Tag Archives: movie reviews

SCREAMTIME (1984)

Screamtime 1Screamtime is one of the forgotten horror anthology films from the 1980’s. Supposedly the three main horror tales were originally filmed as individual episodes of a British tv series. Depending on which source you use either the series was cancelled (or never picked up) OR the episodes were deemed to be of too poor a quality.

The trio of horror stories were then edited into movie format for theatrical release with a wraparound story set in New York City. The oddity of the hard-assed New Yorkers watching three veddy, veddy British horror tales is part of the fun of this lame but bearable film. VHS it ain’t. Hell, it’s not even Beta Continue reading

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R100 (2013): A JAPANESE CULT FILM

R100R100 (2013) The title means “Restricted for everyone under 100 years of age.” But that’s meant tongue-in- cheekly. Trust me, this is a J-film  that doesn’t compromise yet still won’t gross out more mild viewers.

It’s no secret that the Japanese churn out some of the most watchably weird movies in the entire world. Trouble is it’s often hard to get a lot of cinephiles to share these little gems with you because some people can’t stomach movies featuring grotesque bodily modifications, tentacled creatures committing rape or people eating aborted fetuses like dumplings.  

Even those people will be able to sit all the way through R100. This little honey is largely a conceptual assault instead of a parade of gore, and is actually milder than most R-rated horror films these days.

In fact the movie has more in common with horror than erotica despite its joyously off-kilter premise. That premise: a middle-aged Japanese salesman named Katayama signs a contract with a worldwide S&M business. That contract permits them to have their black-clad, whip-wielding beauties turn up at any time they please to smack around, kick and humiliate the protagonist. Continue reading

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THE MUMMY AND THE CURSE OF THE JACKALS (1969)

Mummy and the Curse of the JackalsBy request here’s an encore presentation of one of my most popular reviews of a bad movie.

THE MUMMY AND THE CURSE OF THE JACKALS (1969) – Category:A neglected bad movie classic that deserves a Plan 9-sized cult following     Depending on which film book you read this movie either did or did not have any theatrical release but thankfully it’s available on video. Part of the bad movie fun is provided by how poorly lit some scenes are, even though that prevents us from getting better looks at 1960’s Las Vegas, where the story takes place. In this film Anthony Eisley portrays an archaeologist who, hilariously enough, can’t pronounce the word “archaeological” (he says “arkological”). He also refuses to clean the cobwebs out of his house for some reason, which can be pretty distracting in some scenes.

Like an idiot, he willingly brings the title “curse” upon himself and begins nocturnal transformations into a were-jackal so goofy looking he could pass for the mascot of a sports team. And check out Eisley’s pasty-white neck skin showing under the awkward jackal mask he’s wearing on his face. Eventually Eisley finds himself vying with the fattest mummy in human memory for the affections of an undead Egyptian Princess named Acana. 

Said mummy (who is so bulky you could swear they’ve got Tor Johnson wrapped up in those bandages) has a face that looks like a cross between Popeye the sailor man and the Toxic Avenger. Said Princess is under orders from the goddess Isis herself (in a joyously demented cameo appearance) to revive the worship of the ancient deities and provide them a home and a temple in the Mojave Desert.

Other characters include Eisley’s bland friend Bob and Bob’s blander girlfriend Donna, plus the man who may have appeared in more movies than Bronson Canyon itself, John Carradine, who plays Eisley’s one-time mentor. Continue reading

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BLOOD (1974)

Blood!BLOOD (1974) – Category: Laughably, enjoyably bad, but not fun-bad enough for my highest rating.         This movie is by Andy Milligan, so bad movie buffs know what to expect.  This time out our Staten Island auteur gives us a story about the son of the wolfman and the daughter of Dracula being a married couple. No, it’s not the premise for a wacky new sitcom, it’s an actual attempt at a horror film.

