Tag Archives: Halloween

TALES OF HOFFMANN: A HALLOWEEN OPERA

Halloween month is here! As usual the next 31 days will be filled with my usual topics PLUS neglected horror films, novels, operas, etc.

Tales of Hoffmann

Tales of Hoffmann

TALES OF HOFFMANN (1881) – Yes, as if I wasn’t boring enough already I’m also into opera! Now, I know traditionally “the” Halloween Opera has always been Don Giovanni , but I’ve never bought into that notion since there’s really only one scene in the whole opera that qualifies as spooky and supernatural.

At this time of year I prefer Offenbach’s Tales Of Hoffmann. Not only is it full of appropriately eerie and menacing elements, but it’s also the perfect opera for you to share with someone who’s seeing their very first opera.

One of the reasons for that is that it’s in short segments, surrounded by a wraparound opening and finale. Offenbach adapts short stories written by E.T.A. Hoffmann, who in real life was a pre-Edgar Alan Poe author of eerie short stories in his native Austria during the 1800s. At any rate since this opera’s in short segments novices to the artform won’t have time to get bored.

Another reason is that, though the climax of these tales no doubt seemed shocking to the people of Hoffmann’s (or for that matter, Offenbach’s) time period, modern audiences are so used to anthology series’ like The Twilight Zone and Tales From The Crypt, etc that today’s viewers will spot the “twist” endings coming from a mile away. This combats another common complaint of opera novices: that they have trouble following the story. Continue reading

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MALDOROR 2:6 – THE JUSTICE OFFERED BY THE LAW IS WORTHLESS

Balladeer’s Blog resumes its examination of the macabre 1868 French language work The Songs of Maldoror. NOT FOR THE EASILY UPSET.

THE JUSTICE OFFERED BY THE LAW IS WORTHLESS

Tuileries gardens at nightThe supernatural being Maldoror, fresh off his sadistic murder of a 10 year old girl in the previous stanza, this time around turns his attentions on an 8 year old little boy. Our vile protagonist first spots the child sitting on a bench in the Tuileries Gardens. Maldoror sits down next to the boy and engages him in conversation. 

The conversation consists of the monstrous figure peppering the child with questions about his beliefs and his dreams for the future as well as his barely-developed notions of right and wrong.  Continue reading

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MALDOROR 2:5 – INDELIBLE BLOOD GLITTERING LIKE A DIAMOND

mascot sword and gun picBalladeer’s Blog resumes its examination of the macabre 1868 French language work The Songs of Maldoror.

PLEASE NOTE:

As I’ve warned in the past, don’t let the 1868 date fool you. There are disturbing elements to this.

Don’t say I didn’t warn you if this really gets to you. 

INDELIBLE BLOOD GLITTERING LIKE A DIAMOND

Maldoror 2 5Back to the insane, taciturn and blood-thirsty Maldoror we’re used to this time around. The supernatural being has been strolling through a particular narrow Paris alley as part of the ground he covers while taking his walk. A slender ten year old girl, oblivious to the danger she’s courting, takes to following him each time until he gets to the end of the alley where she and her mother live.

Growing bolder she even takes to playfully blocking his way sometimes. On occasions when Maldoror tries to walk through at a brisker pace she speeds up her own gait to keep pace with him. On occasions when he goes slowly through the alley the little girl matches that pace, too. When she tries to start a conversation with the monstrous figure by asking him what time it is he coldly replies that he has no watch. Continue reading

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MALDOROR 2:4 – THE MIDNIGHT OMNIBUS

Balladeer’s Blog resumes its examination of the macabre 1868 French language work The Songs of Maldoror.

THE MIDNIGHT OMNIBUS

Midnight strikes in Paris. An eerie double-decker horse-drawn omnibus bursts forth from the ground and begins making its way through the nearly empty, night-darkened streets.

A few late night wayfarers regard the unusual omnibus with a shudder as it goes by. The vehicle carries the full passenger load of twenty-four but all of the travelers on the upper deck appear to be lifeless corpses leaned against each other.

The top-hatted driver looks like another corpse, and the whip he uses to urge on his horses seems more alive than he is. That whip appears to be what animates the arm of the otherwise lifeless driver, not the other way around. Even the passengers on the inner deck remain mute and still and are likewise as pale as ghosts.   Continue reading

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MALDOROR THIRTEEN: THE GREAT TOAD ANGEL

Balladeer’s Blog resumes its examination of the macabre 1868 French language work The Songs of Maldoror.

THE GREAT TOAD-ANGEL 

Maldoror 13This stanza opens up with the supernatural being Maldoror contemplating the worms he pulls from the swollen belly of a dead dog. Slicing the worms into small bits he philosophizes on how human beings should learn a lesson about their own mortality from the state of such dead, worm-riddled bodies. 

Night is falling. In the distance he spies a horse-sized toad with white wings flying down from the sky and landing on the road he is traveling. As the two draw nearer to each other Maldoror senses something familiar about the creature and reflects that its face is “as beautiful as suicide”. He resents the being over how beautiful it looks even in its massive ugliness and the halo over the toad’s head tells him it has come from Heaven and his archrival God.  Continue reading

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THE KINDRED (1987) MOVIE REVIEW

Kindred largerTHE KINDRED (1987) – This monster movie was the third horror project from the writing and directing team of Stephen Carpenter and Jeffrey Obrow.

