THE GIRL IN THE KREMLIN (1957) – The tagline for this Golden Turkey should have been “STALIN’S BACK AND GABOR’S GOT HIM!” The world of Bad Movies is pretty thoroughly littered with hilariously lame films proceeding from the premise that Adolf Hitler survived his supposed death and plotted a Fourth Reich.
The Girl in the Kremlin gives equal time to Hitler’s equally insane but even more murderous contemporary Joseph Stalin.
Zsa Zsa Gabor – yes, Zsa Zsa Gabor – co-stars as TWINS in this movie which features Patty Duke Show regular William Schallert, so you can insert your own “Identical Zsa Zsas” song and joke here. (“They walk alike, they talk alike, they even get their heads shaved alike”)
And feel free to choose your preferred caption to the photo at right. Either: a) ONE … MILLION … RUBLES or b) Zsa Zsa Gabor IS Mrs Kojak, this fall on the CW!
Adding to the joyously tasteless atmosphere of this flick is the fact that the guy playing Stalin is named Maurice MANSON! The Marilyn Manson and shock-rocker Hitler “Where Are They Now” Stalin jokes pretty much write themselves.
THE STORY: The Girl in the Kremlin begins in March of 1953, when in real life the subhuman piece of filth Joseph Stalin died. In this movie we see Stalin have a plastic surgeon transform a hapless stooge into a lookalike of the mad Soviet Dictator. (They Saved Stalin’s Face!)
The lookalike is killed and presented for burial while Stalin – who passed the time during the surgery indulging his famous fetish for watching a woman suffer a forced head-shaving – undergoes plastic surgery of his own to disguise his features. The murderous scumbag then flees Russia with – we are told – HALF THE MONEY IN THE SOVIET TREASURY plus a few aides including Nurse Grisenko, one of the twins portrayed by Zsa Zsa Gabor herself. Continue reading
CHINATOWN CONNECTION (1990) – Forget it, Jake, it’s NOT Chinatown. Nor is it The French Connection. Nor The Chinese Connection. Hell, it’s not even Love Connection. What it IS is a late 80s buddy cop film released in 1990, complete with the “one white guy and one non-white guy” aspect. (48 Hours, Running Scared, Lethal Weapon, etc)
SLAUGHTER HIGH/ APRIL FOOL’S DAY (1986) – This is the low-budget horror film made in England and set on April Fool’s Day. There are still VHS tapes and YouTube videos that show the original title, but the title was changed to Slaughter High because of the year’s OTHER April Fool’s Day slasher film with a gimmick ending.
After an April Fool’s Day “prank” involving nudity, electric shocks and near drowning, Marty is still alive through no fault of his classmates. The supposed popular kids get punished for their criminal assault on Marty, and perversely blame him for it! It’s that kind of movie. Hell, Marty’s tormentors were caught in the act, it’s not even like he peached on them (since this was made in England I couldn’t resist writing “peached on them”).
ENDGAME (1983) – More Weirdness at the End of the World with yet another Italian imitation of The Road Warrior. These Spaghetti-pocalypse movies were to the 80s what Spaghetti Westerns were to the 60s and 70s.
Lilith works like a figurative Mutant Called Moses (with apologies to Harriet Tubman) and has been heroically smuggling mutants out of the cities, Underground Railroad style.
Here at Balladeer’s Blog my fondness for the really old Movie Host/ Horror Host shows is well known.
Gary has uncovered a wealth of info and clippings regarding this figure plus many more neglected Movie Hosts.
ALIEN OUTLAW (1985) – Starring Kari Anderson. Written and directed by Smoot … PHIL Smoot (Da dut da DAAA/ Da da-da). Phil was one Smoot operator and showed the imagination that low-budget filmmakers so often demonstrate but whose lack of financial resources prevents them from fully bringing that imagination to life.
With Alien Outlaw, Smoot showed the Owensby influence: North Carolina locations, meandering scenes that begged to be edited down and lots of annoying Southern-Fried humor that wouldn’t have made the cut on Hee Haw. On the plus side he also demonstrated a flair for fun B-movie premises that mixed genres.
Alien Outlaw mixed Western elements with science fiction in a way that made you root for the film, despite the way Phil Smoot defeated himself at every turn. The potential was here to craft a fun, slick, modest money-maker which played like a Western version of a Tom Baker-era episode of Doctor Who. And with a butt-kicking female lead.
THE BLOOD DRINKERS (1964) Also released as The Vampire People and Kulay Dugo Ang Gabi, this was the very first COLOR horror film made in the Philippines.
Yes, in a not-so-subtle attempt to exploit Aquaman‘s suprising success it’s a Warner Archives Blu-ray of the telefilm Man From Atlantis. Patrick Duffy stars as Marcarus, the (seemingly) last survivor of Atlantis with Victor “King Tut” Buono as his evil archenemy Mr. Schubert. 
FIEND WITHOUT A FACE (1958)
EARTH VS THE FLYING SAUCERS (1956) 