Steven Spielberg’s sister Anne got her start as a producer for many of the cheapjack science fiction films of Robert Emenegger and Allan Sandler. She had worked with them – and Cameron Mitchell – as far back as 1975’s Death: The Ultimate Mystery. With apologies to fans of the original Doctor Who series, to me “E-Space” will always mean EMENEGGER SPACE, as in the Emenegger-verse of his series of movies in 1980 and 1981.
Emenegger Space is full of Grade Z special effects, bad acting, a few good ideas and an overall feel of striving for Alien and Star Trek levels but falling far, far short.
WARP SPEED (1981) – Set in the far-off year 2013 (!) this movie features the crew of a spaceship sent to determine what happened to the vanished crew of a multi-year mission to Saturn. The organization they serve is called Starfleet, which serves as a reminder that by 1981 there was just the original Star Trek series, its cartoon version and one movie, not the enormous universe of spin-offs that we have today. Point being that the term Starfleet was apparently open for use by other creators. Starfleet features in another Spielberg/ Emenegger/ Sandler joint, too.
Adam West plays Captain Lofton, the leader of the now-lost mission, and has assorted offspring of Cameron Mitchell backing him up in this movie. One such Mitchell, Camille, stars as Dr Janet Trask, a psychic who is sent into the abandoned Atlas vessel to investigate the cause of the crew’s disappearance.
Trask is outfitted with tech which sends back images of the psychic visions she receives of past events on the ghost-ship. Amid assorted David Lynch-style psychosexual interludes we see disaster strike the Atlas, followed by an aborted mission and ultimately a mutiny as the crew try to get the damaged craft back to the Earth. Continue reading
ISLAND OF THE LOST (1967) – Directed by John Florea and written by Richard Carlson and Ivan Tors, this family adventure movie starred Richard Greene, known for playing Robin Hood in the 1950s television series and for playing Sir Denis Nayland Smith in a few of the Fu Manchu movies from the 1960s. 
Richard Greene AND Richard Carlson? You know that with a couple of Dicks like them around we are in for some campiness and lame special effects that might have been acceptable in the 1950s … in black & white, not color. 
MYSTERIOUS PLANET (1982) – Written, produced and directed by Brett Piper, this was his first film ever and it manages to be bad in every conceivable way, running the gamut from fun-bad to boring-bad to incomprehensibly bad and even rising to “how could you NOT be ashamed to release this under your real name” bad at times. 
As the story opens, some kind of space fleet is informing all of its ships that no take-offs will be permitted until an “asteroid storm” passes through. Most of the captains are content to obey, but not Commander Rogan (Paula Taupier), the combined captain and science officer of the medical transport ship. (If you can make out the name of the vessel you’ve got me beaten, and I replayed most of the dialogue several times to pick out what nuggets of information I could.) 
MARS MEN (1976) MOVIE REVIEW – My review of the Thailand/ Japan/ Taiwan monster movie mashup. Click 
GEORGES (1843): Alexandre Dumas’ novel about a swashbuckling swordsman fighting slavery. Click 
TOOMORROW (1970) – My movie review of Olivia Newton John’s deep dark secret. Click 
DOCTOR THORNDYKE – A rival of Sherlock Holmes in a great mystery adapted for television. Click 
I MET FATHER CHRISTMAS aka J’AI RENCONTRE LE PERE NOEL (1984) – Not to be confused with I Killed Einstein, Gentlemen, I Met Father Christmas is a 1984 children’s holiday film from France. This little honey is directed by Christian Gion, known mostly for his sub-Police Academy level comedies. I Met Father Christmas is partially enjoyable as a Yuletide kiddy flick but most of its entertainment value comes from the filmmaker’s ineptitude and their inclusion of some very questionable story elements. 
Simon (Emeric Chapuis), who lives with his grandmother, is a withdrawn little boy often bullied by his peers, like the protagonists of so many other children’s tales. What makes him UNLIKE the protagonists of so many other children’s tales is the reason for his melancholy nature – his parents were seized by African terrorists and the French government has refused to meet the conditions set by the warlord for releasing them alive. 
SIX-HUNDRED & SIXTY SIX (1972) – Directed by Tom Doades and written by Marshall Riggan, this film is a very unusual blend of science fiction, horror, post-apocalypse drama and religious message. Cult actor Joe Turkel, perhaps best known as the ghostly Lloyd the Bartender in The Shining, stars as Colonel John Ferguson. 
Obviously, a post-Omen film would not blow their story’s final reveal in the title, like we get with Six-Hundred & Sixty Six.
Thanksgiving week rolls along here at Balladeer’s Blog with this look at some of the most enjoyable – on whatever level – B-movies from the one and only Leo Fong! Leo’s been called a poor man’s Bolo Yeung cross-bred with an even poorer man’s Joe Don Baker … but I was drunk when I called him that, so make of it what you will. 
MURDER IN THE ORIENT (1974) – Leo Fong IS Lao Tsu, but not THAT one, in this lethargic treasure quest/ revenge story. Leo (He’s ALWAYS Leo to me no matter what his character is named) learns his sister has been killed by the Golden Cobra crime gang. That gang is after a pair of samurai swords on which Imperial Japanese war criminals serving in World War Two engraved a split map leading to a fortune in stolen gold. 
