JOHN CARPENTER’S VAMPIRES (1998) – Halloween Month rolls along with this look at John Carpenter directing James Woods as Vatican-sanctioned vampire hunter Jack Crow. As always, James Woods is like a force of nature. When he’s on the screen he virtually blows away most of the people with whom he shares that screen.
Years before the movie Van Helsing came this flick about a team of vampire hunters secretly working with the Vatican to safeguard the world from a threat the public believes doesn’t exist. Carpenter made a perfect choice in casting volatile genius Woods as the leader of the vampire slayers. Jack Crow’s hatred of the bloodsuckers and the suffering they cause is like a thing alive.
Jack, his right-hand man Anthony Montoya (Daniel Baldwin) and the rest of their team wipe out a vampire coven in Mexico only to have its elusive leader Jan Valek (Thomas Ian Griffith) come after them for revenge. Continue reading
ADVENTURE COMICS Vol 1 #431 (February 1974) 
When situations demanding greater than human intervention arose, Jim could become the Spectre, his ghostly form in which he wielded vast powers that he used against earthly villains as well as supernatural menaces. 
THE MAN WHO LAUGHS (1928) – I have no idea why Conrad Veidt doesn’t get the silent horror film love that Lon Chaney and Paul Wegener receive. In this final silent horror movie for Veidt, he shines once again in another landmark film. This one is based on the neglected Victor Hugo story about a figure who, like Hugo’s Quasimodo, has a monstrous disfigurement that causes him to be shunned and feared.
Dea falls in love with Gwynplaine’s poetic nature in fact, but when the grotesque smiler is discovered to be of noble descent the pair are separated by villainous figures involved in aristocratic court intrigues. Olga Baclanova co-starred as Duchess Josiana, the lead heavy in this forgotten Gothic horror classic. 
Halloween Month continues here at Balladeer’s Blog with this look at three notorious – but not necessarily all that good – horror films from iconic Italian director Lucio Fulci. 
THE BEYOND (1981) – A woman inherits The Seven Doors Hotel, a run-down inn outside New Orleans in the Louisiana countryside. It was once the site of an infamous murder in the 1920s and supernatural activities break out as our heroine Liza Merrill (Katherine MacColl) tries to refurbish the place. 
THE GROOVIE GOOLIES (1970) – This 16-episode cartoon series seemed like an appropriate subject for Halloween Month. In previous years, Balladeer’s Blog reviewed 
Other supporting characters at the castle called Horrible Hall were Mummy the mummy, plus Bone-Apart, the living skeleton in a Napoleon hat and epaulettes. Additional monsters and living pieces of furniture added to the cast and appeared intermittently. 
Balladeer’s Blog’s month-long look at Halloween continues! In the past, I examined the most Halloweenish covers for Marvel horror figures like 
VAMPIRE TALES Vol 1 #1 (June 1973) 
Synopsis: One night in Los Angeles, Morbius tries to find his lady love Martine Bancroft (Adria Arjona in the movie), whom he was separated from shortly after his transformation into vampire form. He encounters Carolyn, a female member of the Children of Satan cult. 
FROM OUT OF THE SILENCE: SEVEN STRANGE STORIES (full title) (1920) – Written by Lady Bessie Kyffin-Taylor. The stories are: 
THE PHANTOM OF THE OPERA (1925) – Lon Chaney Senior’s makeup and performance as the title character were envelope-pushing for 1925 audiences. To me this is the ULTIMATE silent horror film. It may sound odd, but in my opinion this movie is the very best cinematic adaptation of the Gaston Leroux novel. 
Over the years, Balladeer’s Blog has reviewed several of Jorg Buttgereit’s envelope-pushing, taboo-breaking horror films. Because I review everything from the extreme fringes like Buttgereit (at left) to mild, even family-friendly items let me offer a warning for readers who don’t like extreme violence or extreme concepts. If you fall into that category, please DO NOT look up my long-ago reviews of Jorg’s most notorious films and then blast me because the subject matter appalls you. I am giving fair warning about what they’re like. 
CAPTAIN BERLIN: RETTER DER WELT (1982) – Buttgereit was only 18 when he made this 10-minute short film. He wrote, directed and played the title superhero with Bela B. from the German punk band Die Ärzte co-starring as Mister Synth. This work about West Berlin’s only superhero fighting a monster from outer space is of interest only because of Buttgereit’s and Bela’s involvement. 
Decades later, Buttgereit would revive the Captain Berlin character in one of his stage show-radio show hybrids, titled Captain Berlin versus Hitler. That production – which I will review at some point in the future – was eventually filmed and released to theaters and on dvd. 
HORROR HEAVEN (1984) – Jorg starred as an old-fashioned Horror Movie Host introducing several horror shorts of his own making in this 24-minute project. Buttgereit structured it as a salute to Boris Karloff but with some gore thrown in. 
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