Halloween Month is racing toward its end so here’s another seasonal post. It’s a review of the first three volumes of Graveyard Shift, the “monsters as superheroes” series by Jon Malin, Mark Poulton and Aaron Alfeche.
GRAVEYARD SHIFT Volume 1 (2019)
Professor Blood, the Monster, the Bride, Monster Girl, Sea Urchin and Ghost in the Machine. I’d call this team the greatest heroes alive … except they’re all dead. This initial Graveyard Shift installment was a critical and financial triumph, blending horror, science fiction, superheroics and OUTSTANDING artwork into one of the most acclaimed independent comics ever. (Yes, these sequential art visionaries left the creative suffocation at the Big Two publishers to pursue their own projects.)
Each volume is the length of almost 3 regular comic books. The unfolding story in Graveyard Shift also pays homage to many horror classics through the names of several characters and organizations.
Atlantis Corporation, a subaquatic base for scientific research run by a man named Abraham Van Helsing is pursuing many projects for its charming but nefarious founder. One of those projects is an enormous spaceship that is being readied to transport thousands of scientists and colonists into space to explore distant planets.
Another undertaking (as it were) is Project Wormwood, which involves Regen Chambers to restore life to newly slain soldiers in order to form an unbeatable army, and Mind Wipe technology to reprogram the revived dead to know nothing but their new existence as servitors of whatever nation buys them (but really as servitors of Van Helsing himself). Continue reading
Here at Balladeer’s Blog I love sharing my enthusiasms. My blog posts where I provide contemporary slants to Ancient Greek Comedies to make them more accessible have been big hits over the years, so I’ve been trying it with operas, too. Previously I wrote about how Philip Wylie’s science fiction novel Gladiator could be done as an opera. Then I looked at how an opera version of the 1966 Spaghetti Western Django could be done and then an opera based on the novel Venus in Furs. 
THE BLACK REAPER (1899) – By Bernard Capes. Balladeer’s Blog’s month-long celebration of Halloween continues with this neglected horror tale. The story takes place in 1665 in a secluded British farming town called Anathoth. 
The citizens of Anathoth are described in the narrative as the kind of religious people who merely pay lip service to their beliefs but don’t live by them. They even treated their previous Vicar like a joke. 
SHENANDOAH CONQUERS DIVISION TWO – NCAA Division Three’s SHENANDOAH UNIVERSITY HORNETS borrowed a page from assorted NAIA teams by toppling a higher division team. The Hornets welcomed NCAA Division Two’s EMORY & HENRY COLLEGE WASPS and in the ensuing defensive epic pulled out a 9-7 victory. 
KNOCKING OFF NUMBER THREE – In NCAA Division Two the COLORADO MESA UNIVERSITY MAVERICKS welcomed the number 3 team in the nation – the COLORADO SCHOOL OF MINES OREDIGGERS. After a 7-7 1st Quarter tie the Orediggers were up 21-16 at Halftime. From there the Mavericks shut them out and won the game 26-21. 
DOWN GOES NUMBER FIVE – Over in the NAIA the number 11 MARIAN UNIVERSITY KNIGHTS faced the visiting 5th ranked CONCORDIA (MI) UNIVERSITY CARDINALS. A 13-7 Knights lead at the Half became 19-7 to end the 3rd Quarter and ultimately a 25-7 victory for Marian U. 
SPIDER-MAN Vol 1 #134 (July 1974) 
As the ship sails along it is hijacked and held for $1,000,000.00 ransom (equivalent to $5,581,387.00 today). The hijackers are the brand new Hispanic villain Tarantula and his two costumed sidekicks. While the villain and his aides rob the passengers of all their valuables, Peter grabs the first chance he gets to become Spider-Man and saves a sailor knocked overboard in a scuffle with one of Tarantula’s men. 
MUSICAL MUTINY (1970) – Halloween Month continues here at Balladeer’s Blog with a Barry Mahon movie that’s more frighteningly bad than it is frightening. I’ve recently become obsessed with this made in Florida wonder that features the ghost of a long-dead pirate, the deskbound narrator from Blood Freak and a mad scientist intent on taking over the world with his new beverage which gets drinkers higher than marijuana. There are also three on-stage performances by Iron Butterfly (yes, really), including the full-length version of In A Gadda Da Vida. 
Perhaps most importantly for me and my fellow Bad Movie geeks, this is the earliest movie release done as a promotional piece for Pirates World, the long-defunct Florida amusement park featured in notorious Grade Z films like Jack and the Beanstalk, Thumbelina plus Santa and the Ice Cream Bunny (reviewed in 2010 here at Balladeer’s Blog). In fact, Musical Mutiny is so obscure that as of this writing there are only five user reviews at IMDb. 
NCCAA 1. CONCORDIA (MI) CARDINALS ### 2. OTTAWA UNIVERSITY (AZ) SPIRIT ### 3. STERLING COLLEGE WARRIORS ### 4. GREENVILLE UNIVERSITY PANTHERS ### 
5. WARNER UNIVERSITY ROYALS ### 6. SOUTHWESTERN ASSEMBLIES OF GOD UNIVERSITY LIONS ### 7. KENTUCKY CHRISTIAN UNIVERSITY KNIGHTS ### 8. GENEVA COLLEGE GOLDEN TORNADOS ### 
YEGOR’S PORTRAIT (1897) – Written by George Hepworth. A well to do Russian named Yegor was killed in a horse riding accident. A portrait of the man haunts those who remember him. By night the Yegor of the portrait emerges from the work of art. 
However, corporate media shill Kelli Stavast, scrambling in 1984 fashion to protect Joe Biden as Big Brother, claimed that the crowd was really shouting “Let’s go Brandon!” Not even Biden supporters were stupid enough to believe that, and so things snowballed to the point where “Let’s go Brandon!” became a way of saying “Fuck Joe Biden!” while simultaneously poking at the slavish political bias of the corporate media. 
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