It may be my fondness for mythology that makes me love to watch particular movies around particular holidays. I say that because many of the well- known myths were recited on ancient holidays when their subject matter was relevant to those holidays. The stories helped accentuate the meaning of the special events and that’s the way I use various movies.
At Christmas I watch countless variations of A Christmas Carol, around Labor Day I watch Eight Men Out, at Halloween The Evil Dead and the original Nightmare On Elm Street, Thanksgiving Eve I do Oliver! and for Frontierado (which is just a month away now) I do Silverado.
Since the actual 4th of July is loaded with activity I always show 1776 on the night before. It’s a great way to get in the mood for Independence Day. It’s a musical but with brilliant dialogue portions and the story involves the political maneuvering surrounding the Original Thirteen Colonies at last announcing their independence from Great Britain, more than a year after the shots fired at Lexington and Concord started the war.
The story is excellently conveyed and is moving, comical, invigorating and poignant all at once. As long as you know which parts of the tale are depicted accurately and which are complete b.s. it’s a terrific way to spend each 3rd of July. Continue reading
HAMMETT (1982) – Directed by Wim Wenders and produced by Francis Ford Coppola’s Zoetrope Studios, Hammett is a criminally neglected valentine to Hard-Boiled Detective Stories and Film Noir. The flick is based on the novel by Joe Gores. 
Booze and coughing fits figure prominently in the movie, as you would expect given a protagonist who was an alcoholic with tuberculosis. For the sake of convenience the story that Hammett just finished before blacking out was one featuring his character the Continental Op (as in an operative for the fictional Continental Detective Agency). 
CORPSE EATERS (1974) – No, not The Brain Eaters and not The Worm Eaters, both of which are real movies, but Corpse Eaters without any “the” in front. This 57 minute wonder actually manages to overstay its welcome, believe it or not, which is just as well because the similar low-budget film Children Shouldn’t Play With Dead Things did everything better than this film does. 
POPE FRANCIS: A MAN OF HIS WORD (2018) – The DC Comics movies just keep getting worse and worse. Some looser named Francis gets superpowers from washing the feet of poor people and little boys (creeper) and gets his own kind of Batcave called Vatican City. 
Ron Howard IS Johnny, a teenager who has come to town to discover who his birth parents are but who mostly just stands around staring at people and ESPECIALLY at houses. He seems completely taken aback that the townspeople find this somewhat creepy. Johnny is intrigued by the rash of missing persons plaguing the small town and feels they are connected to the secret of his past.
Episode Title: THE CHIMES OF BIG BEN. In the ongoing debate about the exact numbering of the 17 episodes of The Prisoner I place this as the 3rd in the series. Any comments that I have regarding the Alternate Chimes of Big Ben will be made in this same post. 
Leo McKern’s character’s verbal fencing with Patrick McGoohan is as much fun to watch as Columbo’s cat and mouse games with the murderers on his show. (And yes, I know McGoohan was no stranger to Columbo, both the 1970s series and the later revival.) 
Leo makes it clear that the Village represents the model for the Earth of the future as pursued by highly-placed elements from both sides of the Cold War. He paints a picture of inevitability for the Prisoner in hopes that he can make McGoohan cave in while retaining his sense of personal honor. If a Global “Village” is inevitable there’s no shame in surrendering to it. 
Readers of Balladeer’s Blog asked for more May the Fourth material, so here’s an “encore presentation” as they used to call reruns, of my 2015 review of The Humanoid. In my view this is the worst of the Italian Star Wars ripoffs. 
Richard Kiel plays the title figure. His real name is Golob but the Darth Vaderish bad guy arranges for Golob to be the guinea pig for a treatment that transforms ordinary people into powerful “Humanoids”. As a Humanoid Golob loses his beard for some reason but – even more comically – the beard suddenly reappears when he is returned to normal late in the movie.
Golob in his amped-up Humanoid form has super-strength, is invulnerable to harm and can deflect energy blasts that the Rebel Alliance-style good guys shoot at him. The bad guys plan to use a warhead to expose every man, woman and child on Earth to the bio-treatment, thus creating an instant army of billions of super-powered Humanoids like Richard Kiel. (Good luck controlling them since the treatment will reduce them to mindless animals like Golob.) 
Corinne Clery portrays Barbara Gibson, the spunky Princess Leia pastiche. Barbara is a prominent scientist of Metropolis, which is what the entire Earth has been renamed now that it is just one big planet-wide city in the far future setting of The Humanoid. Barbara studies a gifted Asian lad who controls 
Ivan Rassimov plays the main villain Lord Graal, whose entire army dresses exactly like Darth Vader. He does, too, but to stand out from his underlings HIS black helmet and mask have cutouts that let his eyes, mouth and cheeks show. Lord Graal wants to create the aforementioned Humanoid army so he can conquer the entire Milky Way galaxy. He has magical powers like the Asian boy. 
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