Tag Archives: movie reviews

BLACKADDER’S CHRISTMAS CAROL (1988)

blackadder's christmas carolBLACKADDER’S CHRISTMAS CAROL – Balladeer’s Blog’s 13th Annual Christmas Carol-A-Thon continues! Long-time readers know what a big fan I am of Rowan Atkinson’s work – especially his Blackadder programs. Hell, I’m even an enormous fan of his more serious work in Full Throttle. And I never tire of telling anyone who will listen that I think he’d make a perfect Dikaiopolis in Aristophanes’ comedy The Acharnians

As to why it took me so long to finally get around to reviewing Blackadder’s Christmas Carol, it’s the same reason that applied to the George C Scott version: I wanted to handle some of the more obscure Carols before hitting the well-known ones.

This Christmas Special is set in Victorian England with Atkinson starring as Ebenezer Blackadder, owner of a moustache shop. Tony Robinson is on hand as yet another member of the Baldrick family line.

In typically perverse Blackadder fashion the storyline reverses the usual sequence of events. Ebenezer starts out as a kind-hearted and generous soul but soon the Christmas Spirit (Robbie Coltrane) shows him visions of Blackadders Past, Present and Yet-to-Come.     Continue reading

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JUNGLE JIM ON SCREEN

jungle jim johnnyNews of the disastrous reaction to screenings of the unwanted and unneeded fifth Indiana Jones movie, starring a 136-year-old Harrison Ford, caused me to reflect on the 1980s flood of Indiana Jones imitators. Studios even revived the old H. Rider Haggard character Allan Quatermain by casting Richard Chamberlin as Quatermain in a few movies.

Conspicuously absent from that 1980s eruption was Jungle Jim, the former comic strip character who had been depicted in a film serial, several movies and a television series from the 1930s to 1950s. Obviously, the same attempts to update Allan Quatermain would have to be made in reviving Jungle Jim, but it certainly could have been pulled off.

After all, decades before Raiders of the Lost Ark, “Jungle Jim” Bradley, mercenary jungle guide and adventurer, was fighting Nazis and other menaces while finding lost cities & ancient artifacts, all while romancing lovely ladies. Throw in the occasional giant spider or huge, man-eating eel and enjoy!

A 1980s Jungle Jim series could have combined the best elements of Indiana Jones, Crocodile Dundee and Allan Quatermain.  

At any rate, all this led me to write this examination of the big and small screen escapades of Jungle Jim in all their fun, outdated, absurd and So Bad They’re Good glory. Johnny Weissmuller, the former Tarzan actor, actually had to speak in complete sentences as Jungle Jim, emphasizing his poor thespian skills.

jungle jim 1937JUNGLE JIM (1937) – This 12 episode serial from Universal starred Grant Withers as the title character in the pith helmet. The story involved Joan Redmond, a wealthy young heiress who disappeared in the African jungle with her parents years earlier.

Sightings of a white woman in command of a pride of lions have inspired media speculation that the now teenaged heiress was still alive. Two rival jungle expeditions set out to find her, one launched by the tale’s heroes and another launched by the tale’s villains. 

The good guys, guided by Jungle Jim, want to bring the young Lion Goddess back to her home country and her inheritance. The bad guys, led by the young lady’s villainous relative Bruce Redmond, want to kill Joan, thus allowing Bruce to claim the inheritance for himself. Further complicating things are two international criminals who have been stranded in the jungle with Joan for years and have been passing themselves off to her as if they are her parents. Continue reading

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2nd CHANCE FOR CHRISTMAS (2019): CHRISTMAS CAROL-A-THON 2022 CONTINUES

Christmas Carol-A-Thon 2022 here at Balladeer’s Blog continues with a review of this 2019 item.

2nd Chance For Christmas2nd CHANCE FOR CHRISTMAS (2019) – (Special thanks to Balladeer’s Blog reader Lee Ann for recommending this Carol to me.)

