With superhero Cosplay rivalling monster themes for Halloween these days I figured it was a good time to showcase the various superhero pantheons that Balladeer’s Blog has examined in a style similar to my mythology posts.
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AUSTRALIAN SUPERHEROES
Sampling: Vixen – She’s part human and part fox … The Jackaroo – Picture a costumed Crocodile Dundee … The Technocrat – She’s a mutant technopath with a flying rocket-skateboard … The Southern Squadron – Australia’s home-made team of superheroes.
Top Hero On List: Dark Nebula – A cosmic and mystical hero whose adventures combine science fiction and the supernatural, like Doctor Strange meets Green Lantern.
Comment: For this list I went ONLY with superheroes created by Australian writers and artists and published in Australia.
FOR THE OTHER AUSTRALIAN HEROES CLICK HERE Continue reading


As always October is one long celebration of Halloween here at Balladeer’s Blog. The hulking undead figure in the picture is Simon Garth, the title character in Tales of the Zombie from Marvel Comics. Marvel still hasn’t properly used their horror figures, with just Blade the Vampire Slayer (Debut Year 1973) and the Ghost Rider (Debut Year 1972) getting treatment on the big and small screens.
THE MESSENGER (1897) – Balladeer’s Blog’s month-long celebration of Halloween continues with another neglected work of horror – this one penned by Robert W Chambers, author of The King in Yellow, which I reviewed
THE SPECTRE LEAGUERS – In 1792 the Gloucester Leaguers returned from the dead to plague Massachusetts 100 years after their horrors had first been unleashed.
THE OCTAVE OF CLAUDIUS (1897) – By Barry Pain. This obscure little Gothic honey is just good enough that you wish it had been better. There are so many elements that make it appealing but it falls just short of being a worthwhile read for anybody except obsessive fools like me. 

Balladeer’s Blog’s month-long celebration of Halloween continues with this look at some of the films from one of the most envelope-pushing horror directors of all time: Germany’s “auteur of the transgressive,” Jorg Buttgereit.