Balladeer’s Blog’s coverage of earlier film versions of The Curse of La Llorona (“The Crying Woman“) has always been popular with readers. Here’s my 2011 review of The Curse of the Crying Woman. And for more of my reviews of neglected Mexican horror films which may themselves be getting big-budget remakes if La Llorona is a hit, click HERE
CURSE OF THE CRYING WOMAN ( 1961 ) – The crying or weeping woman, called La Llorona in her native Mexico, is the undeniable queen of Mexi- Monsters. This ghoulish menace has appeared in many, many films before and after this one, but this 1961 version was the one that added witchcraft to her powers and spawned the “Llorona- mania” that shows no signs of abating.
The most recent Mexican horror film about her in 2007 used the tag line “The legend of La Llorona never dies”.
Since I’m a mythology geek I’ll point out that variations of the story of La Llorona can be traced all the way back to Aztec times, but the Christianized version of her story goes like this: Continue reading
SLAUGHTER HIGH/ APRIL FOOL’S DAY (1986) – This is the low-budget horror film made in England and set on April Fool’s Day. There are still VHS tapes and YouTube videos that show the original title, but the title was changed to Slaughter High because of the year’s OTHER April Fool’s Day slasher film with a gimmick ending.
After an April Fool’s Day “prank” involving nudity, electric shocks and near drowning, Marty is still alive through no fault of his classmates. The supposed popular kids get punished for their criminal assault on Marty, and perversely blame him for it! It’s that kind of movie. Hell, Marty’s tormentors were caught in the act, it’s not even like he peached on them (since this was made in England I couldn’t resist writing “peached on them”). 
Here at Balladeer’s Blog my fondness for the really old Movie Host/ Horror Host shows is well known. 
Gary has uncovered a wealth of info and clippings regarding this figure plus many more neglected Movie Hosts.
THE BLOOD DRINKERS (1964) Also released as The Vampire People and Kulay Dugo Ang Gabi, this was the very first COLOR horror film made in the Philippines. 
THE HOUSE ON THE BORDERLAND (1908) – Written by William Hope Hodgson. This tale is a terrific but often overlooked forerunner of Lovecraftian horror blended with traditional haunted house elements. Throw in material that puts the reader in mind of Madame Blavatsky’s and Aleister Crowley’s horror fiction and it’s a magnificent story for Halloween. 
Next we have a series of scenes featuring some of the more sinful citizens of the deep southern town. Adultery, bigotry, covetousness, greed and outright murderous passions lurk behind every corner of this Mayberry-turned-Sodom and Gomorrah. These scenes go on so long even Larry Buchanan would scream “Pick up the pace, dammit!” at the screen.
As always, October flies by too quickly. There are just a few days left in Balladeer’s Blog’s month-long celebration of Halloween. Here’s a shoutout to the title song from the infamously bad 1991 horror film HauntedWeen. 
PHAROS THE EGYPTIAN (1899) – Written by Guy Boothby, who was better known for his Doctor Nikola stories about an evil genius in the mold of Dr Mabuse and Fu Manchu. 
That ancestor was Ptahmes, whom we’re told served as a magician for the Pharaoh Ramses during the mythical Exodus. Pharos is angry over the desecration of his ancestor’s remains so Forrester obligingly returns the mummy to the old man. 
Thus began the career and dark legend of Sean na Sagart. Sean spent roughly the next 17 years hunting, capturing and killing renegade Catholic Priests, Bishops, and Cardinals. 
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