Tag Archives: movie reviews

BEST OF FEBRUARY 2019

Balladeer’s Blog’s end-of-year review continues:

Alien Outlaw bigALIEN OUTLAW (1985) – A review of this  vintage B-movie with a butt-kicking heroine. CLICK HERE

KEVIN JACKSON: A MARTIN LUTHER KING PERSON OF COURAGE – A look at yet another courageous iconoclast on the political scene. CLICK HERE

Texas 27 Film Vault

TEXAS 27 FILM VAULT ANNIVERSARY – The 34th anniversary of the first broadcast of the Pre-MST3K show The Texas Twenty-Seven Film Vault. CLICK HERE 

PETER TORK IS DEAD, MISS HIM, MISS HIM – With Peter Tork’s passing in February came this review of the NEW Monkees show from the 1980s – CLICK HERE

FIVE MOST UNQUALIFIED U.S. PRESIDENTS – The title speaks for itself. CLICK HERE

Flash for FreedomFLASH FOR FREEDOM – A review of another of George MacDonald Fraser’s Harry Flashman novels. CLICK HERE 

SIXTEEN OVERLOOKED SECRETARIES OF STATE – No Kissinger, no Hillary, just forgotten figures. CLICK HERE

BLACK PANTHER: THE FIRST KILLMONGER STORY (1973-1975) – CLICK HERE Continue reading

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THE GUTHRIE THEATER PRESENTS A CHRISTMAS CAROL (1982)

Balladeer’s Blog’s TENTH Annual Christmas Carol-A-Thon continues with this review.

Guthrie Theater Christmas CarolTHE GUTHRIE THEATER PRESENTS A CHRISTMAS CAROL (1982) – Stage performances of any story getting filmed for video are pretty hit and miss, but this production is much more of a hit than a miss. The Guthrie Theater Presents A Christmas Carol was filmed at the famed Minnesota theater of the title and aired on The Entertainment Channel in 1982 before being released on VHS.

This presentation of the Dickens classic uses the framing device of Charles Dickens (Marshall Borden) himself being persuaded by Christmas party guests to treat them to his most famous Yuletide ghost story. Dickens is at first reluctant since he’s feeling a bit harried and stressed out, so he huffily clears the room.

Needless to say the act of recounting A Christmas Carol to us viewers winds up restoring his holiday cheer. By the time he closes the framing device at the end of the play he’s as jovial and hearty as Nephew Fred and delivers the whole “good old city, town or boro in the good old world” speech with memorable panache. Continue reading

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BEST OF JANUARY 2019

The end of the year always brings with it retrospectives on the preceding months. We’ll start off with this sampling of January’s Best.

Alan Bates -better Flashman than MalcolmHARRY FLASHMAN NOVELS – My reviews of George MacDonald Fraser’s series of Flashman novels have been very popular items. January saw three items:

FLASHMAN (1969) – CLICK HERE

FLASHMAN AND THE REDSKINS (1982) – CLICK HERE 

FLASHMAN ON THE GOLD COAST – CLICK HERE 

robert gintyROBERT GINTY MOVIE MARATHON – Six of the most psychotronic movies from the one and only Robert Ginty.

White Fire, The Exterminator, Warrior of the Lost World, Goldraiders, Exterminator 2 and ScarabCLICK HERE

PUCK MAGAZINE: ROBBER BARONS THEN AND NOW – CLICK HERE

PUCK MAGAZINE: THEODORE ROOSEVELT – CLICK HERE

masc graveyard newFACULTY LOUNGE FASCIST ROUNDUP: JANUARY 21st – Yet another look at the Theater of the Absurd known as the United States “Educational” System. CLICK  HERE

DENNIS QUAID FILM FESTIVAL – Five films of the biggest DQ this side of Dairy Queen. CLICK HERE 

SHARYL ATTKISSON ON FALSE STORIES IN THE “NEWS” – CLICK HERE 

gentleman jekyll and driver hydeGENTLEMAN JEKYLL AND DRIVER HYDE (1950) – One of Canada’s most bizarrely entertaining Driver’s Ed shorts. CLICK HERE  

MARTIN LUTHER KING DAY QUIZ – CLICK HERE

parsifal mosaicTHE PARSIFAL MOSAIC (1982) – My review of the Robert Ludlum novel. CLICK HERE

THE SPANISH CIVIL WAR – From one of my replies to reader questions. CLICK HERE Continue reading

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BARBIE IN A CHRISTMAS CAROL: (2008)

Balladeer’s Blog’s TENTH Annual Christmas Carol-A-Thon continues! Yes, it’s the Christmas Carol adaptation NOBODY asked for … not even KEN!

