May the Fourth is upon us once again. First up are some links to my previous Star Wars blog posts plus my full-length review of The Jet Benny Show, a Star Wars parody.
STAR WARS MEETS THE GUARDIANS OF THE GALAXY: THE MICRONAUTS – Click HERE
THE HUMANOID (1979): THE WORST STAR WARS RIPOFF EVER – Click HERE
MY REVIEWS OF THE LAST JEDI AND SOLO – Click HERE
STAR WARS SPOILERS – Click HERE
STAR WARS SPOILERS PART TWO – Click HERE
THE JET BENNY SHOW (1986) – Buy this for the Star Wars fan in your life … but only if you strongly dislike the Star Wars fan in your life. Buy this for the Jack Benny fan in your life … but only if they’re too old and feeble to be capable of inflicting grievous bodily harm on you.
I was glad to finally see this video curiosity after having heard tantalizingly little about it over the years. It was not remotely worth the wait but it was good to see it and check it off my list, bird-watcher style, like I did with Ganjasaurus Rex years ago.
Yes, I know this overlong, under-entertaining Star Wars/ Jack Benny Show parody won a Kasdan Award in the 1980s but I think that winning that award says less about this project than does the fact that the people involved went on to do virtually nothing else afterward.
Roger Evans directed The Jet Benny Show from a script by Mark Felch. Steve Norman stars as Jet Benny, a take-off on the real-life comedy legend Jack Benny. Norman does not do nearly as good a Jack Benny impression as we’re led to believe by the few positive remarks this pant-load of a film receives.
Steve’s rendition of Benny’s voice is reasonable but wouldn’t stand on its own without the aid of his more than reasonable facial resemblance to the late comedian. The mediocre nature of Norman’s imitation might not have stood out so much if he wasn’t expected to carry almost every moment of the 77 minute run time. Continue reading
CHINATOWN CONNECTION (1990) – Forget it, Jake, it’s NOT Chinatown. Nor is it The French Connection. Nor The Chinese Connection. Hell, it’s not even Love Connection. What it IS is a late 80s buddy cop film released in 1990, complete with the “one white guy and one non-white guy” aspect. (48 Hours, Running Scared, Lethal Weapon, etc)
Balladeer’s Blog’s coverage of earlier film versions of The Curse of La Llorona (“The Crying Woman“) has always been popular with readers. Here’s my 2011 review of The Curse of the Crying Woman. And for more of my reviews of neglected Mexican horror films which may themselves be getting big-budget remakes if La Llorona is a hit, click
CURSE OF THE CRYING WOMAN ( 1961 ) – The crying or weeping woman, called La Llorona in her native Mexico, is the undeniable queen of Mexi- Monsters. This ghoulish menace has appeared in many, many films before and after this one, but this 1961 version was the one that added witchcraft to her powers and spawned the “Llorona- mania” that shows no signs of abating.
SLAUGHTER HIGH/ APRIL FOOL’S DAY (1986) – This is the low-budget horror film made in England and set on April Fool’s Day. There are still VHS tapes and YouTube videos that show the original title, but the title was changed to Slaughter High because of the year’s OTHER April Fool’s Day slasher film with a gimmick ending.
After an April Fool’s Day “prank” involving nudity, electric shocks and near drowning, Marty is still alive through no fault of his classmates. The supposed popular kids get punished for their criminal assault on Marty, and perversely blame him for it! It’s that kind of movie. Hell, Marty’s tormentors were caught in the act, it’s not even like he peached on them (since this was made in England I couldn’t resist writing “peached on them”).
ENDGAME (1983) – More Weirdness at the End of the World with yet another Italian imitation of The Road Warrior. These Spaghetti-pocalypse movies were to the 80s what Spaghetti Westerns were to the 60s and 70s.
Lilith works like a figurative Mutant Called Moses (with apologies to Harriet Tubman) and has been heroically smuggling mutants out of the cities, Underground Railroad style.
Here at Balladeer’s Blog my fondness for the really old Movie Host/ Horror Host shows is well known.
Gary has uncovered a wealth of info and clippings regarding this figure plus many more neglected Movie Hosts.
EMPIRE OF ASH (1988) – Also released as Maniac Warriors, this post-apocalypse movie is, as you would expect, another of the 1980s’ countless imitators of The Road Warrior. In Empire of Ash our year is 2050 and our main location is an American settlement called New Idaho, with Canadian forests passing for the post-holocaust world. All cities have become uninhabitable so survivalists scrape by in woodland communities. 
ALIEN OUTLAW (1985) – Starring Kari Anderson. Written and directed by Smoot … PHIL Smoot (Da dut da DAAA/ Da da-da). Phil was one Smoot operator and showed the imagination that low-budget filmmakers so often demonstrate but whose lack of financial resources prevents them from fully bringing that imagination to life.
With Alien Outlaw, Smoot showed the Owensby influence: North Carolina locations, meandering scenes that begged to be edited down and lots of annoying Southern-Fried humor that wouldn’t have made the cut on Hee Haw. On the plus side he also demonstrated a flair for fun B-movie premises that mixed genres.
Alien Outlaw mixed Western elements with science fiction in a way that made you root for the film, despite the way Phil Smoot defeated himself at every turn. The potential was here to craft a fun, slick, modest money-maker which played like a Western version of a Tom Baker-era episode of Doctor Who. And with a butt-kicking female lead.
THE BLOOD DRINKERS (1964) Also released as The Vampire People and Kulay Dugo Ang Gabi, this was the very first COLOR horror film made in the Philippines.