THE LIVING MUMMY (1910) – Written by Australian author Ambrose Pratt. Dr. Pinsent, a two-fisted young archeologist, is running an expedition in the sands of Egypt. The beautiful May Ottley and her father, an accomplished archeologist himself, ask Pinsent to lend them some of his workmen for a few days.
Dr. Ottley has found the tomb of the priest Ptahmes from the 18th Dynasty. Pinsent lends Ottley some workers, but mostly so he can try courting May. At length the mummy of Ptahmes is found, but an examination of it reveals that it was not mummified in the traditional way – after death. Instead, it appears that Ptahmes was placed in suspended animation while still living. Continue reading
As Halloween Month continues, Balladeer’s Blog presents another seasonal post. Over the years I’ve reviewed plenty of the horror films made by Brazil’s King of Horror since the 1960s – Coffin Joe (Ze do Caixao) aka Jose “Mojica” Marins. I’ve even reviewed 
AT MIDNIGHT I’LL TAKE YOUR SOUL (1963) 
JOHN CARPENTER’S VAMPIRES (1998) – Halloween Month rolls along with this look at John Carpenter directing James Woods as Vatican-sanctioned vampire hunter Jack Crow. As always, James Woods is like a force of nature. When he’s on the screen he virtually blows away most of the people with whom he shares that screen. 
ADVENTURE COMICS Vol 1 #431 (February 1974) 
When situations demanding greater than human intervention arose, Jim could become the Spectre, his ghostly form in which he wielded vast powers that he used against earthly villains as well as supernatural menaces. 
THE MAN WHO LAUGHS (1928) – I have no idea why Conrad Veidt doesn’t get the silent horror film love that Lon Chaney and Paul Wegener receive. In this final silent horror movie for Veidt, he shines once again in another landmark film. This one is based on the neglected Victor Hugo story about a figure who, like Hugo’s Quasimodo, has a monstrous disfigurement that causes him to be shunned and feared.
Dea falls in love with Gwynplaine’s poetic nature in fact, but when the grotesque smiler is discovered to be of noble descent the pair are separated by villainous figures involved in aristocratic court intrigues. Olga Baclanova co-starred as Duchess Josiana, the lead heavy in this forgotten Gothic horror classic. 
Halloween Month continues here at Balladeer’s Blog with this look at three notorious – but not necessarily all that good – horror films from iconic Italian director Lucio Fulci. 
THE BEYOND (1981) – A woman inherits The Seven Doors Hotel, a run-down inn outside New Orleans in the Louisiana countryside. It was once the site of an infamous murder in the 1920s and supernatural activities break out as our heroine Liza Merrill (Katherine MacColl) tries to refurbish the place. 
THE GROOVIE GOOLIES (1970) – This 16-episode cartoon series seemed like an appropriate subject for Halloween Month. In previous years, Balladeer’s Blog reviewed 
Other supporting characters at the castle called Horrible Hall were Mummy the mummy, plus Bone-Apart, the living skeleton in a Napoleon hat and epaulettes. Additional monsters and living pieces of furniture added to the cast and appeared intermittently. 
Balladeer’s Blog’s month-long look at Halloween continues! In the past, I examined the most Halloweenish covers for Marvel horror figures like 
VAMPIRE TALES Vol 1 #1 (June 1973) 
Synopsis: One night in Los Angeles, Morbius tries to find his lady love Martine Bancroft (Adria Arjona in the movie), whom he was separated from shortly after his transformation into vampire form. He encounters Carolyn, a female member of the Children of Satan cult. 
FROM OUT OF THE SILENCE: SEVEN STRANGE STORIES (full title) (1920) – Written by Lady Bessie Kyffin-Taylor. The stories are: 
THE PHANTOM OF THE OPERA (1925) – Lon Chaney Senior’s makeup and performance as the title character were envelope-pushing for 1925 audiences. To me this is the ULTIMATE silent horror film. It may sound odd, but in my opinion this movie is the very best cinematic adaptation of the Gaston Leroux novel. 
