DR CALIGARI (1989) – “The Cabaret of Dr Caligari” might make a more fitting title for Stephen Sayadian’s genre-bending Dr Caligari. Long before Dandy Dust there was this fun movie which was sort of a hybrid of Eraserhead and The Rocky Horror Picture Show with sprinklings of Liquid Sky and Repo Man. Nightmarish visuals and deranged sexuality abound.
Many IMDb reviewers trash this movie but their reviews read like they were penned by someone who has never seen an Alfred Hitchcock film knocking Mel Brooks’ High Anxiety as “not funny.” Just like with the Brooks movie if you’re not familiar with the cinematic styles and productions referenced in Dr Caligari then no, you won’t find it entertaining.
This movie, which is full of absurdly horrific imagery and horrifically absurd imagery is simultaneously a celebration of AND a parody of art films and silent movies – especially of the German Expressionist variety. The Cabinet of Dr Caligari kicked off that cinematic style in 1919 and we’re told that the title character of this 1989 product is the great granddaughter of THAT Dr Caligari.
Our thoroughly modern Dr Caligari is played by Madeleine Reynal, who camps it up as if she’s part robot, part dominatrix, and part corpse. The good doctor runs the Caligari Insane Asylum, or CIA (remember MK-Ultra?) She’s secretly using some of the asylum’s more hopeless patients as human guinea pigs for her horrifying experiments. Continue reading
Gaston Leroux – the author of The Phantom of the Opera – wrote The Machine to Kill in NINETEEN TWENTY-FOUR. Many book sites list it as 1935, but that was just the year it was finally translated into English. It has also been published in English under the titles The Bloody Puppet and The Gory Puppet.
Welcome back to Balladeer’s Blog’s month-long celebration of Halloween!
Balladeer’s Blog’s month-long celebration of Halloween continues with this look at a variety of forgotten or neglected horror legends from American lore. 
THE CORPSE-SMITH OF CONNECTICUT – Also called the Cadaver Master and the Carrion Engineer this mad scientist of Eastern European descent was the cause of the many vanished graveyards from Connecticut’s past. The Corpse-Smith scandalized 1770s America with his brilliant but macabre uses for every single resource he could possibly harvest from the bodies of the recently deceased.
THE MAGICIAN – During Halloween Season a few years back Balladeer’s Blog reviewed the 1926 silent movie adaptation of The Magician. This time around I’ll review the original Somerset Maugham novel from 1908. It’s no secret at this late date that the malevolent sorceror of the title, Oliver Haddo, was based on the real-life Aleister Crowley. In fact, Crowley would accuse Maugham of plagiarism when he reviewed The Magician under the name Oliver Haddo, his fictional counterpart.
He tries to liven up his boring gig on local radio by suggesting some unorthodox public behavior to his listeners and is as surprised as his female producer Sydney Briar (Lisa Houle) when people around the area begin taking him up on the suggestion. As reports continue to come into the tiny radio station it soon becomes apparent that the population isn’t just extremely receptive to suggestion, many of them have become living zombies with a desire to kill anyone not similarly stricken. 
I am always glad to interact with readers of Balladeer’s Blog! Many of you have been asking for a guide to my examination of the surreal horrors in The Songs of Maldoror. Readers asked for it to be the same format I used for the Navajo epic myth about the war god Nayanazgeni battling the dark gods called the Anaye. 