Wolfie Jr is trying to ween his undead bride off her addiction to human blood by substituting a sap produced by his man-eating plants (He creates these plants in his botanical laboratory so he’s both a werewolf and a mad scientist all wrapped up in one)

Trouble is, those plants only produce that sap after devouring a human victim, so what’s the difference? Somebody still winds up dead just to keep this high-maintenance bride nourished. Wolfie Jr could eliminate the middle man by just letting his wife bite people’s necks old-school! Of course, if he did that, we wouldn’t have this movie, and I’ll let you decide for yourself if that’s a Continue reading

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WELCOME TO BLOOD CITY (1977)

Welcome to Blood CityFrontierado is coming up on Friday, August 7th!

WELCOME TO BLOOD CITY (1977) Even for a Weird Western, this baby is OUT THERE! The best way to describe it is like a cross between Westworld and the original Patrick McGoohan series The Prisoner.

The opening will likely remind people of the television series Lost with our heroes, led by Keir Dullea, finding themselves in a strange landscape  dressed in prison garb with no recollection of what circumstances led them to this plight. They eventually are rounded up and taken to Blood City, a town straight out of the Ollllllllld West. Continue reading

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THE ORIGINAL DJANGO MOVIES

FRONTIERADO IS COMING AUGUST 7th!

The best Django, Franco Nero, played the gunslinger in Django, Django Strikes Again and (wink) Django’s Grand Return

Like Tarzan, James Bond and Sherlock Holmes the melancholy bounty hunter Django has been presented in various incarnations and with wildly differing continuity. And like soccer the Django movies have been an enormous success almost everywhere except the U.S. 

The great Franco Nero created the role in 1966 in a film so popular in Europe (but banned in the UK for its still- controversial violence) that it spawned a legion of sequels. Some sequels starred Franco Nero or others in the role of Django, while others were just unrelated westerns whose distributors simply  attached a phony Django title to them, sometimes redoing the dubbing to have the lead character referred to as Django, other times not bothering.

Original Django poster Balladeer’s Blog helpfully presents a synopsis of the films featuring (legitimately or not) the most durable Eurowestern hero of them all. And, yes, if you’re wondering, the western bounty hunter Django was indeed the reason George Lucas named that outer space bounty hunter Jango Fett.

DJANGO (1966) – In 1867 Mexico Django, a veteran of the Union army in the Civil War, seeks revenge on Major Jackson, the Confederate officer behind his wife’s death. Jackson and his still-loyal troops, now turned  outright Klansmen, are, like so many other fleeing Confederates, fighting for the Mexican Emperor Maximilian in the war to keep his throne.  

Django battles Jackson’s hooded thugs, even ambushing dozens with the Gatling Gun he keeps concealed in a coffin. When he’s out of men Major Jackson calls on Maximilian’s Imperial troopers for reinforcements and prepares to face Django and the Mexican rebel troops he’s fallen in with. For a detailed review of this unforgettable film click here: https://glitternight.com/2012/08/08/the-original-django-and-two-blaxploitation-westerns-a-primer-for-django-unchained/

DJANGO SHOOTS FIRST (1966) – AKA He Who Shoots First. Django comes into an enormous inheritance from his murdered father, an inheritance he learns he must share with his late father’s unscrupulous business partner, Mr Cluster. Django starts blowing away a host of bad guys as he tries to piece together who is responsible for his father’s death.

DJANGO, A BULLET FOR YOU (1966) – Django uses his guns to protect a group of downtrodden farmers from the villainous, land-grabbing town boss of Wagon Valley. He Continue reading

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INDEPENDENCE DAY: TO THE FOURTH POWER

To the 4th PowerTO THE FOURTH POWER (2013) – This film was one of the sleeper hits of last year. You’d think it would be impossible to do something creative with the mock documentary format at this point but To The Fourth Power proves to be a thought-provoking and inventive piece set “just a few years from now”.

The movie depicts a near future in which the Continue reading

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STARSHIP INVASIONS (1977)

Starship InvasionsSTARSHIP INVASIONS (1977) – This Canadian venture (also released as Project Genocide) is a bad movie classic and I don’t know why I kept putting off reviewing it for so long. I’ve been in love with this baby ever since I first saw it long years ago.

