THE MESSENGER (1897) – Balladeer’s Blog’s month-long celebration of Halloween continues with another neglected work of horror – this one penned by Robert W Chambers, author of The King in Yellow, which I reviewed HERE
The story – also known as The Black Priest or The Black Abbot – is set in 1896 in the mysterious Brittany region of northwest France. Richard Darrel, a wealthy American knickerbocker (upstate New York gentry) has bought a Breton estate with assorted household staff. He lives there with his beautiful (of course) wife Lys, a native of Brittany.
Landscaping work near Richard’s estate has uncovered thirty-eight skeletons: men killed in a battle between English invaders and Breton defenders back in 1760. A bronze cylinder in the mass grave holds a delicate parchment with a message written in human blood at the time of the burial. The writing is in the ancient language of Brittany, which only the clergy of the 1760 time period were literate in.
Our American hero senses that the local authorities are withholding vital information from him. He is also intrigued by the revelation that there were thirty-nine men buried in the pit but only thirty-eight skeletons have been found. Continue reading
THE OCTAVE OF CLAUDIUS (1897) – By Barry Pain. This obscure little Gothic honey is just good enough that you wish it had been better. There are so many elements that make it appealing but it falls just short of being a worthwhile read for anybody except obsessive fools like me. 
Balladeer’s Blog’s month-long celebration of Halloween continues with this look at some of the films from one of the most envelope-pushing horror directors of all time: Germany’s “auteur of the transgressive,” Jorg Buttgereit. 
A THOUSAND DEATHS (1899) – This story was the first published work by Jack London and it definitely shows, but it still has certain merits. The protagonist – who is never named – is the scion of a wealthy British family. Feeling stifled by his rigid upbringing he ran off in his teens to roam the world. He’s fallen into various shady professions over the years and now at age 30 he’s begun having regrets. 
He seems to feel himself going under but then wakes up after an indeterminate time on board a luxurious yacht. The man has various tubes and wires connected to his body and soon learns that he has been saved from drowning by the crew of … his estranged father. That father (who also goes unnamed – it’s early Jack London all right) fails to recognize his son because of the changes the younger man’s rough life has inflicted on him. 
In recent years Halloween has become just as much about superhero cosplay as about horror, so here’s a masked crime-fighter who combines elements of both. Will Eisner’s superhero the Spirit – who debuted in 1940 – rose from the grave of his secret identity Denny Colt. 
The art and narrative innovations that Eisner introduced in his Spirit stories cannot be overstated.
THE DEAD DANCE BY MOONLIGHT – Manetti the mad violinist terrorized the New England states in the late 1700s. His favorite instrument was made out of enchanted wood from the forests of the infamous White Mountains. When Manetti chose to he could play his violin in such a way as to bring the dead up from their graves and make them do his bidding. FOR THE FULL STORY CLICK 
THE MARQUETTE MONSTER – This horrific monster was sighted by Jacques Marquette in the 1670s near what is now Alton, IL. Native Americans of the region called it the Piasa Bird and had been making artwork depicting the beast since around 1200 AD according to archaeological findings. The creature was supposedly the size of a horse with the torso of a cougar, huge wings like a bat and a human head sprouting deer antlers. FOR THE FULL STORY CLICK 
Welcome back to Balladeer’s Blog’s month-long celebration of Halloween!
Balladeer’s Blog’s month-long celebration of Halloween continues with this look at a variety of forgotten or neglected horror legends from American lore. 
THE CORPSE-SMITH OF CONNECTICUT – Also called the Cadaver Master and the Carrion Engineer this mad scientist of Eastern European descent was the cause of the many vanished graveyards from Connecticut’s past. The Corpse-Smith scandalized 1770s America with his brilliant but macabre uses for every single resource he could possibly harvest from the bodies of the recently deceased.
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