LA ROSE DE FER (1973) – This film’s title was translated into English as The Iron Rose even though The Rose of Iron would be a more literal translation, but that’s just a tiny nitpick. La Rose de Fer was the fifth movie from Jean Rollin, whose horror productions can range from brilliant to So Bad They’re Good level.
The Iron Rose is possibly the greatest example of the “love it or hate it” nature of Rollin’s films. Personally, I love it and consider it one of his best works, but I can certainly understand why some viewers dismiss it as dull, pretentious and self-consciously artsy.
There IS a body count in The Iron Rose, but there is certainly no blood and gore. As our story begins, a beautiful woman (Francoise Pascal) lounges on the beach and regards an iron rose that has washed in with the tide. After tossing it aside she goes about her business, and before long is on a bicycling date with a young man (Hugues Quester).
Eventually the couple – listed as Le Femme and L’homme in the credits – end up taking a walk through one of those bizarrely scenic European graveyards which were tailor-made for this kind of atmospheric, artsy film. A creepy female clown and a sinister-seeming old woman are among the few other people our main characters encounter in the sprawling cemetery.
Viewers have had a few hints along the way that neither one of these young people are one hundred percent stable, but things soon go to the next level. Continue reading