It combines the campy fun of the old television series UFO with that of countless 1950’s and 1960’s “invasion of Earth” movies. The ridiculous uniforms of the aliens make it hard to stop laughing as you watch events unfold. They communicate telepathically (in voiceover for the benefit of viewers) so they never speak, which is another source of fun since their facial expressions never seem to change no matter how heated the telepathic conversations get.   

Our movie opens up with a UFO shooting a rather heavy Canadian farmer in an Elmer Fudd hat with a paralyzing ray, then abducting him. While in the aliens’ custody the farmer is confronted by one of his captors – a beautiful nude woman. The two have sex and return the farmer to his home, following which he tries to tell the authorities about his experience but they don’t believe him.   Continue reading

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THE VISITOR (1979): AN INCREDIBLY WEIRD MOVIE

Like the poster? Too bad! It bears no resemblance to ANYTHING that happens in the actual movie!

Like the poster? Too bad! It bears no resemblance to ANYTHING that happens in the actual movie!

THE VISITOR (1979) – This Italian-made movie deserves a Plan 9-sized cult following so I’m surprised that it’s still com-paratively unknown. The film is directed by “Michael J Paradise” (Giulio Paradisi) and features appearances by such name stars as Franco Nero, Glenn Ford, Lance Henriksen, Shelley Winters, John Huston, Sam Peckinpah, Kareem Abdul Jabbar and Mel Ferrer. Paradisi directs this film in such a way that the actual point of most scenes is lost because virtually every shot includes extraneous footage completely irrelevant to the storyline. The extra footage just distracts from what otherwise might have been a halfway passable sci-fi thriller.  

Never before has anyone used the words “This movie could have used more Kareem Abdul- Jabbar” but they apply to this flick.

All that being said I want to point out that I disagree with the general consensus that The Visitor makes no sense. Sure, it has plotholes, inconsistent behavior from the characters, poorly chosen reaction shots and villains who over-complicate things for themselves, but the basic story DOES make sense. In fact I bet X-Files fans would like it and would immediately understand what’s going on.

The Visitor 4Part of the confusion can be attributed to the edited version that omits so much footage that it’s difficult to understand what is going on. It’s not always easy to understand what’s going on in the complete 108 minute version, either, but at least it retains all the relevant footage. Since so many people seem lost when they first watch this movie I’ll provide a handy synopsis of the film. It’s not quite right to say there are spoilers ahead since most people apparently don’t understand what is going on when they watch the film anyway. Continue reading

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DEAFULA (1975) ONE OF BALLADEER’S BLOG’S GREATEST HITS

Deafula BalladeerThis is one of my most- requested Bad Movie reviews, so here it is again. Deafula is yet another of those bad movies that has such a bizarre premise that many believe the film to be an urban legend, like the turkey-monster flick Blood Freak. Get ready for a deaf vampire, a very odd witch and the most joyously goofy hunchback in cinematic history.  

Deafula 2DEAFULA (1975) – Category: A neglected bad movie classic that deserves a Plan 9-sized cult following

Good intentions go horribly wrong in this film. Much like with Blood Freak, there are people who insist this film is just an urban legend and that it doesn’t really exist. Those people are wrong again. This horror film is in black and white and, as the title suggests, the vampire as well as everyone else in this movie’s world are deaf and communicate through sign language, billed as “Signscope” in the movie posters and in the opening credits, as if this was a pioneering technical gimmick on a par with Sensurround. (Although considering how lame Sensurround was there may be something to that)

Never fear, though, there is also voice-over narration provided by different people for each actor, so that people who don’t know sign language can follow the story. Obviously this is all very noble, and in fact Peter Wechsburg, who produced this film and stars as Deafula, was responsible for an all-sign language newscast for the hearing impaired. That newscast originated in Portland, OR, which is also where Deafula was filmed. Continue reading

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