With the movie Solo: A Star Wars Story in theaters now what better time for my profile of the Han Solo of the 1930s. Female author C.L. Moore wrote a series of pulp adventures about her often neglected science fiction figure Northwest Smith.
THE HERO: Space traveling anti-hero Smith was created by the female writer C.L. Moore in the 1930s. Four decades before Han Solo, Northwest Smith was a ruthless swashbuckling smuggler, thief and all-around mercenary. Smith’s less than sterling character made him a refreshing change from the usually wholesome pulp heroes of the time.
THE STORIES: Northwest Smith’s adventures take place in the far future, when regular trade exists between Earth and the native inhabitants of Mars and Venus. The other planets in the solar system have been colonized by those Big Three worlds, providing a backdrop that combines elements of westerns, seagoing adventures and colonial-era war stories.
Wielding a blaster like a six-gun and piloting his deceptively fast and maneuverable spaceship The Maid Smith and his Venusian partner Yarol roam the solar system making a living by plying various illegal trades. Though Northwest and Yarol are career criminals they often find themselves forced by circumstances into taking actions similar to those of traditional heroes. Their motive is usually their own survival rather than altruism. Continue reading

Here at Balladeer’s Blog I write plenty of items about myths from around the world. I often mention that my blog posts about figures from the American West are along the same lines to me since I think the exaggerated tales of whatever their real-life stories were originate the same way that many religious fables do: the usual human tendency toward superstition and embellishment.
Episode Title: THE CHIMES OF BIG BEN. In the ongoing debate about the exact numbering of the 17 episodes of The Prisoner I place this as the 3rd in the series. Any comments that I have regarding the Alternate Chimes of Big Ben will be made in this same post.
Leo McKern’s character’s verbal fencing with Patrick McGoohan is as much fun to watch as Columbo’s cat and mouse games with the murderers on his show. (And yes, I know McGoohan was no stranger to Columbo, both the 1970s series and the later revival.)
Leo makes it clear that the Village represents the model for the Earth of the future as pursued by highly-placed elements from both sides of the Cold War. He paints a picture of inevitability for the Prisoner in hopes that he can make McGoohan cave in while retaining his sense of personal honor. If a Global “Village” is inevitable there’s no shame in surrendering to it. 


Episode Title: DANCE OF THE DEAD
Mary Morris as this episode’s Number Two is one of the most memorable Number Twos in the rotating series of those Village executives. As we all know Trevor Howard was originally slated for this episode but Morris is a more than welcome change.
Episode Title: ARRIVAL
All inhabitants/ captives of the Village are either former Intelligence Operatives like himself, or scientists or figures from the government or military. And from all around the world, too, not just the West.
OKAY- TECH PROBLEMS SOLVED SO LET’S TAKE THIS BLOG POST FROM THE TOP –
THE AVENGERS Volume One, Number 89 (June 1971)
Midnight Marquee, the renowned magazine devoted to horror, sci fi and cult films, returns after a long hiatus.
THE HAMPDENSHIRE WONDER (1911) – Written by J.D. Berresford. The story centers around Victor Stott, the remarkable son of Cricket star Ginger Stott. A news reporter who is on friendly terms with Ginger Stott meets his one year old child Victor during a train trip.