Back to Balladeer’s Blog’s chapter guide to my examination of Isidore Ducasse’s 1868 work of surreal horror The Songs of Maldoror.
Fourth Canto, Stanza 1: PRELUDE TO A PRIVATE ARMAGEDDON – At Dendera in Egypt Maldoror recalls his past visits to the city and foresees a future day when he will battle all of the Earth’s armies in that same location. CLICK HERE
Fourth Canto, Stanza 2: THE MARRIAGE OF PROVERBS AND METAPHORS – Maldoror becomes lost in the Valley of Unreality where literal reality and metaphorical reality overlap. All that plus esoteric reflections on ancient meditation practices intended to unleash one’s astral body. CLICK HERE
Fourth Canto, Stanza 3: THE TORMENTED MAN – While watching a man getting tortured by his own wife and mother Maldoror reflects on various atrocities of his own. CLICK HERE Continue reading
I am always glad to interact with readers of Balladeer’s Blog! Many of you have been asking for a guide to my examination of the surreal horrors in The Songs of Maldoror. Readers asked for it to be the same format I used for the Navajo epic myth about the war god Nayanazgeni battling the dark gods called the Anaye.
THE SONGS OF MALDOROR – First Canto
This work by the author Isidore Ducasse aka the Count de Lautreamont was nearly a century ahead of its time. This neglected masterpiece of surreal horror was so envelope-pushing that Ducasse had the publisher stop printing copies after just eighty-eight were made. He feared that the subject matter in the book might cause him to be arrested or committed to an insane asylum.
Opening Stanzas – An introduction to Maldoror, the book’s mysterious protagonist. Maldoror is a supernatural being who considers God his archenemy & Satan a rival and who regards humans as his prey. Modern readers will recognize in this character elements of Freddy Krueger, Aleister Crowley, Coffin Joe, Heath Ledger’s Joker and the vampire Lestat. Click HERE Continue reading