Humpty Dumpty sat on the wall. The wall was where Humpty Dumpty had decided to sit. Humpty Dumpty could be found on the wall, sitting. Sitting was the activity Humpty Dumpty was engaging in and the wall was the place he had chosen to sit. Everyone agreed that the wall was where Humpty Dumpty was sitting.
It was of no avail to wistfully pretend that Humpty Dumpty was seated elsewhere. With an air of resignation all and sundry were forced to agree that the wall, despite how much they might desperately wish for it to be otherwise, was indeed where Humpty Dumpty sat.
The wall had first been constructed eighty-seven years earlier by two laborers named Stanislaw and Ernst. Throughout his workday Stanislaw often reflected on how he might think of Ernst as the most beautiful man in the world, if not for the fact that, if the truth be known, he considered Ernst to be the most physically repugnant man he had ever seen. Or smelled, for that matter. Still, though, Stanislaw couldn’t help but wonder and it made his pulse quicken each and every time. Continue reading
THE MESSENGER (1897) – Balladeer’s Blog’s month-long celebration of Halloween continues with another neglected work of horror – this one penned by Robert W Chambers, author of The King in Yellow, which I reviewed 
THE OCTAVE OF CLAUDIUS (1897) – By Barry Pain. This obscure little Gothic honey is just good enough that you wish it had been better. There are so many elements that make it appealing but it falls just short of being a worthwhile read for anybody except obsessive fools like me. 
Balladeer’s Blog’s month-long celebration of Halloween continues with this look at some of the films from one of the most envelope-pushing horror directors of all time: Germany’s “auteur of the transgressive,” Jorg Buttgereit. 
A THOUSAND DEATHS (1899) – This story was the first published work by Jack London and it definitely shows, but it still has certain merits. The protagonist – who is never named – is the scion of a wealthy British family. Feeling stifled by his rigid upbringing he ran off in his teens to roam the world. He’s fallen into various shady professions over the years and now at age 30 he’s begun having regrets. 
He seems to feel himself going under but then wakes up after an indeterminate time on board a luxurious yacht. The man has various tubes and wires connected to his body and soon learns that he has been saved from drowning by the crew of … his estranged father. That father (who also goes unnamed – it’s early Jack London all right) fails to recognize his son because of the changes the younger man’s rough life has inflicted on him. 
In recent years Halloween has become just as much about superhero cosplay as about horror, so here’s a masked crime-fighter who combines elements of both. Will Eisner’s superhero the Spirit – who debuted in 1940 – rose from the grave of his secret identity Denny Colt. 
The art and narrative innovations that Eisner introduced in his Spirit stories cannot be overstated.
THE DEAD DANCE BY MOONLIGHT – Manetti the mad violinist terrorized the New England states in the late 1700s. His favorite instrument was made out of enchanted wood from the forests of the infamous White Mountains. When Manetti chose to he could play his violin in such a way as to bring the dead up from their graves and make them do his bidding. FOR THE FULL STORY CLICK 
THE MARQUETTE MONSTER – This horrific monster was sighted by Jacques Marquette in the 1670s near what is now Alton, IL. Native Americans of the region called it the Piasa Bird and had been making artwork depicting the beast since around 1200 AD according to archaeological findings. The creature was supposedly the size of a horse with the torso of a cougar, huge wings like a bat and a human head sprouting deer antlers. FOR THE FULL STORY CLICK 
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