Barbie in a Christmas CarolBARBIE IN A CHRISTMAS CAROL (2008) – Mattel provides us with a plastic version of the Carol in a plastic cartoon about its plastic creation Barbie. Just as Mr Magoo was an actor portraying Scrooge in Mr Magoo’s Christmas Carol, Barbie is the story-teller relating the tale to her younger sister Kelly.  

As in A Diva’s Christmas Carol the Scrooge stand-in here is a female singing star – Eden Starling. Eden’s mean-spirited Aunt Marie has spent a lifetime molding the young songstress into an equally unpleasant figure complete with Aunt Marie’s credo: “In a selfish world, the selfish succeed.” Continue reading

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A CHRISTMAS CAROL (1984) – KENT STATE VERSION

PBSBalladeer’s Blog continues its annual orgy of versions of the Dickens classic as Christmas Carol-A-Thon 2019 resumes!

A CHRISTMAS CAROL (1984) – Don’t be misled by the 1984 date, this is neither the George C Scott version NOR the French TV version which I first reviewed years ago. This is a taped stage performance that aired on Ohio Public Television station WNEO on December 22nd, 1984.  

Just to give you an idea of the psychotically obsessive lengths I sometimes go to to track down these obscure versions of the Carol: Years ago when I bought this it was one of the many productions not available on video. Nor was it to be found on E-bay or Amazon or any of the usual outlets.

By emailing various staff members at Kent State University (whose theatre department mounted this version) I eventually reached a kind individual. He stated that, though the university did not have copies of the production for sale he would ask around on the KSU faculty’s exclusive chat boards to see if anyone had a copy they may have taped off television back in 1984. Continue reading

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A CHRISTMAS CAROL (2012)

Balladeer’s Blog’s 10th Annual Christmas Carol-A-Thon continues with this eeriest of all the versions to date!

christmas carol 2012A CHRISTMAS CAROL (2012) – This adaptation of A Christmas Carol was a noble effort to try something different that was not just a gimmick. Ignore the negative IMDb reviews which accuse this adaptation of using “Elizabethan language.” They’re off by a few hundred years, since in reality the dialogue follows that in the Dickens novel of 1843.

This 2012 version of A Christmas Carol boasts absolutely beautiful cinematography. Its emphasis is on the eerie nature of the story and has the look of a horror film much of the time. It has assorted flaws which I’ll cover as we go along but I almost hate having to cover the negative aspects of such a brave experiment.

I will take a hundred creative attempts like this, which may fall short but are trying something new, over one more soulless item which updates the story to the modern age but has no emotion to it.      Continue reading

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A CHRISTMAS CAROL (2019)

Balladeer’s Blog’s Tenth Annual Christmas Carol-A-Thon continues with this brand-new adaptation of the Dickens tale.

A Christmas Carol 2019A CHRISTMAS CAROL (2019) – Directed and co-written by Steven Salgado, this adaptation of the 1843 novel sets the story in present-day Miami. Though some may try to pigeon-hole this indy film as “a Hispanic-American Christmas Carol” that would not be quite accurate.

Yes, the movie gives us Roberto instead of Bob Cratchit and Scrooge & Hernandez instead of Scrooge & Marley (Marley is Hernandez’s FIRST name) as well as a nearly all-Hispanic cast, but viewers are not hit over the head with it. There is no attempt to drag present-day politics into the story and ethnicity is not used as a gimmick. It is not even commented upon that the characters are all Hispanic-American, a refreshing change in a 2019 film.

This movie looks absolutely gorgeous. There are probably Miami Tourism videos that don’t make the city look this sunny and appealing. I’m not exaggerating. The cinematography in this flick makes everything look good enough to eat.

