Balladeer’s Blog continues its annual orgy of versions of the Dickens classic as Christmas Carol-A-Thon 2019 resumes!
A CHRISTMAS CAROL (1984) – Don’t be misled by the 1984 date, this is neither the George C Scott version NOR the French TV version which I first reviewed years ago. This is a taped stage performance that aired on Ohio Public Television station WNEO on December 22nd, 1984.
Just to give you an idea of the psychotically obsessive lengths I sometimes go to to track down these obscure versions of the Carol: Years ago when I bought this it was one of the many productions not available on video. Nor was it to be found on E-bay or Amazon or any of the usual outlets.
By emailing various staff members at Kent State University (whose theatre department mounted this version) I eventually reached a kind individual. He stated that, though the university did not have copies of the production for sale he would ask around on the KSU faculty’s exclusive chat boards to see if anyone had a copy they may have taped off television back in 1984. Continue reading
A CHRISTMAS CAROL (2012) – This adaptation of A Christmas Carol was a noble effort to try something different that was not just a gimmick. Ignore the negative IMDb reviews which accuse this adaptation of using “Elizabethan language.” They’re off by a few hundred years, since in reality the dialogue follows that in the Dickens novel of 1843. 
A CHRISTMAS CAROL (2019) – Directed and co-written by Steven Salgado, this adaptation of the 1843 novel sets the story in present-day Miami. Though some may try to pigeon-hole this indy film as “a Hispanic-American Christmas Carol” that would not be quite accurate. 
A CHRISTMAS CAROL (2006) – This computer-animation version of the Dickens classic was produced by BKN and distributed by Genius Entertainment, Kidtoon Films and Image Entertainment. Ric Machin directed. The 48 minute film had a brief theatrical run in November of 2006 before being released on home video. 
MASERATI: A HUNDRED YEARS AGAINST ALL ODDS (2019) – This fascinating documentary directed by Philip Selkirk is so riveting it flies along like one of the automobiles in the Maserati line. 
ALLEGRO NON TROPPO (1976) – Balladeer’s Blog takes a look at the infamous Italian parody of Disney’s Fantasia. In our current year, where the avaricious Disney corporation has engulfed and devoured countless film properties and tried to trademark so many figures from world folklore, writer and director Bruno Bozzetto’s satirical poke at The Mouse That Ate Entertainment deserves to be revisited. 
Micheli’s character keeps his animator (Maurizio Nichetti) in chains in a dungeon as another swipe at the House of Mouse. As if that’s not enough he also keeps his musicians in a cage, letting them loose only to do their work for him. 
Terminator: Dark Fate is – as of this writing – on course to lose 120 million dollars due to its lackluster performance. (UPDATE: The projected loss has now been increased to 130 million dollars)
Halloween Month continues at Balladeer’s Blog.
Halloween Month continues here at Balladeer’s Blog, this time with the definitive horror/ sci-fi/ monster franchise in cinema. 2019 is the 40th anniversary of the original movie Alien and earlier this year six authorized (not fan-made) short films were released to mark the occasion. 
MAD MAX (1979) – Balladeer’s Blog’s “Weirdness at the End of the World” takes a look at one of the best movies in the best franchise in the crowded Post-Apocalypse sub-genre. 
Though in real life this sense of no larger government having control may have been a function of the film’s low budget, I find it adds nicely to the uncertain atmosphere. In just a few years the American telefilm The Day After would come close to presenting that same air of confusion about the new state of affairs following a catastrophic war. 
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