The duo got started while they were film students at UCLA and released the regulation 1982 slasher movie Death Dorm aka Pranks aka The Dorm That Dripped Blood. Next came The Power (1984), about a cursed Aztec relic.

Neither of those works were exceptional nor were they trying to redefine the genre, but there was noticeable improvement between the 1984 project and the 1982 debut film. The Kindred continued that professional refinement and is the most watchable of “Carpbrow’s” early horror efforts.

THE Kim Hunter is in a few early scenes as Amanda Hollins, a biochemist who was engaged in some ethically questionable research before a car accident left her in a coma for years. She has just emerged from that coma and wants her son John (David Allen Brooks) to go to her old beach house and destroy all of her work, including her notes.

Rod Steiger, just one year away from his outrageous tour-de-force performance in the slasher film American Gothic (with YVONNE DE CARLO), plays Dr Phillip Lloyd, the villain of the story. The mad Dr Lloyd has been trying his own hand at the kind of research that Amanda Hollins excelled at. To that end he’s been paying an unscrupulous ambulance driver to covertly provide him with accident victims to use as human guinea pigs.   Continue reading

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MALDOROR 8: AN INSATIABLE THIRST FOR THE INFINITE

Balladeer’s Blog continues its poem by poem examination of the 1868 French language work The Songs of Maldoror by Isidore Ducasse, the self-titled Count de Lautreamont.

AN INSATIABLE THIRST FOR THE INFINITE

Maldoror 8This section begins with Maldoror wandering through the darkness of the night, at times nostalgically recalling the terror and dread with which he used to regard the sounds and distant impressions of the overnight hours. But that was when he was merely a human child and his mother would try to calm him as he huddled beneath his blankets listening fearfully to the savage or vaguely sinister sounds made by the beasts who roam the night.

She would explain away the horror of the distant noises by assuring him that the beasts meant no harm, but were instead filled with an insatiable thirst for the infinite, the same thirst she sensed in the son she was trying to comfort.

Now, fully grown and more than human, Maldoror prowls the night as one of the beasts making noises that terrify others in their beds. Supreme in his element our narrator blissfully describes some of the nightly tableaus that catch his attention. Continue reading

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DARK INTRUDER (1965) – LESLIE NIELSEN IN A HORROR STORY

dark-intruder-2DARK INTRUDER (1965) – This thoroughly enjoyable piece of Forgotten Television was a failed pilot for a series. Supposedly the network passed on it because they thought it was too scary and gruesome for tv viewers of the time. Instead they released this 59-minute black & white gem to theaters as the second title for double features.

The story is set in 1891 San Francisco with Leslie Nielsen himself starring as Brett Kingsford, an occult expert and investigator. If this had been picked up as a series the title was going to be The Black Cloak and apparently would have been a forerunner of The Norliss Tapes, Kolchak and Spectre. In my opinion the period setting would have given The Black Cloak the edge, though.

dark-intruder-4Brett Kingsford maintains a quasi-secret identity. On the surface he’s known in San Francisco as a bon vivant and ladies’ man and when the police want to consult him over something supernatural he dons various disguises to rendezvous with them. That way nobody in his usual social circles is made aware of his connections with the cops.  Continue reading

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TWIN PEAKS IN POLAND? THE MAGICAL WORLD OF ANIA

Magical World of Ania picBalladeer’s Blog’s love of quality horror ARGs (Alternate Reality Games) has been well established. In the past I’ve examined productions like Local 58, Claridryl and Jack Torrance (NOT the character from The Shining.)

This time around I’m taking a look at what I call Poland’s answer to Twin PeaksMAGICZNY SWIAT ANI or MAGICAL WORLD OF ANIA. Like Local 58, this ARG is still going, so if you’re interested in pitting your wits against the producer’s, the various mysteries remain unresolved as of this writing.

NOTE: BE SURE TO USE THE CLOSED CAPTIONING FOR TRANSLATION FROM THE POLISH LANGUAGE.

Magical World of Ania pic 2The eerie storyline revolves around the disappearance of a beautiful young Polish woman named Ania Slowinska and the dark, seemingly supernatural forces behind it. As the tale unfolds it becomes apparent other women have fallen victim to the same forces, with one having had all her teeth removed after being murdered.

Among the many suspects and supporting characters in the drama are Ania’s mother Kristina, who seems to be morbidly enjoying the attention her daughter’s disappearance has brought her. Others include Ania’s birth-father – whom she never knew – plus her step-father, an infatuated stalker, a jealous female friend and a faith healer with a very strange band of disciples.

Magical World of Ania pic 3Organs and limbs seem to be stolen for transplant use and replaced with porcelain or papier mache substitutes. This practice extends even to the heads of the victims … sometimes while they’re still alive. Obviously this is for adults only.  Continue reading

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ANNA “THAT STAR WARS GIRL” AND HER 50th ANNIVERSARY VAMPIRELLA COVER

anna that star wars girl picAnna aka That Star Wars Girl, brings her considerable artistic abilities to the 50th Anniversary Celebration of horror icon Vampirella. Fresh story content is being created this year regarding the figure’s half-century of existence along with special commemorative covers.

Vampirella coverAnna, a free-lance artist, pop culture critic, co-host of The J.A.C.K. Show and founding member of the Fandom Menace, has her Indiegogo project for Dynamite Entertainment up right now.

Not only does Anna’s cover (at right) look terrific, but the rose in Vampirella’s hand is in memory of Anna’s younger sister Ellen Rose, who passed away last June.

T-Shirts are also available (see below). Continue reading

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