Kate Katzman portrays Ellen Scrooge, CEO of Scrooge & Hernandez Pharmaceuticals. Marley Hernandez died just one year earlier instead of the usual seven years. The astonishing youth of nearly all the cast members seems to be the reason for this. Ellen looks like she would have still been in High School seven years earlier, not already a partner in Scrooge & Hernandez. Continue reading

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A CHRISTMAS CAROL (2006): COMPUTER ANIMATED BY BKN

If it’s the Friday after Thanksgiving then that means it’s the start of this year’s Christmas Carol-A-Thon! This is the TENTH Annual edition. Between now and Christmas Day Balladeer’s Blog will examine multiple versions of A Christmas Carol, both new reviews AND old favorites mixed in.

A Christmas Carol 2006 2A CHRISTMAS CAROL (2006) – This computer-animation version of the Dickens classic was produced by BKN and distributed by Genius Entertainment, Kidtoon Films and Image Entertainment. Ric Machin directed. The 48 minute film had a brief theatrical run in November of 2006 before being released on home video.

If you’re in the mood for a shallow, “just going through the motions” rendition of A Christmas Carol then THIS is the version for you! The target audience seems to have been very, very young children so all strong emotional content has been removed, leaving the shell of the actual story.

The computer animation, though dated by 2019 standards, was very good for 2006 and probably delighted children. Anthropomorphic animals play the characters, with skunks as Ebenezer Scrooge and his nephew Fred, rabbits as Bob Cratchit and his family, an anteater as Jacob Marley and so on.

Taking the story beat by beat: Continue reading

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MASERATI: A HUNDRED YEARS AGAINST ALL ODDS (2019) – REVIEW

MaseratiMASERATI: A HUNDRED YEARS AGAINST ALL ODDS (2019) – This fascinating documentary directed by Philip Selkirk is so riveting it flies along like one of the automobiles in the Maserati line.

If Ford vs Ferrari left you hungry for more drama from automobile and racing history – or even if it didn’t – Maserati: A Hundred Years Against All Odds is not to be missed. This documentary is a fuel-injected, high-testosterone version of a Ken Burns project only much tighter and more absorbing.  

Maserati was founded December 1st, 1914 in Bologna, Italy, making it actually 105 years against all odds, but the title’s use of “A Hundred Years” has more of a poetic feel to it. With film footage dating from the Silent Era up through the present day the movie fills the viewer with a grand sense of history. Continue reading

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ALLEGRO NON TROPPO (1976): FILM REVIEW

Allegro Non TroppoALLEGRO NON TROPPO (1976) – Balladeer’s Blog takes a look at the infamous Italian parody of Disney’s Fantasia. In our current year, where the avaricious Disney corporation has engulfed and devoured countless film properties and tried to trademark so many figures from world folklore, writer and director Bruno Bozzetto’s satirical poke at The Mouse That Ate Entertainment deserves to be revisited.

Allegro Non Troppo was the only film until Shrek to take satirical aim at the Disney Empire. Bruno Bozzetto’s film combined black & white live action scenes with state of the art animation for the 1970s. Bozzetto introduces us to an Italian film producer, played by Maurizio Micheli, who thinks he’s come up with an original idea: an animated film with its episodes set to classical music.

Right up front the film takes a shot at Disney’s (even then) notoriously litigious nature by having the overly unctuous producer/ presenter receive a phone call warning legal action since this premise has been done before, in Fantasia. The producer, equal parts used car salesman and circus ringmaster, shrugs off the threats from “Prisney or whoever” and goes on with the show.

Allegro Non Troppo 2Micheli’s character keeps his animator (Maurizio Nichetti) in chains in a dungeon as another swipe at the House of Mouse. As if that’s not enough he also keeps his musicians in a cage, letting them loose only to do their work for him.

Once the browbeaten, put-upon animator begins drawing the illustrations spring to life as the color cartoons sprinkled throughout the movie. In between those cartoons are comedy sketches with the presenter, animator, orchestra and conductor (Nestor Garay). The comedy sketches range from acceptable to cringe-inducing and never approach the brilliance or bite of the opening salvos against Disney.

As for the cartoons and the works of classical music to which they are set: Continue reading

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