GHOSTWATCH (1992) – This was a British made for t.v. movie that aired on Halloween Night in 1992. Ghostwatch is a nice – albeit boring – little novelty item for the way it anticipated the paranormal “reality” (LMAO) shows of today.
The telefilm also can’t help but put viewers in mind of the Paranormal Activity series and countless other Found Footage horror movies. Ghostwatch involves much older technology of course but for once, since the make-believe t.v. crew is filming their investigation of a haunted house, it MAKES SENSE for people to be filming everything.
The casting for this production was well-done in that it contains virtually NO recognizable faces. Usually when watching BBC items from back then viewers can’t help but play Spot the Doctor Who/ Sherlock Holmes/ British Murder Mysteries Actor. Continue reading
HIGH SCHOOL CAESAR (1960) Category: Bad, youth-oriented 1960 movie that is incredibly campy This movie may have a 1960 release date but it is the most classically campy example of the Juvenile Delinquent movies of the 1950’s. 
MATEWAN (1987) – This John Sayles film examines the 1920 Matewan Massacre in the West Virginia coal fields. The workers were attempting to form a union and the owners – the kind of people that the one percenters’ beloved New York Times has proclaimed to be “the conscience of the country” used hired thugs to harass – and even kill – the laborers. 
Today’s rich pigs have added a new wrinkle: pretending to be showing “compassion” and lecturing the working class and the poor about the glories of a borderless society. Ultimately this will even overload Social Programs to the point where they all collapse from lack of funding. 
My fellow Human Breens will be thrilled to hear that the one, the only Neil Breen (PBUH) has released his latest cinematic effort. He once again wrote, starred and directed. This addition to the Breeniverse is titled Twisted Pair and features Neil sharing the starring role with the only man who could possibly hold their own with him on the big screen: himself. 
Conflict is the essence of drama, of course, and though Keith and Kale just KNOW they are the Supreme Breens fit to reform humanity the twins disagree about the way to approach their mission. The two members of this Breen Trust clash when one of them decides the human race must be browbeaten into submission while the other decides that the human race must be SAVAGELY browbeaten into submission. Fifty Shades of Grey takes on new meaning here. 
THE CLONES (1973) – This neglected sci-fi item from the 70s was directed by Lamar Card & Paul Hunt, based on Hunt’s story. The Clones falls into that category of films that I always refer to as “X-Movies” because of the way they put one in mind of the paranoid and conspiratorial air of the best X-Files episodes. 
Gregory Sierra, best known to trivia buffs as “And Gregory Sierra” for the number of times he was credited like that in various television shows and movies, plays Nemo, a government agent tasked to keep the clone project a secret and bring in the escapee. 
FRONTIERADO IS COMING UP ON FRIDAY, AUGUST 3rd! As always the Frontierado holiday (now celebrated on 6 continents) is about the myth of the Wild West, not the grinding reality. It’s just like the way medieval festivals celebrate the era’s romantic aspects, not “the violence inherent in the system” (for my fellow Monty Python fans). 
MAVERICK (1994) – Richard Donner directed and Mel Gibson starred in this excellent tribute to the 1950s and 1980s Maverick television series. The original series starred James Garner as slick-talking gambler/ gunslinger Bret Maverick AND, in old-age makeup, as “Pappy” Beauregard Maverick, the gambler and con-man patriarch of that family of rogues. (No relation to the real-life Maverick family of Texas, for whom “maverick” cattle were named.)
Mel Gibson portrays Bret Maverick since by 1994 James Garner was too old for the role. Jodie Foster co-stars as rival gambler Annabelle Bransford and the iconic James Garner provides memorable support as a lawman. 
It may be my fondness for mythology that makes me love to watch particular movies around particular holidays. I say that because many of the well- known myths were recited on ancient holidays when their subject matter was relevant to those holidays. The stories helped accentuate the meaning of the special events and that’s the way I use various movies. 
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