Ambrose Bierce
Halloween Month continues with Balladeer’s Blog’s look at some seasonal stories by the one and only Ambrose Bierce. I think we’re all sick of Owl Creek Bridge so here are a few lesser-known tales from “Bitter Bierce.”
THE SPOOK HOUSE (1889) – In pre-Civil War Kentucky a pair of traveling politicians take shelter in a notoriously haunted house which was once the site of a bloody massacre. The eerie abandoned house features a room from which an unearthly green glow emanates … a room in which lie all the corpses of the missing massacre victims and of all those foolish enough to stay in the house ever since. Continue reading
Balladeer’s Blog’s month-long celebration of Halloween continues with this look at some of the films from one of the most envelope-pushing horror directors of all time: Germany’s “auteur of the transgressive,” Jorg Buttgereit. 
A THOUSAND DEATHS (1899) – This story was the first published work by Jack London and it definitely shows, but it still has certain merits. The protagonist – who is never named – is the scion of a wealthy British family. Feeling stifled by his rigid upbringing he ran off in his teens to roam the world. He’s fallen into various shady professions over the years and now at age 30 he’s begun having regrets. 
He seems to feel himself going under but then wakes up after an indeterminate time on board a luxurious yacht. The man has various tubes and wires connected to his body and soon learns that he has been saved from drowning by the crew of … his estranged father. That father (who also goes unnamed – it’s early Jack London all right) fails to recognize his son because of the changes the younger man’s rough life has inflicted on him. 
In recent years Halloween has become just as much about superhero cosplay as about horror, so here’s a masked crime-fighter who combines elements of both. Will Eisner’s superhero the Spirit – who debuted in 1940 – rose from the grave of his secret identity Denny Colt. 
The art and narrative innovations that Eisner introduced in his Spirit stories cannot be overstated.
THE DEAD DANCE BY MOONLIGHT – Manetti the mad violinist terrorized the New England states in the late 1700s. His favorite instrument was made out of enchanted wood from the forests of the infamous White Mountains. When Manetti chose to he could play his violin in such a way as to bring the dead up from their graves and make them do his bidding. FOR THE FULL STORY CLICK 
THE MARQUETTE MONSTER – This horrific monster was sighted by Jacques Marquette in the 1670s near what is now Alton, IL. Native Americans of the region called it the Piasa Bird and had been making artwork depicting the beast since around 1200 AD according to archaeological findings. The creature was supposedly the size of a horse with the torso of a cougar, huge wings like a bat and a human head sprouting deer antlers. FOR THE FULL STORY CLICK 
Welcome back to Balladeer’s Blog’s month-long celebration of Halloween!
Balladeer’s Blog’s month-long celebration of Halloween continues with this look at a variety of forgotten or neglected horror legends from American lore. 
THE CORPSE-SMITH OF CONNECTICUT – Also called the Cadaver Master and the Carrion Engineer this mad scientist of Eastern European descent was the cause of the many vanished graveyards from Connecticut’s past. The Corpse-Smith scandalized 1770s America with his brilliant but macabre uses for every single resource he could possibly harvest from the bodies of the recently deceased.
THE MAGICIAN – During Halloween Season a few years back Balladeer’s Blog reviewed the 1926 silent movie adaptation of The Magician. This time around I’ll review the original Somerset Maugham novel from 1908. It’s no secret at this late date that the malevolent sorceror of the title, Oliver Haddo, was based on the real-life Aleister Crowley. In fact, Crowley would accuse Maugham of plagiarism when he reviewed The Magician under the name Oliver Haddo, his fictional counterpart.
