LA MALROCHE (1833) – By Louisa Stuart Costello. Halloween month continues here at Balladeer’s Blog with yet another look at a neglected work of Gothic Horror, this one dealing with witchcraft, a monstrous child and supernatural beasts. Louisa Costello, the female author of this eerie tale, deserves to be much better known.
La Malroche refers to a mountain in a dreaded and generally avoided area of 1830s France. At the foot of that mountain is the town of Escures, where only people too poor to have fled the area still live. Also near the foot of La Malroche is the home of the witch called La Bonne Femme (“The Good Woman”) by the local citizenry, a title bestowed on her out of fear rather than merit. Continue reading
LE DIABLE AMOUREUX (THE DEVIL IN LOVE) – Written in 1772 and translated into English in 1793. This story was penned by Jacques Cazotte and is a forerunner of the type of fantastic, oneiric horror stories that E.T.A. Hoffmann would specialize in. 
THE WOLF IN THE GARDEN (1931) – Written by Alfred Hoyt Bill. This neglected novel is ideal for people who go in for horror tales set long ago. In this case the 1790s. 
BRIGHTBURN (2019) – This mid-level budget movie has been criminally underrated in my opinion. Its horror twist on the usual superhero story (especially Superman) is well-handled and should have been just the thing audiences flocked to for a change of pace from the flood of superhero movies in recent years. 
It’s Friday the Thirteenth! In previous years Balladeer’s Blog has examined the 1907 novel Friday the Thirteenth, the odd horror/ arthouse film Friday the Thirteenth: The Orphan and the Texas 27 Film Vault presentation of Friday the Thirteenth Part 3D. This year I’ll take a look at some of the worst Jason Voorhees imitators and forerunners. 
BARTHOLOMEW 
MISTER RABBEY
QUESTION: Recently you recapped the saga of Laura Collins the Phoenix from the old Gothic Soap Opera Dark Shadows (1966-1971). Do you plan to review any of the other story arcs from the show?
The Leviathan Cult: The supernatural Collins family clashed with what was basically an imitation Cult of Cthulhu. Dan Curtis (creator and guiding creative force behind Dark Shadows) made the undersea entity worshiped by the cult be Leviathan from the Bible. (“Try suing us NOW, Arkham House!” I’m kidding.) Other serpentine figures from world mythology were tied to the Leviathans, too, like Nagas. 
Decades before Bella Swan was torn between a supposedly hunky vampire and a supposedly hunky werewolf in the Twilight novels, female readers of Tiger Beat magazine were torn between Dark Shadows‘ horror heart-throbs. Jonathan Frid’s vampire Barnabas Collins was one and David Selby’s werewolf/ warlock/ Dorian Gray-figure Quentin Collins was the other. 
In terms of female horror heart-throbs from Dark Shadows, Lara Parker’s evil witch Angelique is the best known, but obviously this post will address the unusual supernatural menace the Phoenix, aka Laura Collins, played by Diana Millay (right) on the original Dark Shadows. 
CURSE OF THE CRYING WOMAN ( 1961 ) – The crying or weeping woman, called La Llorona in her native Mexico, is the undeniable queen of Mexi- Monsters. This ghoulish menace has appeared in many, many films before and after this one, but this 1961 version was the one that added witchcraft to her powers and spawned the “Llorona- mania” that shows no signs of abating. 
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