Directed by Christopher Ray, this is an adaptation of the Dickens classic and sets the story in the present-day. The Scrooge stand-in is a Country Western singer named Chance Love (Brittany Underwood). My fellow Carol enthusiasts will immediately be put in mind of A Diva’s Christmas Carol, reviewed previously here at Balladeer’s Blog.

2nd Chance For Christmas shrewdly stakes out its own territory so that it stands out from the Vanessa Williams flick about a pop starlet named Ebony Williams. In addition the film shrewdly used a numerical designation for the first word in the title rather than spelling out “Second” ensuring it will be listed ahead of movies whose titles begin with any letters at all.

Brittany Underwood does a very good job as Chance, the mean-spirited and selfish singing starlet who abuses everyone around her. Every step of the way Underwood is up to the demands of the storyline and manages her comedic parts well, always the toughest challenge.

In fact nearly all the comedy bits in 2nd Chance For Christmas are well-written and well-executed, so I will avoid any spoilers regarding the jokes so as not to ruin them for first-time viewers.    Continue reading

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SCROOGE IN THE HOOD (2011): CHRISTMAS CAROL-A-THON 2022 BEGINS

mascot chair and bottle picIf it’s the Friday after Thanksgiving, then regular readers of Balladeer’s Blog know it’s the day when I kick off my annual Christmas Carol-A-Thon in which I review several versions of A Christmas Carol. I look at movies, television shows, radio shows and books which adapt the Dickens classic. Every year I present new reviews and a few old classics since newer readers will have missed them.

scrooge in the hoodSCROOGE IN THE HOOD (2011) – This is easily the worst attempt at a comedy version of the Carol that I’ve ever seen. It’s also a failure in terms of production values. Acting is nonexistent, props are below Cable Public Access levels, dialogue is often impossible to make out and the writing is like something from a 14-year-old trying to be edgy.

The premise behind this failed comedy is that Scrooge is a pimp, and gangsters from outside the Hood are trying to muscle in on his business. They’ve already killed his colleague Marley and are gunning for him, now.

This flick has one joke – inserting profanity, bloodshed and sexual situations into A Christmas Carol – and repeats it over and over and over for 83 minutes. Even porno adaptations like Ebenezer Screwed show a more inventive approach. Continue reading

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KOMMISSAR X: ALL SEVEN MOVIES

kommissar xWhat James Bond hath wrought! Among the many imitations of Ian Fleming’s 007 were American rip-offs like Derek Flint and Matt Helm, but often overlooked here in 2022 are Germany’s Kommissar X films. The series of novels began in 1959 and number at least SIX-HUNDRED TWENTY! You read that right. Truly, no man is Bert Island.

The Kommissar X (also known as Commissioner X) tales were similar in style to Germany’s own Jerry Cotton novels which began publication in 1954. The Jerry Cotton character even beat Kommissar X to the big screen, with professional Smug Prick George Nader starring as the federal agent in eight movies.

Kommissar X was played by Tony Kendall, with Brad Harris as his sidekick Tom Rowland.

kiss kiss kill killKISS KISS, KILL KILL (1966) – Also released under the titles Hunt for the Unknown, Chasing the Unknown and Jagd auf Unbekannt, this was the first film appearance of Kommissar X, aka Private Investigator Joe Walker, and his colleague Police Captain Tom Rowland. Like James Bond and Jerry Cotton, Joe Walker had his own memorable theme music to accompany him as he kicked butt, bedded down with beautiful women and drove fancy sports cars.

chasing the unknownStylish villain Oberon (Nikola Popovic), called “O’Brien” in some dubs, is a mastermind who has accumulated a fortune in gold through dishonest means and wiped out his accomplices in order to nab their share of the loot, too. He also has plans to abduct a nuclear physicist, which gets Kommissar X mixed up in all this.

