Tag Archives: Mexican horror films

THE RIDER OF THE SKULLS (1965) MEXICAN HORROR FILM

el charro de las calaverasTHE RIDER OF THE SKULLS aka El Charro de las Calaveras (1965) – Halloween is fast approaching, so here is another seasonal post from Balladeer’s Blog. Regular readers know how much I enjoy the campy, so-bad-they’re-good horror films from Mexico. I reviewed several of them HERE years ago.

El Charro de las Calaveras was written and directed by Alfredo Salazar, brother of Abel Salazar, the Brainiac himself from that 1961 horror movie. This was Alfredo’s first turn in the director’s chair but he had written many, many Mexican horror flicks, including the original Aztec Mummy trilogy, Wrestling Women movies, you name it.

This particular movie is a textbook example of a fun-bad film. The Rider of the Skulls (Dagoberto Rodriguez) is a masked gunslinging hero in Old Mexico, clad all in black including a big sombrero but with drawings of skulls on his back and on each shoulder. Well, at first. The shoulder skulls change to one on each breast in the second act.

Our hero has been fighting the forces of evil ever since his parents were slain by criminals years earlier.

wolfman in elEl Charro arrives in a nearly deserted town with a dilapidated cemetery in which assorted skulls lie around in piles. The masked hero encounters the first of three monsters he will fight in this flick – a ridiculous looking werewolf with a headpiece so large it makes him look like the mascot of a sports team. Continue reading

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CURSE OF LA LLORONA: MOVIE REVIEW

masc graveyard newBalladeer’s Blog’s coverage of earlier film versions of The Curse of La Llorona (“The Crying Woman“) has always been popular with readers. Here’s my 2011 review of The Curse of the Crying Woman. And for more of my reviews of neglected Mexican horror films which may themselves be getting big-budget remakes if La Llorona is a hit, click HERE 

Curse of the Crying WomanCURSE OF THE CRYING WOMAN ( 1961 ) – The crying or weeping woman, called La Llorona in her native Mexico, is the undeniable queen of Mexi- Monsters. This ghoulish menace has appeared in many, many films before and after this one, but this 1961 version was the one that added witchcraft to her powers and spawned the “Llorona- mania” that shows no signs of abating.

The most recent Mexican horror film about her in 2007 used the tag line “The legend of La Llorona never dies”.

Since I’m a mythology geek I’ll point out that variations of the story of La Llorona can be traced all the way back to Aztec times, but the Christianized version of her story goes like this: Continue reading

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FOUR NEGLECTED MEXICAN HORROR FILMS

Balladeer’s Blog’s month-long celebration of Halloween continues with a look at four unjustly neglected horror films from Mexico.

la loba

La Loba

SHE WOLF (1964) – AKA La Loba, this film features a female lycanthrope in all her violent glory. Generally a very good film, with La Loba making several kills in the opening minutes of the story. The special effects for its time and budget are very nice and the unique way the She Wolf leaps around like she’s practically flying is visually appealing and memorable. Think of the way Wonder Woman leaped around on the tv show, but even better.

And the movie takes the common sense approach of having La Loba sprout full- body hair when she transforms, none of this cheap “just the head and hands get furry” look. The transformation rips our female lycanthrope’s clothing to pieces, too, but her hair, already long in her human form, becomes even longer in her lupine form and discreetly covers the parts of her body that might cause a problem for the prudish.   Continue reading

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MEXICAN MOVIE MONSTERS FOR HALLOWEEN

brainiacWelcome back to Balladeer’s Blog’s month-long celebration of Halloween! 
Mexican horror films of the 1950’s and 1960’s deserve to be as well known as the Hollywood horror films from the 30’s and 40’s. Just as Universal Studios churned out a series of memorable movies featuring the likes of Dracula, Frankenstein, the Wolfman and the Mummy, studios from south of the border went on to give the world equally outstanding creatures.

These horror films boasted Universal- style production values and beautiful black & white cinematography combined with uniquely Mexican twists on horror themes as well as more sensuality and lurid violence than Hollywood had dared to present. This list aims to introduce Mexi- Monsters to younger viewers who may not be familiar with them. I’m omitting generic monsters like the various vampires from Mexican horror films (including Fabian Forte, Cristina Ferrare and a descendant of Nostradamus) and the werewolf wrapped in mummy bandages from Face of the Screaming Werewolf.  

7. THE BRAINIAC (1962) – Mexican title El Baron Del Terror. Many may be outraged at Continue reading

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A HALLOWEEN MEXI-MONSTER BESTIARY

Brainiac

Brainiac

Mexican horror films of the 1950’s and 1960’s deserve to be as well known as the Hollywood horror films from the 30’s and 40’s. Just as Universal Studios churned out a series of memorable movies featuring the likes of Dracula, Frankenstein, the Wolfman and the Mummy, studios from south of the border went on to give the world equally outstanding creatures.

These horror films boasted Universal- style production values and beautiful black & white cinematography combined with uniquely Mexican twists on horror themes as well as more sensuality and lurid violence than Hollywood had dared to present. This list aims to introduce Mexi- Monsters to younger viewers who may not be familiar with them. I’m omitting generic monsters like the various vampires from Mexican horror films (including Fabian Forte, Cristina Ferrare and a descendant of Nostradamus) and the werewolf wrapped in mummy bandages from Face of the Screaming Werewolf.  

Brainiac poster

The Original Poster

7. THE BRAINIAC (1962) – Many may be outraged at my inclusion of this film since it makes many lists (including mine) of the most laughably campy horror films ever made. I would argue that its thoroughly latin theme and brilliantly conceived (albeit cheesily presented) monster earn it a spot on this list.

There’s also the fact that the title creature (seen in the photo above left) symbolizes the Mexican chillers of its period as completely as Karloff’s Frankenstein Monster with the neck bolts and squared head represents the Universal monster movies of earlier decades. The Brainiac is a sorceror who was burned at the stake in the 1600’s and who transferred his spirit into a passing comet as he died. Continue reading

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