ENDGAME (1983) – More Weirdness at the End of the World with yet another Italian imitation of The Road Warrior. These Spaghetti-pocalypse movies were to the 80s what Spaghetti Westerns were to the 60s and 70s.
Directed by the legendary Joe D’Amato under one of his rolodex-full of aliases, Endgame is one of the most watchable of these cheapjack end of the world exercises. It’s not good, mind you, just watchable.
D’Amato wasn’t the only one operating under an assumed name in this movie. Laura Gemser, cult sexploitation starlet, stars under the name Moira Chen. She portrays Lilith, a telepathic mutant leader. In Endgame‘s 2025 setting, World War Three has come and gone and mutants are feared and persecuted because of their paranormal powers.
Though there are scattered portions of Post-Apocalypse America where mutants are accepted and other scattered portions where mutants rule, in the big cities mutants are hunted down and killed on sight.
Lilith works like a figurative Mutant Called Moses (with apologies to Harriet Tubman) and has been heroically smuggling mutants out of the cities, Underground Railroad style.
Her cover was blown recently and she needs to get herself and one last gathering of mutant fugitives out of New York City, to the west and safety. Among those mutants is Tommy, a little boy with so much power that Lilith has been telepathically suppressing it. Unchecked, Tommy could level whole neighborhoods.
The film’s male lead is Ron Shannon, played by Al Cliver aka Pierluigi Conti, fresh off my favorite BAD Post-Apocalypse movie, 2020 Texas Gladiators in 1982. Ron Shannon is your regulation world-weary, burned-out warrior, highly skilled at armed and unarmed combat. Continue reading