In Yugoslavia, our hero tangles with some of Oberon’s underlings and renews his acquaintance with Captain Tom Rowland, who is in the country to train police departments in state-of-the-art criminology. Ultimately, the pair trail Oberon to his island fortress, where they face the villain’s army of beautiful female soldiers as they try to recover the stolen gold AND the nuclear physicist.        Continue reading

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KONG ISLAND (1968) BAD MOVIE REVIEW

kong islandKONG ISLAND (1968) has also been released under the titles King of Kong Island and Eva, the Savage Venus. Every one of those titles could let viewers build a strong case for false advertising. There’s no island, no king OR King Kong and though the third title listed above may hint at something lurid, the wild jungle woman of that title has very little screen time.

Under any name, this movie appeals to most of us fans of So Bad They’re Good films. We get a regulation Mad Scientist, his army of robot/ bionic apes which AREN’T really robotic or bionic, a sultry young woman raised in the jungle by the animals and plenty of action scenes.  

This Italian film was produced by Brad Harris, who also starred as the beefcake hero who shows off his bodybuilder frame in shirtless scenes. Ladies got to ogle Burt while men got to ogle Eva, who is known to the Kenyan natives as … the Sacred Monkey. (?) Years later the Hong Kong movie Goliathon would combine a jungle queen and a gorilla that really was as big as King Kong. 

The Characters:

brad harrisBURT DAWSON (Brad Harris) is the muscular soldier of fortune who hires on for any job, legal or illegal. Kong Island opens with Burt and a few accomplices on the run after robbing a payroll. They stop in the wilderness to split the loot only to be double-crossed by their colleague Turk (Paul Carter), who shoots down the other survivors of the raid.

Burt, too, catches a bullet from behind, but apparently the large sweat stain on his back stopped the bullet or something because he shows up later, with a gunshot wound on his shoulder despite being shot in the back. Go figure. Burt recovers and turns up in Nairobi, Kenya looking to hire on for any shady or dangerous job available. Continue reading

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I GO POGO (1980) ELECTION DAY FLUFF

i go pogoI GO POGO (1980) – A possum for president? This stop-motion animation rendition of Walt Kelly’s iconic comic strip Pogo is, sad to say, even more aimless and unentertaining than the 1969 conventional animation show The Pogo Special Birthday Special. That IS the actual title, by the way. The approach to that half-hour cartoon special was, as the title indicates, so cloyingly cutesy that even Walt Kelly himself disliked it. 

Walt Kelly passed away in 1973 so at least he didn’t have to see this second travesty of his brilliant series. Pogo (1948-1975) featured cartoon animals who lived in the Okefenokee Swamp and were as cute and memorable as anything that Disney or Hanna-Barbera ever produced. Like the much later children’s franchise The Muppets, Pogo appealed to adults as well as children, and even sprinkled in a fair amount of political and social commentary.

pogoKelly was a master of making his political allegories blend so seamlessly into the tales of his cartoon animals that the deeper meaning would go over children’s heads as they enjoyed the antics of the Okefenokee Swamp’s denizens. For a comparison, think of how Jonathan Swift’s Gulliver’s Travels was a very biting satire but the story outline is so perfect it survived as a children’s tale long after the political and social topics that Swift was writing about faded into history.

And though each side of the American political aisle tries to claim Walt Kelly as their own he was actually my kind of guy and took shots at BOTH SIDES. The political left could point to the way that Kelly’s 1950s cat character Simple J. Malarkey was an unflattering caricature of Republican Senator Joseph McCarthy, but the right could point to Walt’s cowbird characters who embodied pretentious, parasitic communist activists.   

pogo merchBlame the 1969 television special and this 1980 bomb for helping to consign these brilliant cartoon figures to oblivion, even though they once rivaled the Disney Empire in merchandising. Peanuts and Winnie the Pooh had nothing on Pogo and company. Continue reading

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THE IRON ROSE (1973) FOR HALLOWEEN

title screen

the iron roseLA ROSE DE FER (1973) – This film’s title was translated into English as The Iron Rose even though The Rose of Iron would be a more literal translation, but that’s just a tiny nitpick. La Rose de Fer was the fifth movie from Jean Rollin, whose horror productions can range from brilliant to So Bad They’re Good level.

