji-Lazaro), destroys the undead monsters. Our hero gets no thanks from the living citizens of Buffalora, however, who treat him like a Village Idiot and spread rumors that he is either impotent or a eunuch. Mysterious benefactors pay Dellamorte well for his thankless job via envelopes of cash that they mail to him. Continue reading →

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THE BLACK REAPER (1899): GOTHIC HORROR

Black ReaperTHE BLACK REAPER (1899) – By Bernard Capes. Balladeer’s Blog’s month-long celebration of Halloween continues with this neglected horror tale. The story takes place in 1665 in a secluded British farming town called Anathoth.

The Black Reaper of the title is an interesting humanoid monster. Religious superstition and human evil mingle in this tale, just like in so many other great horror stories. And it seems Stephen King must have been, uh … “inspired” by The Black Reaper.

The citizens of Anathoth are described in the narrative as the kind of religious people who merely pay lip service to their beliefs but don’t live by them. They even treated their previous Vicar like a joke.

Now the plague is once more at large in the land and a new fire-and- brimstone preacher has replaced the disrespected man in Anathoth. The new “holy” man  frequently rails at the citizens, telling them that they are all horrible sinners and that God will one day mow them down like ripe corn.

All of them, that is, except the children. Continue reading →

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TWIN PEAKS IN B-MOVIE TERMS

Laura Palmer wrapped in plasticIt’s been just over two weeks since the finale of the 18 episode run of new Twin Peaks chapters on cable. Like many other fans I’m still digesting some of those new episodes in light of the gloriously dark and nightmarish conclusion, so this particular blog post applies ONLY to the original Twin Peaks television series, the 1992 film Fire Walk With Me and its deleted scenes from The Missing Pieces.

Here at Balladeer’s Blog I’m often surprised at the way so many detractors still try to insist that the show and the movie made no sense. And bear in mind I am NOT referring to the various theories over particular symbolism or the lengthy debates to be had over the ethical and philosophical implications of the storyline.

No, I’m referring to the way some people dismiss the entire project as if it’s a bunch of weirdness with no discernible plot or storyline. There IS SO a (very) easily discernible plot and storyline. And I’ll say again I’m NOT talking about deeper meanings which no two people may ever agree upon, but the basic tale. Continue reading →

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TWIN PEAKS: THE RETURN – FINALE (SPOILERS, OBVIOUSLY)

twin peaks the return 2Last Monday here at Balladeer’s Blog I posted about how great Episode 16 was and mentioned the fact that the two final episodes would be shown back to back on Sunday, Sept 3rd.

Now that the final parts have aired I feel that Episode 17 was for the fans and Episode 18 was for David Lynch himself. Fans who want tidy closure got as much of that as Lynch is capable of providing in Episode 17. (And hey, looks like NOBODY can play a Long Game like Gordon Cole can. Although I guess that’s easy to do when it’s not your OWN butt trapped in the Black Lodge for 25 years.)

Episode 18 struck me more like a Lynchian horror film. Especially that ending. I loved it and if that is all the Twin Peaks we ever get I am just fine with it. If you aren’t, then blame our beloved hero FBI Agent Dale Cooper.

Cooper could have just left well enough alone, but no. And he piled foolishness upon foolishness in Episode 18, just like characters in a horror film do. As a MINIMUM, after all he had learned and all he had been through why would he go anywhere near any establishment bearing the name Judy?

Twin Peaks the return 3I was disappointed to see Coop and Diane get together (however briefly) instead of him and Audrey, but what can you do?

The thing that impressed me the most about Lynch’s directing on this 18 episode run was the way he kept up with the times. More so than many of the long-time fans did.

The original Twin Peaks used the story-telling approach of soap operas, while this revival employed the dramatic structure of ARG’s. Frost and Lynch out-did some of the twenty-some year olds who have been flooding the internet with ARG’s for years.

And I was not disappointed at all with that closing scene. A clip of the final four minutes and 20 seconds is below. WARNING: If the names Chalfont and/or Tremond aren’t familiar to you from the original Twin Peaks and Fire Walk With Me then you won’t get the horror of the ending.

Since even the freeze-frame on the video gives away info, people who don’t want the closing scene spoiled in any way should NOT click to read more: Continue reading →

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SONGS OF MALDOROR: CANTO SIX GUIDE

This completes Balladeer’s Blog’s chapter guide to my examination of Isidore Ducasse’s 1868 work of surreal horror The Songs of Maldoror.

SIXTH CANTO

Maldoror and Mervyn by Monsieur Le Six

Maldoror and Mervyn, drawn by Monsieur Le Six.

Sixth Canto, Stanza 1: The author Isidore Ducasse predicts that his work The Songs of Maldoror will revolutionize literature and foresees a career for himself as a major force in the creative arts. Unfortunately his death in 1870 at the age of 24 prevented that from happening. CLICK HERE 

Sixth Canto, Stanza 2: After terrorizing Madrid, Saint Petersburg and Peking through a series of brutal murders, Maldoror begins subjecting Paris to similar treatment. CLICK HERE Continue reading →

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SONGS OF MALDOROR: CANTO FIVE GUIDE

Back to Balladeer’s Blog’s chapter guide to my examination of Isidore Ducasse’s 1868 work of surreal horror The Songs of Maldoror.

FIFTH CANTO

Maldoror 5 7 tarantulaFifth Canto, Stanza 1: BETWEEN YOUR LITERATURE AND MINE – Maldoror goes meta, addressing the reader directly for daring to condemn him while still continuing to read about his nightmarish activities. He recommends a recipe for preparing the flesh of one’s mother after killing her, and otherwise seems to presage many modern-day serial killers. CLICK HERE 

Fifth Canto, Stanza 2: FOUR SOULS ERASED FROM THE BOOK OF LIFE – Our vile main character interacts with a sorceress, the two brothers she seduced then transformed into monsters and the hybrid children she had with those brothers. CLICK HERE  Continue reading →

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