The Iron Rose is possibly the greatest example of the “love it or hate it” nature of Rollin’s films. Personally, I love it and consider it one of his best works, but I can certainly understand why some viewers dismiss it as dull, pretentious and self-consciously artsy.

iro roThere IS a body count in The Iron Rose, but there is certainly no blood and gore. As our story begins, a beautiful woman (Francoise Pascal) lounges on the beach and regards an iron rose that has washed in with the tide. After tossing it aside she goes about her business, and before long is on a bicycling date with a young man (Hugues Quester).

Eventually the couple – listed as Le Femme and L’homme in the credits – end up taking a walk through one of those bizarrely scenic European graveyards which were tailor-made for this kind of atmospheric, artsy film. A creepy female clown and a sinister-seeming old woman are among the few other people our main characters encounter in the sprawling cemetery.

Viewers have had a few hints along the way that neither one of these young people are one hundred percent stable, but things soon go to the next level. Continue reading

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HORROR FILMS: EXTREME AND ENVELOPE-PUSHING

With Halloween Month rolling along, Balladeer’s Blog presents a list of some horror films that are extreme with their graphic gore or their envelope-pushing themes.

rabid grannies coverRABID GRANNIES (UNCUT VERSION) (1988) – We’ll start with the mildest one on this list. Yes, even in its original, uncut and graphically violent form it’s mild for this list. Those darn Belgians produced this Evil Dead-inspired movie which featured a pair of nonagenarian aunts being sent a birthday gift by their Satanist nephew.

When the gift is opened that night, it transforms the pair into hideously ugly demonoids who prey upon all of the relatives gathered to celebrate their birthday at their remote mansion home. Not even children are exempt from getting killed as the ever-mutating “grannies” slaughter the family members. 

What the two demonoids do to the priest in the family is very, very dark. FOR MY FULL-LENGTH REVIEW CLICK HERE.

NOTE: The movies below this point tend to be very distressing for people with more conventional tastes in horror films. Turn back NOW if you do not like extreme violence and/or extreme themes. Continue reading

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STRANGLER OF THE SWAMP (1946): HALLOWEEN GHOST FILM

strangler of the swampSTRANGLER OF THE SWAMP (1946) – Halloween Month rolls along here at Balladeer’s Blog with this appealing cult film from 1946. Strangler of the Swamp seems destined to be forever overpraised or overpanned. Personally, I find it an ideal Halloween movie for those people who don’t like blood, gore and graphic violence in their horror films.

NOTE: I review movies from the most blood-soaked to the most mild, so be wary and don’t assume all horror films reviewed at Balladeer’s Blog are comparatively mild.

I’ll throw out some quick trivia to hopefully make this neglected work more appealing to people who normally scorn black & white and/or bloodless horror flicks:

*** THE Blake Edwards, prominent director famed for Breakfast at Tiffany’s, Pink Panther, 10 and many other films, plays the male lead.

maria and the Strangler of the Swamp*** Charles Middleton, who played Ming the Merciless in early Flash Gordon serials, portrays the ghostly ferryman of the title.

*** Rosemary LaPlanche, Miss America of 1941, stars as the female lead.

Strangler of the Swamp was directed and co-written by German-American director Frank Wisbar. He was adapting his 1936 German film Fahrmann Maria to an American setting and amping up the horror angle.

In the 1936 movie the figure of Death personified was the main menace. For Strangler of the Swamp, Wisbar changed nearly the entire story and made a murderous ghost the villain. Wisbar masterfully converted the European flavor to Southern Gothic.

THE STORY: Continue reading

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